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IMDbPro

O Violino Vermelho

Título original: Le violon rouge
  • 1998
  • R
  • 2 h 10 min
AVALIAÇÃO DA IMDb
7,6/10
35 mil
SUA AVALIAÇÃO
Samuel L. Jackson and Greta Scacchi in O Violino Vermelho (1998)
A red-colored violin inspires passion, making its way through three centuries over several owners and countries, eventually ending up at an auction where it may find a new owner.
Reproduzir trailer2:27
1 vídeo
35 fotos
DramaDrama de épocaMistérioMúsicaRomance

Um violino vermelho inspira paixão, percorre três séculos de vários proprietários e países, e finalmente termina em leilão onde pode encontrar um novo proprietário.Um violino vermelho inspira paixão, percorre três séculos de vários proprietários e países, e finalmente termina em leilão onde pode encontrar um novo proprietário.Um violino vermelho inspira paixão, percorre três séculos de vários proprietários e países, e finalmente termina em leilão onde pode encontrar um novo proprietário.

  • Direção
    • François Girard
  • Roteiristas
    • Don McKellar
    • François Girard
  • Artistas
    • Carlo Cecchi
    • Jean-Luc Bideau
    • Christoph Koncz
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    35 mil
    SUA AVALIAÇÃO
    • Direção
      • François Girard
    • Roteiristas
      • Don McKellar
      • François Girard
    • Artistas
      • Carlo Cecchi
      • Jean-Luc Bideau
      • Christoph Koncz
    • 285Avaliações de usuários
    • 56Avaliações da crítica
    • 57Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 20 vitórias e 19 indicações no total

    Vídeos1

    Official Trailer
    Trailer 2:27
    Official Trailer

    Fotos35

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    + 28
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    Elenco principal60

    Editar
    Carlo Cecchi
    • Nicolo Bussotti (Cremona)
    Jean-Luc Bideau
    Jean-Luc Bideau
    • Georges Poussin (Vienna)
    Christoph Koncz
    • Kaspar Weiss (Vienna)
    Jason Flemyng
    Jason Flemyng
    • Frederick Pope (Oxford)
    Irene Grazioli
    • Anna Bussotti (Cremona)
    Anita Laurenzi
    • Cesca (Cremona)
    Tommaso Puntelli
    • Apprentice (Cremona)
    Aldo Brugnini
    • Assistant (Cremona)
    Samuele Amighetti
    • Boy (Cremona)
    Clotilde Mollet
    • Antoinette Pussin (Vienna)
    Rainer Egger
    • Brother Christophe (Vienna)
    Wolfgang Böck
    Wolfgang Böck
    • Brother Michael (Vienna)
    Florentin Groll
    • Anton von Spielmann (Vienna)
    Johannes Silberschneider
    Johannes Silberschneider
    • Father Richter (Vienna)
    Arthur Denberg
    • Prince Mansfeld (Vienna)
    Paul Koeker
    • Brother Gustav (Vienna)
    Josef Mairginter
    • Brother Franz (Vienna)
    Johan Gotsch
    • Funeral Monk (Vienna)
    • Direção
      • François Girard
    • Roteiristas
      • Don McKellar
      • François Girard
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários285

    7,635.2K
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    Avaliações em destaque

    9T-10

    An ambitious story that delivers

    What can you say about a film that covers three centuries, people from all stations of society, and several European countries and Canada. Ambitious is a good start. This film was very well crafted and at about one hundred forty minutes was too short for me. The story follows a red violin, an inanimate object, although at times it seemed alive to me, thru three centuries and the influences good and ill that it has on its possessors. It does ever seem to be owned. Each of its possessors lives a life of passion and turmoil. The violin's birth is during turmoil and during its life it buried, shot, and almost burned. The writing which includes this parallel between the violin and its possessor , five somewhat independent segments that mell and converge in the final scenes, and a story told by tarot cards make for an extremely unique experience. Add to that the musical score, scenery, the varied languages and cultures and you have a great offering. The performances were all strong, but I thought Jason Flemyng as Lord Frederick Pope stood out. To say his character was eccentric and maybe a little over the top is justifiable but I'm sure that was intended. English nobility has always been known for its idiosyncrasies. The ending has incongruous feel with the remainder of the film but is satisfactory and I can not suggest a better one. Great entertainment! Three and a half stars!!!
    10bjones

    Absolutely wonderful

    I thought this might be one of those films that would be "good for me" to see. I was mildly intrigued by descriptions of the story I had read and with the trailer, so I thought to take a chance. I took someone very close to me, an actual violin prodigy. Coincidently, her and I have recently been searching for a decent violin for her that is affordable by actual humans, so we could relate to parts of the plot first-hand. We arrived to a very thin theater in one of those mega-complex theaters, and while everyone was queuing up next-door to see the latest blockbuster from Hollywood I settled into an amazingly comfortable seat with an excellent view and prepared for whatever might come.

