Adicionar um enredo no seu idiomaThree problem teens sent to jail are offered a deal to work with an undercover cop, uncover an intricate drug ring and are caught in a deadly set-up. With cops on their trail, they have litt... Ler tudoThree problem teens sent to jail are offered a deal to work with an undercover cop, uncover an intricate drug ring and are caught in a deadly set-up. With cops on their trail, they have little time to solve the case and clear their names.Three problem teens sent to jail are offered a deal to work with an undercover cop, uncover an intricate drug ring and are caught in a deadly set-up. With cops on their trail, they have little time to solve the case and clear their names.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 indicações no total
- Bald Dude
- (as Stephen T. Kay)
- Gilbert - Skinny Freak
- (as Bodhi Pine Elfman)
Avaliações em destaque
Three young delinquents (Claire Danes, Giovanni Ribisi and Omar Epps) are recruited by a cop (Dennis Farina) to infiltrate many various operations (prostitute rings, drug circles) that police could never get into. But after their boss is murdered and they uncover a conspiracy, the three delinquents take it upon themselves to find out the truth behind the crime.
2.5/5 stars.
- John Ulmer
The plot is pretty weak, even for a 60s TV show remake. "The Mod Squad" ran from 1968 - 1973, with somewhere in the vicinity of 120 episodes. I never saw any, but I can't imagine this film adaptation does the show much justice.
The cast is considerably OK. Danes is quite enthusiastic and pretty enough for her sweet-blonde role, Ribisi is fine as a criminal and Epps is decent enough, too. Farina ("Get Shorty," "Another Stakeout") is a good actor, always very funny, but here his role is completely wasted (literally!) and short on the sort of sly humor that would have been appropriate given the actor behind it.
The dialogue is really corny, and so are the characters' actions. Television shows need not worry about smart dialogue or characters, because they're usually 30 minutes long (sometimes an hour), and we just get "hooked" on what's going on. Can you imagine if a soap opera made its way onto the big screen? It'd completely flop. People watch television shows because they like to see continuous stories with recurring characters they learn to love over a certain time period.
You can't get any joy out of watching a bunch of actors try to grow on you for 90 minutes. If "Alias" had ever started out as a big-screen movie, it might have flopped, because let's face it: the show is not exactly quality material. People watch it because they get hooked on it, and they enjoy watching the stories and the revelations, like an old woman addicted to her "General Hospital" episodes.
So here's proof that if "The Mod Squad" had originally been a movie, there probably would have been no television show. Despite some rather bad word-of-mouth, this movie isn't a terrible one. I've seen much worse, and compared to big-screen disasters like "Freddy Got Fingered," or low-budget ones like "The Blade Master," this is nothing very laughable at all.
But compared to the fun factor of "Charlie's Angels" or "Starsky and Hutch," "The Mod Squad" falls flat on its face. It's not very funny, it's not very fun, and it's not very original. It's a cash-in, which is something Hollywood is not in short supply of right now. If you miss "The Mod Squad," you're not missing anything that hasn't been done before.
I went into it with no expectations save for being entertained. As it was, I kept pushing the "Display" on my DVD player to see how much longer I had to endure this.
Claire Danes, Giovanni Ribisi and Omar Epps are extremely watchable and gifted actors. "The Mod Squad" offers them nothing to work with. On a story level, their origins are glossed over, the rocky relationship with their Captain (though stereotypical of so many Hollywood films) isn't even close to being fleshed out even a little and we (as the audience) have no reason to believe they even care why they're trying to solve the mystery presented in the film. I certainly didn't care and just kept watching to see how Ribisi would further destroy Epps' car in the little bit of comic relief someone thought to write in.
The technical aspects of the film are a disaster. The editing is simply poor and the action sequences appear to have been directed after a very heavy lunch when the crew would have better spent their time taking a nap.
This film could have been about angst and action, should have been better planned out and directed by someone who had a notion of how to handle the material, but alas it just wasn't.
Don't waste your time.
To call this movie slapdash is an undeserved compliment--it's likely they figured it was a lost cause and that no amount of work would improve it. That's probably true.
Omar Epps isn't a very good actor to begin with, but here he's even worse than usual, mumbling his lines without a clue as to what is going on in the movie. Giovanni Rabisi seems to have fun with his role, but playing one imbecile after another, one gets the feeling he may not be so much acting as giving a glimmer as to his real personality. Claire Danes obviously can act, as she showed in "Little Women", but here she's dreadful. Dennis Farina is good in just about anything, but here he's given absolutely no help by the director or the other actors.
The movie quickly devolves into a series of music videos with bad seventies music intermixed with more modern stuff. And this squad is not very mod--the opening sequence notes that mod means fashionably dressed, and these guys look like they've been shopping by picking up things strewn on the side of an interstate. Go elsewhere for entertainment.
Claire Danes and Omar Epps are fine (if a bit too low-key) in their roles, but Giovanni Ribisi gives one of the most highly annoying performances in recent memory. He plays his character (Pete Cochran) like some doped-up, marble-mouthed clod. Even if everything else in the film were fine, his performance here would still be a serious detriment.
What could have been a classy, fun film is rendered an unfortunate misfire. OH, what Quentin Tarantino could have done with this material!!
Você sabia?
- CuriosidadesOmar Epps mentioned in several interviews that he greatly disliked the denim Levi's clothes he and the cast had to wear because the jeans were very tight. He mentioned that there are several moments captured on screen during film where he wears a frown and grimace facial expression due to his jeans being too tight. The clothing in the film was specifically customized and provided by Levi's. When the film was released, Levi's put out denim commercials featuring Epps, Danes, and Ribisi.
- Erros de gravaçãoAs Billy Waites drives to the party with his prostitutes, he is driving a Cadillac Seville (4-door). When Julie Barnes leaves and steals the car, they show a Cadillac Eldorado (2-door) driving away. When she lights it on fire, it is back to being a Seville again.
- Citações
[Julie hits Pete across the head]
Julie: Nice job.
Pete: Okay, I really did not like that at all, all right? Let me just explain somethin'. I was blending.
Julie: You just blended your ass right out of the club, man
Pete: Oh, come on! They're gonna let me back in the club.
Julie: Oh no, I believe the words were "you're gone for-fucking-ever." Greer's gonna kick your ass
Pete: Hey you know what? Eat me.
Julie: Come on. Lets go. You wanna lose another fight, Petey?
Pete: No. Who was the guy that you were talkin' to all night?
Julie: What guy?
Pete: Yeah, "what guy." What guy?
Linc: A suspect?
Julie: What? No. I don't even know what he's talkin' about. God, how could you see anything? You had your head buried in a pair of tits all night.
Pete: I could see things because I got eyes behind my head, all right? Julie's got a boyfriend. Julie's got...
Julie: Please grow up!
Pete: Let's all together, in harmony.
- Trilhas sonorasGoin' Crazy
Written by Sen D.O.G. (as Sen Dog), Jeremy Fleener and Andy Zambrano
Performed by SX10
Produced by Phil Nicolo
Remixed by The Butcher Bros.
SX10 appears courtesy of Flip Records/Elektra Entertainment Group
Principais escolhas
- How long is The Mod Squad?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Mod Squad
- Locações de filme
- Sixth Street Viaduct, Los Angeles, Califórnia, EUA(Squad park car and walk east to tunnel. Greer is found shot.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.263.993
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.064.716
- 28 de mar. de 1999
- Faturamento bruto mundial
- US$ 13.263.993