O General

This is Boorman's finest film for many years and is dominated by a memorable performance by Brendan Gleeson who has created a character who combines joviality, clownishness and warmth with moral ambiguity and a capacity for great violence. Voight supports well (although there will always be something mannered about his performances) and produces a pretty solid Irish accent. All other supporting players are excellent. Boorman directs well and delivers a very balanced portrayal of what was obviously a very complicated man capable of great charm and love as well also acts of real darkness.

If you're watching one of the Classic Warner Brothers Gangster movies on tv and someone asserts that "They don't make 'em like that anymore", here's a movie to prove them wrong. As real-life Dublin gangster Martin Cahill Irish actor Brendan Gleeson provides a criminal hero to compare with those played by Edward G. Robinson and Jimmy Cagney. Brutal and Compassionate by turns, Gleeson's Cahill eschews links to anything outside himself and his home and circle of acquaintances. Hating the state, he turns Ireland's liberal justice system upon itself; hating the media, he blocks his face from TV cameras. Ultimately, it's this status as an existential outsider that brigs about his tragic downfall, but along the way there are moments of incredible comedy as the Gardai, or Irish Police are made to look like bumbling Keysone cops. The monochrome cinematograhy gives an excellent verite effect and the supporting cast with Jon Voight and a host of Irish stalwarts, are superb.

Boorman if nothing else is a good story teller. As a director, his greatest triumph came early in his career with Deliverance. Yet as a writer, he has brought us quality films such as Excalibur, and Hope & Glory. His adaptation of the Paul Williams novel is straight forward and without frills. Martin Cahill had many aspects to his life that could have easily become the fodder for an over zealous director. Rather than seeking to build a "background" story out of his love triangle, Boorman handles it with style and two scenes. The movie is meant to tell you about the rise and fall of Martin Cahill with a watchful eye to the social and political forces in Ireland. Boorman does just that. The scenes are well thought out and the acting solid. While this movie never hit the critical radar in America, it was praised both in Britain and at Cannes. When your in the mood for a story of a gangster who became a populist hero, take a look at this film. But if you want swift action scenes and graphic violence, it may be time for another viewing of Bonnie and Clyde.

"The General" is the nickname of the real-life, contemporary Irish criminal, Martin Cahill. Brilliantly played by Brendan Gleeson, director John Boorman dramatizes Cahill's odd career as a very successful thief and robber. Shot in black and white the movie has a gritty realism that doesn't glamorize Cahill and his gang. But Cahill, as portrayed by Gleeson and Boorman, is a likable and quirky eccentric who does things his own way, a characteristic which causes him to fall afoul of both the police and the IRA.

Not your typical A-List Hollywood crime melodrama, this movie is not for everyone, especially those looking for the typical Vin Diesel or Al Pacino crime flick. This is more like the Sopranos in the Irish slums. And, I recommend it highly for a Saturday night rental; just be forewarned that it is quite brutal and intense at times.

In terms of acting, direction and entertainment value, the general certainly delivers. Its is well paced, humorous and the performances of all the main actors, in particular Brendan Gleeson and Jon Voight, are excellent. I'm not sure why the film is shot in black and white, I don't think this adds particularly to the film.

My one reservation about the film is the portrayal of the main character, Martin Cahill, whom I think is overly glamorised. I remember before Cahills death his exploits as I saw them in the newspapers and television, and from the many stories which circulated around Dublin at that time of his criminal activity. This was no latter day Robin Hood. He was an unusually successful thief, no doubt, but with none of the charitable spirit. He was also extremely cruel, at one time breaking into the home of a social welfare officer and torturing him for hours simply because he had refused Cahill welfare payments.

I would recommend people to see this film, but at all times remember that the man it portrays was no one to be admired, but an example of the most vile thugs that Ireland has had the shame to produce in recent years. But then they say, "The devil has the best tales".