A Tribo dos Krippendorf

"Krippendorf's Tribe" (1998) stars Richard Dreyfuss as the titular grieving anthropologist who is compelled to hoax an isolated tribe still living in the Stone Age. Jenna Elfman plays his assistant, Natasha Lyonne his daughter, Stephen Root his boss and Lily Tomlin his rival.

As my title blurb says, this movie spoofs Academia and the Tasaday hoax. If you're not familiar with the latter, a supposedly isolated tribe still living in the Stone Age was "discovered" on the Philippine island of Mindanao and prominently featured in a 1972 issue of National Geographic. In 1986 it was discovered that the Tasaday were simply members of known local tribes who put on the appearance of living a Stone Age lifestyle under pressure from Manuel Elizalde.

The movie's silly and fun, but not laugh-out-loud funny, although there are a handful of mild laughs. That said, humor's a personal thing, which explains why some people find this movie funny. I don't, but it's likable and quietly amusing. If you're a fan of Dreyfuss and Elfman it's a must.

The film runs 94 minutes and was shot in the Los Angeles area and Ka'a'awa, O'ahu, Hawaii.

GRADE: C+

I just rented this movie the other night and have to say... I enjoyed it very much! It was funny and a little adventurous. I like Richard Dreyfuss's work and always have. I'd see Krippendorf's Tribe again! ...in spite of what others may think of this movie.

Richard Dreyfus. An anthropologist creates a fake New Guinea tribe to further his career.

This sounded like it would be painful to watch, and in some places, it is just that. but overall, this bears an endearing tone, and a genuine humor, which consistently colors the work, throughout.

Dreyfus's character, Krippendorf, is a frantic/manic anthropologist who tries to seem as though he is calm and collected, on the surface of the deception he has laid. Dreyfus is a phenomenal actor, who needs another Jaws/Close Encounters to revitalize his career. I wonder if Spielberg is listening? His performances come off as direct projections from the heart, no matter how low the budget they allow him, or what horrendous costars they saddle him with.

This work features a quirky story line with quirky subplots, and quirky characters, but none as enigmatic as Krippendorf himself.

This is a great way to spend a couple of hours, but as a Disney movie? Disney rewrites known history to suit its ends, and usually does so with great panache, but the return to ethnocentrism is potentially damaging to the field of anthropology. However, if you can suspend belief, which you must do to enjoy any Disney movie, then you may find the enjoyment from it that I did, but as usual, I'm in the minority.

It rates a 7.1/10 from...

the Fiend :.

I think this is a great film for anthropology students. It demonstrates many of the hypocricies that exist within academia as well as the types of pressures that many professionals feel within the field. I also think it's a great introductory example for anthropology students regarding ethics, structures of cultures, and the nature of our own culture (how we justify normally taboo items).

I show it to my Introduction to Anthropology students every year. They laugh, they ask questions, and they appreciate the film. I recommend it. I've used it for years in Anthropology classes - I have students analyze the Shelmikedmud and come up with more cultural traits. I then follow by having them simulate the type of cultural creations that scifi writers do - creating their own alien cultures.

This movie had all the makings of an 18th century comedy. People perform stuff like this on stage, and they're regarded as "classics," "cleverly crafted" etc., and judging by the comments, most people think this is the worst movie of all time. Yes, it was using some low humour, but I personally loved the absurdity and all the social commentary allusions to our own tribal way of living. That's what a farce is.

I particularly thought the middle child did a superb job, knowing the family of two anthropologists would definitely produce that kind of a family. It appealed on all levels of humour I thought, and had something for everyone to laugh at, except the Richard Dreyfuss fans from what I've read.