Os Sortudos

This plays like an extended sitcom, with the only thing missing being a laugh track. The entire movie seems stretched with non relevant material, such as the missing bag of cookies, or the elevator rudeness. There are a few chuckles along the way to the rather dark conclusion. Neither Steven Weber or Craig Bierko elicits any sympathy, so you wind up really not caring who gets a leg up on whom. Both girlfriends and the Mother are nothing but annoyances. The whole script beyond the initial idea of the slot machine sequence, seems like forced outrageousness. At best, a rather mediocre film that belongs on television, and nothing more. - MERK

For all of the good things i had heard about this movie, i was very disappointed. This movie was nothing more than an extention of Seinfeld, which was co-created and written by Larry David. There are conversations about hotel sex and Craig Beirko reminded me of George with his constantly reminding everyone that a doctor didn't hold a door for him. Even the parody of "Friends", wasn't funny. Larry David is a smart and witty guy, but this movie was just a miss.

If I had believed all the negative on-line reviews for this film, I probably never would have rented it. But I'm very glad I didn't pay heed. While "Sour Grapes" may not quite reach the comedic heights of Larry David's "Curb Your Enthusiasm" on HBO, there's enough of David's hilarious, mean-spirited, offbeat humor to please any fan of his classic comedy series (oh, yeah, and Seinfeld fans, too). The circuitous way the plot unfolds and then crazily accelerates is very much in the style of both series and the two leads, especially the under-appreciated Craig Bierko,are great. Director and writer David takes perfect aim at such diverse targets as overbearing mothers (the actress in this part is wonderful), dutiful sons, feckless sitcom stars, brain surgeons (who shouldn't fiddle around with testicles), and homeless people. I can see why this film was a flop at the box-office. Larry David is an acquired taste and better suited to a niche audience on cable. But if you like anything else he's done, you shouldn't miss this overlooked little beauty.

You could almost call "Sour Grapes", "Seinfeld: The Movie". A lot of the rhythm is like the show expanded (and with profanity) to 90 minutes. The plot is sitcom-ville but it's workable and serves as a good setup. Two cousins, Evan (Steve Weber) and Richie (Criag Bierko) travel to Atlantic City. When Richie runs out of money for a gambling machine and asks Evan for two quarters, Richie ends up winning a jackpot. Evan feels he's entitled to half of the loot but Richie feels differently. From there the plot escalates as each enacts some kind of revenge and relates his feelings to his friends, co-workers and family with sides being taken and a lot of very expressive opinions being made by all. Now, some of the banter works quite well. For example, there's a well done scene where Evan (who's a doctor of some sort) doesn't want to see any patients (for reasons that are too complex to go into but suffice to say it involves the removal of some vital male structures). He asks his receptionist to tell all the patients waiting to go. She asks him should she tell them individually or as a group? The exchange is pure, classic Larry David and it's played with such understatement that it's a joy. Another bit later on involves Larry David himself (in a toupee!!) playing a brash `Hollywood' type who somehow gets into how Eskimos would handle punishment. But as the plot escalates into more and more bizarre situations and setups, the film becomes strained and the comedy suffers. As Director and Writer, Larry David weaves so many characters and plot elements into the mix that he seems desperate to come up with an ending that will pull all the strings together in a satisfying way. Like many of even the best of the `Seinfeld' episodes, he simply ends the movie with a drab almost eventless ending that feels like a cheat. With all that came before it, we feel that we deserve some kind of big ending. Though it's not a great movie, Stanley Kramer's `It's a Mad, Mad, Mad, Mad World' had a `big' ending that felt exactly right in contrast to all the "madcap" elements that came before it no matter how forced and unfunny. Maybe David felt he was being revolutionary or something in not giving into the basic comedic instinct for this kind of ending. But we're talking about low comedy not high art.

The performances are fine. Steven Weber is a good comedic actor. His yuppie handsomeness is perfect for David's lines and he underplays certain scenes wonderfully. You can see his shock registering every times something goes wrong and he wonders how he got into all of this. Craig Bierko overplays a lot of his scenes by mugging but given the nature of his character (he's basically selfish and obnoxious) it's consistent and he never lets up on it. One thing you cannot fault David is his casting of African-Americans and older actors even if they are all supporting roles. And he gives them lines and situations that have comedic punch. Overall, `Sour Grapes' is watchable, passable, entertainment. Not a great movie comedy but it certainly has it's moments.

It's so funny that I didn't know Larry David wrote the script to this movie, because the whole time I was watching it I kept saying "That scene was just like something out of Seinfeld." or "That character reminds me of George Costanza" or "He kinda reminds me of Kramer.".

Larry David applies his unique brand of comedy to this script very well. It literally plays out like a long "Seinfeld" or "Curb Your Enthusiasm" episode. All the elements are here. Especially the way everything is related in the end.

The movie also has some really good performances from the cast, namely Steven Weber and Craig Bierko. Both of them are very fun to watch here. You can tell they must have had fun making the movie, because they work together very well.

Like I said, very Seinfeld-ish. Now that you know Larry David wrote it, you'll notice even more Larry David elements within the movie. They're everywhere when you consider the structure of the plot, the amplified & quirky characters etc...