Tarzan

This is a great film, it moves right along fast, has great characters, action, voice, music is just right, great animation, you name it. Lives up to the Tarzan heritage and then some. I highly recommend this one.

Definitely something to jump up and down about.

I found this surprisingly good because not only was animation well done - which they all seem to be in the past decade - but an involving, action-packed story that was interesting start-to-finish. The action is not overdone, however. The color in here is magnificent and it looks spectacular on DVD.

The film turned out to be a good combination of drama, action, comedy and romance. I would think this would be a little too frightening, however, for little kids, for those wondering about that. The only negative I had was listening to the grating voice of Rose O'Donnell. That, and her New York City, accent, is definitely not appealing. Otherwise, I have nothing but good things to say about this film.

Well, being the big animation fan that I am, I went to see Tarzan this afternoon. Wow.

When I first heard that Disney was doing a version of the Tarzan story, I was hesitant. I mean who wants to hear an ape man spouting out show tunes? Hakuna Matata! The only songs are some of the best work Phil Collins has done in many years. He ventures into the Peter Gabriel territory, but does a great job especially with the rhythms since he IS a drummer. The open number (and sequence) is best albeit Lion King-esque. It seems he was very inspired by the material and has rediscovered his love of music. It's very uplifting. Don't misunderstand me, the characters do sing, but it's more Rosie O'Donnell doing scat with the other apes as they destroy a camp and a very welcome singing cameo by Glenn Close doing the beginning of a lullaby that Phil takes over.

As for the picture itself: wow! This is the most beautiful Disney animation ever: lush, detailed, quick and smooth. Tarzan moves like liquid, filling the screen with gymnastic ease especially the scene where he fights a leopard to save his ape family.

And family is what this film is all about. Disney's Tarzan makes a different decision that Edgar Rice Burroughs' and I think it works better, but it's the decision I would make in the same situation. Some of the situations are a little contrived, but it is mostly Disney sticking with a winning formula. (Tarzan does have nipples unlike Aladdin). :-) What surprised me was the dramatic tilt of the film. Rosie O'Donnell's ape and the elephant are the only comic relief and don't have much of it. The film is very skewed towards adults; HOWEVER, as I was surrounded by a mob of kids there was dead silence right after the main gorillas lose their baby and Tarzan loses his parents to the leopard at the beginning. All the questioning ceased and I got to enjoy the film in complete "adult-like" silence. The kids were just as wrapped up in the movie as the adults.

The voice talent was well cast, too. Minnie Driver is great as the strong, yet proper British lady of the time. Her father is a stereotypical egghead professor who is as clumsy as he is smart. And then there is Brian Blessed as the villain, Clayton. Man, do I love his voice! It's the Voice of God! The deep, rich tones always give me a chill. I wish he worked in more films other then Kenneth Kenneth Branagh's Shakespeare films, but alas.... (well, I guess he WAS in The Phantom Menace)

This truly is one of Disney's classics. I felt the same way walking out of this one as I did from Beauty and the Beast and The Lion King.

Oh, look for a cameo from Mrs. Potts and Chip from Beauty and the Beast! I thought it was funny, but I don't think anyone else in the theater got it since I seemed to be the only one laughing. I always embarrass myself at the movies it seems.

From 1989 to 1999, Walt Disney studios created some of the most amazing, mind-blowing animated movies of all time. From the little mermaid to beauty and the beast, from Aladdin to the lion king, from Pocahontas to Hercules, and finally, Mulan to Tarzan, these movies still hold their staying power to today. However, Tarzan was the last of these films, from the period known as the Disney Renaissance. Disney remains a popular animation studio in the public eye, but no one could deny how popular they were throughout the 1990s.

Tarzan itself is based upon the novels by Edgar Rice Burroughs and the movies from the 1930s. Tarzan is a baby who loses his parents, and is adopted by a family of gorillas, who raise him up as their own.

For a Disney film, this one is one of the best. For a renaissance film, It's not the best of them. I still like to say that the first 2 (The Little Mermaid & Beauty and the Beast) were the best. I know that some Disney fans would chew on me for not saying The Lion King, but that's just my personal preference.

I still think it's a great movie, worthy of being part of the collection of Disney's best.

9/10

Animated Disney films always seem to be the same in hindsight. It's only when the directors get the inclination to try something bigger that the films achieve a legendary status. It's been ten years since this new Disney renaissance began with "The Little Mermaid", the new "Tarzan" represents exactly what is wrong and what is so very right with the Mouse House's approach to the animated features.

During these last ten years, the studio has learned what's worked, and what doesn't. Disney always plays it safe. The "Tarzan" opening is very similar to the mega-successful "The Lion King". They compress the entire backstory into a 10 minute opening, and it works like a charm. We all have to admit that Phil Collins hasn't done anything substantial in the last ten years as well, yet his songs for this new film are spot on. They narrate the film and guide the audience perfectly through this loose adaptation of the Edgar Rice Burroughs novel. Having been weaned on poor character songs throughout the years, it's deliciously blasphemous to not have to sit through 5 or 6 god awful musical numbers that even the composers don't seem to like. It brings an unexpected freshness to this well-known material. With "Tarzan", Disney is taking on a character and story that has gone through countless adaptations. This animated approach seems to fit just right. By not having to rely on a physically impressive (but poorly expressive) actor, the animators have created the most believable Tarzan yet. He glides through the jungle with ease, dragging behind his the well worn knuckles of an ape-man. It's probably one of Disney's most impressive creations, even though it is one so renowned. Tony Goldwyn brings the voice of Tarzan to life with unexpected sweetness. While used sparingly, Goldwyn manages to capture the character with ease. I also enjoyed Minnie Driver's spunky voice for Jane, making her the most palatable animated heroine since Lady. Rosie O'Donnell is about as grating as you might suspect and Glenn Close is perfect as Tarzan's ape mother. It's the villain that Disney needs to work on. While watching "Tarzan" you can easily feel that the addition of the bad guy is superfluous. He's just there because the filmmakers think we can't go without it. They're dead wrong. The flick is filled with lush visuals (courtesy of the more prominent GCI work), grand music, and a strong story. We don't need forced conflict. The conflict within is what "Tarzan" is all about. The rogue brings the film down more than it should. Coming out of "Tarzan" I had feelings I haven't felt from a Disney production in some time. I was moved by the material, shockingly filled with emotion. I came out of the theater humming the music, not an easy thing in the years of "Mulan" and "Hunchback". I also came out impressed that Disney might be making baby steps to a new and brighter future of animated films. I look forward to it. ------------ 7