Robert Clayton Dean é um advogado brilhante que descobre provas que ligam uma agência governamental de segurança a um crime político. A partir daí, é perseguido, publicamente descredibilizad... Ler tudoRobert Clayton Dean é um advogado brilhante que descobre provas que ligam uma agência governamental de segurança a um crime político. A partir daí, é perseguido, publicamente descredibilizado e passa a ter a própria vida em risco.Robert Clayton Dean é um advogado brilhante que descobre provas que ligam uma agência governamental de segurança a um crime político. A partir daí, é perseguido, publicamente descredibilizado e passa a ter a própria vida em risco.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 vitórias e 16 indicações no total
Avaliações em destaque
Review: This is a different direction for many. Will Smith for one and some noticeable comedic actors are here, but this is no comedy.
Enemy of the State is quite a movie. What is the main point of this is the plot. It works in many ways. In a situation like this, anyone with connections and power can have access to such technology to track down anyone who knows far too much. It's quite real. Scary in a real sort of way.
Another truly strong point here is the acting. Will Smith and Gene Hackman deliver excellent performances. Smith showed great emotion and Hackman had conviction. Not just these two were great, we have Jon Voight as well. But what really got me is the acting from other characters as Seth Green, Barry Pepper, Jake Busey, and even Jack Black. These people are great especially Black who is really acting here! Black should have realised that comedy is not his thing if suspense and drama are as he is great here.
Overall, we get great acting, a fine plot, and fast, character development and fast and intense action as well. Sound like a winner to me. Enemy of the State is fresh and original and clever. One of Smith's finest movies.
The Last Word: Don't miss. Gripping and Suspenseful.
And just like the Congressdoosh in the movie, everybody except for RonP aul said it would only be used on dirty furriners to protect the Good Ol' USofA.
But as Edwards Nowden and later Julia Nassange revealed a decade later, America's alphabet agencies soon turned the surveillance against Americans themselves.
Fast-forward to 2021, where it turns out the movie plays more like a documentary than a political thriller. The good guys are now the bad guys. Politicians are hopelessly compromised. The sp00ks are in charge. All our moves are on camera somewhere. Everything we write - including our movie reviews - is logged. There is no privacy.
Somewhere in the bowels of Hollywood there is probably a script in development about the disingtegration of the Western World, probably disguised as a Fall of the Roman Empire Netflix series, featuring barbarian hordes and starving serfs. Twenty years from now it will all come depressingly true.
Enjoy the film !
To give you some points to think:
- It's routine for the credid card companies to document every transaction made with the cards, go figure who gets the docs if police is investigating.
- Every call / fax done is documented for billing, go figure, who...
- At least for your ISP it's possible to read every unencrypted email you send or receive, go figure ...
- Today there are MANY cameras in public areas in Great Britain, with numbers still growing.
- Face recognition software is already being used in combination with some surveillance cameras.
- Dictation software that can interpret your spoken word and convert it into written text is being sold to you today, maybe some organisations have much better versions at their hands ...
The list could go on, but what I want to say is that one should think about the posibilities and listen to what the politicians say, and what they want to allow the federal organisations.
You want to be able to still _enjoy_ the movie in some years time, not thinking of it as being somewhat normal just as everyday life, all right?
I also find that anything Jerry Bruckmeyer is behind is often top notch.
Of course, Gene Hackman could make any movie worth a high rating - and I still think there are a lot of unrealistic extremes that make this borderline comedy. And maybe they should've made this a more obvious dark comedy.
Some reviewer on here said it was 'informative & educational' . . . Good grief.
I think there are more informative & educational sources out there than a entertainment piece. That's the only thing that worries me about movies. So many people use movies for school rather than ENTERTAINMENT.
However, this subject matter is something we all think about when we zoom in on our own home in maps . . .
There's several good suspenseful moments, and again Hackman was the draw for me. I really liked how he portrayed being both very helpful while also couldn't care less about Robert at first, in one a particular fast-paced scene.
He played paranoia very realistically. Also played a highly intelligent nerd really well too. Seemed a really different character from the tough guys he usually plays.
Now I really want to see him in The Conversation, which is allegedly the prequel to his Brill character here.
Anyway, this movie provides a lot of food for thought . . .
Você sabia?
- CuriosidadesGene Hackman turned down this movie several times, but was ultimately convinced to sign on after a phone call by director Tony Scott. Will Smith later signed on at a relative post-Independence Day (1996) bargain price because he wanted to work with Hackman.
- Erros de gravaçãoWhen Dean is running on the hotel roof after Brill leaves him, the surveillance team reports that the satellite is coming on-line with "one meter resolution". One meter resolution indicates that the smallest pixel (detail) that can be seen is 1 meter by 1 meter while the film clearly suggests that the satellite has enough resolution to see Dean running. Assuming you would need at least "web-cam" resolution (75 pixels-per-inch), the satellite resolution would need to be roughly 2,800 times higher than one meter (38 inches x 75 pixels per inch = 2,850).
However, the full text is "one meter res grid frame", which is not equal to the image resolution. It suggests that the camera is able to zoom in to 1 x 1 meter. At a typical resolution of the period, this would make a single pixel about 1/8" or 3 mm in size, which is more or less the minimal resolution you would need to read a license plate. In the period, that was military-grade technology only.
- Citações
Robert Clayton Dean: What the hell is happening?
Brill: I blew up the building.
Robert Clayton Dean: Why?
Brill: Because you made a phone call.
- Versões alternativasAlso available in an "Unrated Extended Edition" which features some new/extended footage (ca. 7 minutes) like some explicit shots of the senator with his secretary or Dean finding his dead ex-girlfriend covered in blood.
- ConexõesEdited into 24 Horas: 12:00 a.m.-1:00 a.m. (2001)
- Trilhas sonorasO Come All Ye Faithful
(Also known as "Adeste Fidelis")
Music attributed to John Reading (uncredited)
Arranged by Margaret Dorn, Linda Lawley, Danny Pelfrey
Performed by The Accidentals
Courtesy of Amusicom Records
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Inimigo Público
- Locações de filme
- 1633 Connecticut Avenue Northwest, Washington, Distrito de Columbia, EUA(Zavitz gets hit by a car)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 111.549.836
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.038.573
- 22 de nov. de 1998
- Faturamento bruto mundial
- US$ 250.849.789
- Tempo de duração
- 2 h 12 min(132 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1