    I was shocked. This film turned out to be clearly one of the best movie going experiences I have had in ages. We see this as the story unfolds and is creatively told through the reading of the violin makers wife's fortune with a deck of Tarot cards. It is the story of a part of the life of a violin; of the humans who would dare to possess her beauty. A masterpiece of a craftsman's art, it is desired by many for it's acoustic perfection. But, as Tolstoy said, "how complete is the delusion that beauty is goodness." Or more interestingly, from Saint Augustine: "Beauty is indeed a good gift of God; but that the good may not think it a great good, God dispenses it even to the wicked." There seems to be a curse on this instrument as it brings ill to those who manage to possess it. This makes the ending especially eerie.

    An original, imaginative and thought provoking story that engaged one's mind as American films almost never do. I will not describe more of the plot, it's far too good to ruin. The memory of this film will be one long treasured.

    Oh, as for my guest, the honest-to-God prodigy: she said the music was magnificent (it was) even though a real musician could tell the actors weren't playing, it was well done.
    NaplesMacMan

    Not perfect, but mighty close! This film forces you to pay attention!

    The mystique of violin making has always intrigued me so this film was a big attraction for me going in, and I wasn't disappointed for one second!

    OK, first of all, the obvious things that make it special: reality, craft, acting, scoring, and cinematography! It takes only a few seconds to know that this gem did NOT emanate from the money grubbers in Hokeywood California as one more way to titillate teenagers with sex, violence, and computer generated special effects with a subliminal message that sells products. Nope! This film was made by film makers who understand the power of a story well told, and REAL cinema.

    Cutting back and forth repeatedly between the present and various disparate periods and places from the past, THE RED VIOLIN forces the viewer to pay attention and most of all... THINK!

    The Red Violin is NOT the subject here but a catalyst to stimulate thought about human behavior and how different societies have related to art as we move through the centuries.

    The casting was (on the whole) excellent though the choice of Samuel L. Jackson as a learned expert in ancient instruments was not convincing for me personally. And, the NON-ending which is more of a comment on human habits of acquisition than human nobility, was just not what I considered a definitive ending. (Maybe that was the point! "Everything continues endlessly...")

    If you go to movies as an excuse to nibble away on munchies and get titillation, well, this one's NOT for you. BUT, if you have the patience to watch and think simultaneously as a great story unfolds, then SEE this film immediately!
    Gab1789

    Beautiful film

    I had never heard of this movie until I heard about it on the radio. I listen to classical music, and the staion was praising Joshua Bell (an ohio native) on his perfomance of the music. I was curious and saw it when it came on video. not only did i fall in love with the movie itself, but also the music. it was soothing, passionate, and brutal all at the same time. Many people I have talked to have said that Le Violon Rouge was just some crappy indie movie. However, the music is as beautiful as the plot. The storyline and the way it was presented in the form of different people who wanted the violin for different reasons was not so much genius, but different and fitting.
    david.farthing

    A wonderful journey

    I was captivated from the moment the film started. The music flowed effortlessly and the scene was set immediately.

    Some people may be put off by the use of foreign language and subtitles early on in the film but I found this served to enhance the story and grab my attention even more. It reminds you of the true beauty of language and music and no matter what your taste you cannot help but to be drawn into the story.

    The story follows the journey of the Red Violin from its creation and you really feel that something special is happening from the way the red violin is revered. The different people who come into contact with the instrument all have there own stories and you find yourself trying to guess how the Violin will affect them. Sometimes you are right and sometimes not.

    Francois Girard has produced a wonderful film and the original score enhances this. This film is one that I will watch again and again and one that should be highly recommended.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Christoph Koncz (as Kaspar Weiss the orphan virtuoso) was only nine years old when featured in this movie. He is an Austrian-Hungarian classical musician that became an internationally-renowned violinist and conductor.
    • Erros de gravação
      The substance used to give the violin its color would not actually work in real life. The substance does not mix into varnish, and would quickly coagulate and oxidize to a dark brown or black color if it were actually used as the movie implies.
    • Citações

      Charles Morritz: What do you do when the thing you most wanted, so perfect, just comes?

    • Conexões
      Featured in Siskel & Ebert & the Movies: Austin Powers: The Spy Who Shagged Me/The Red Violin/Just a Little Harmless Sex/An Ideal Husband/Xiu Xiu: The Sent-Down Girl (1999)
    • Trilhas sonoras
      O Richard! O mon Roi!
      from "Richard Coeur de Lion"

      Composed by André-Modeste Grétry

    Principais escolhas

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    Perguntas frequentes30

    • How long is The Red Violin?Fornecido pela Alexa
    • How did the violin get into China?
    • Is "The Red Violin" based on a book?
    • Is "Le Violon Rouge" in French?

    Detalhes

    Editar
    • Data de lançamento
      • 13 de novembro de 1998 (Canadá)
    • Países de origem
      • Canadá
      • Itália
      • Estados Unidos da América
      • Reino Unido
      • Áustria
    • Idiomas
      • Inglês
      • Italiano
      • Alemão
      • Francês
      • Mandarim
    • Também conhecido como
      • El violín rojo
    • Locações de filme
      • Chicheley Hall, Chicheley, Newport Pagnell, Milton Keynes, Buckinghamshire, Inglaterra, Reino Unido
    • Empresas de produção
      • Rhombus Media
      • Mikado Film
      • New Line International
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 18.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 10.019.109
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 47.415
      • 8 de nov. de 1998
    • Faturamento bruto mundial
      • US$ 10.019.109
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 10 min(130 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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