Wilde - O Primeiro Homem Moderno

The acting in this film was superb. As had many viewers--I suspect-- I had only seen Stephen Fry in the Blackadder and Wodehouse series. How delightful to find another actor intelligent and flexible enough to range from Melchett to Oscar Wilde! One cannot help but watch his face very carefully, waiting to see the mask slip. He seems strangely delicate in his huge, crushing frame...A nice follow-up movie to Velvet Goldmine, especially once you know that some of the dialogue from the latter was lifted from the works of Oscar Wilde.

This is about the famous writer Oscar Wilde, and his forbidden love in the intolerant society.

I watched this film two times already, and I really like it. Stephen Fry and Jude Law both give incredible performances. The script is able to portray their untainted and pure love. Their yearning for each other grips me very much. Jude Law portrays Brosie's spoiled personality well. The scene where Brosie intentionally sits in the middle of the restaurant with Wilde is particularly memorable.

The story is touching and engaging, making me wanting more. Stephen Fry must be commended for selecting Jude Law, who was not as much of a superstar at that time, as his on screen partner. Orlando Bloom's brief appearance as one of the boys certainly comes as a surprise. Stephen Fry's eye for hot male stars is certainly to be admired!

"Wilde" is an elegant film with sterling performances by Fry, the title character, and a superb supporting cast. However, "Wilde" is also a shaded and skewed partial portrait of the 19th century playwright, poet, and master of the epigram. The film is not so much a biopic as it is a drama: A drama which spends too much time on the sensational aspects of the writer's life and not enough on his history, early life, idiosyncrasies, works, and last years. Nonetheless, "Wilde" is solid entertainment for anyone interested in Victorian period dramas or the man himself. (B+)

This film biography of Oscar Wilde is a showcase for Stephen Fry. He not only looks like Wilde, he breaths life into the many passages from Wilde's writings that are woven into the screenplay. The difference between reading Wilde and experiencing Fry's performance is like reading Shakespeare and seeing Olivier perform. An evening listening to Fry read from Wilde's works would be worth paying a tidy sum to attend.

I had no idea that Wilde had married young to Constance Lloyd (Jennifer Ehle in a fine performance) and had two adorable boys by her. In an effective plot device, periodically throughout the movie Wilde reads to his sons from his children's story, "The Selfish Giant." The readings are presented in a way that cleverly integrates the storyline of the writing with the storyline of the movie, with Wilde being the selfish giant. And how many people know that Wilde wrote children's stories?

There are many examples given of Wilde's biting wit, such as, "Give a man a mask and he will tell you the truth," "The world is a stage, but the play is badly cast," and "I find that alcohol, taken in sufficient quantities, can bring about all the effects of drunkenness." Fry delivers these with perfect tone.

Of course a good part of the movie is devoted to Wilde's arrest and ultimate imprisonment for "indecent acts" with Lord Alfred Douglas (Jude Law). Wilde truly did live his life in accordance with his comment, "Where your life leads you, you must go. I defy society." As presented here, Wilde is a courageous and sensitive man who was forced into a tragedy by the strictures of a hidebound society. In current America most would judge his infractions with mild distaste at worst.

There are some disconcerting transitions, mostly in scenes with Lord Douglas. Douglas is seen to have a volatile personality. He could be needy and tender, but he could also be a first-class ass and manipulator with an explosive temper. His fits of anger seemed exaggerated and disrupted the tone of the movie. I had a similar reaction to the sex scenes in terms of disrupting the flow. Robbie's initial advances were abrupt and without foundation. The explicit sex scenes between Wilde and Lord Douglas would have been better hinted at than seen - their kisses and embraces could well be imagined but they felt incongruous and unbelievable in the flesh.

Wilde was much more than a wit. He could express emotions with eloquence. Consider this quote about encountering a previous lover after a hiatus of a few years:

"Life cheats us with shadows. We ask it for pleasure, it gives it to us with bitterness and disappointment in its train. And we find ourselves looking with dull heart of stone at the tresses of gold-flecked hair that we once had so wildly worshiped and so madly kissed."

The movie is nicely filmed with a good musical score. I wound up liking it more after having thought about it.

Watching this has expanded my appreciation for Wilde as a writer and as a person - I have been left wanting to know more about him and his work.

I've seen Oscar Wilde portrayed on film before. I remember Robert Morley and also Peter Finch. They both provided inklings into the heart and mind of of one of the literary giants of the 19th Century. But one aspect of the tragedy, because, let's face it, it is a tragedy. His relationship with Alfred Douglas that in a very direct way, will mark his destiny. It was so difficult to believe that Peter Finch's Wilde will go to war for someone like John Frazer's Bosie. Good looking yes but devoid of the most important element, if you are going to believe in the power that Bosie had over Wilde. Finch and Frazer have the sexual chemistry of two slices of white bread but here, in this 1997 Wilde with Stephen Fry in the title role the mystery is revealed, Jude Law makes the whole thing totally believable. The desire he inspires we see in Oscar Wilde's eyes. Stephen Fry is another Humbert Humbert to Jude Law's Lolita. Amazing when the most incomprehensible action becomes totally understandable in the face of an actor. That alone, makes this Wilde my favorite.