Sinais de Fumaça

This film did not get the attention it deserved. When I first heard about a film made by Native Americans, I was afraid it would be an exercise in political correctness. But the ethnicity of the characters took a back seat to the universal themes of friendship and learning to come to terms with one's past. This is one of the greatest "buddy movies" ever made. A couple of years after I saw it I drove through the American Southwest for the first time, and images of the film kept coming into my head. This is a film which really stays with you.

The main trouble with Smoke Signals is that after you see it you will be disappointed with not only the rest of the movies or television you are likely to see but also with most of the films you have seen before it.Since too many people haven't seen it you will have to listen to people talk about "what dreams may come",or some such. You can't tell people that a guy sitting on a van giving a traffic report when there is no traffic,is more humorous than most sit-coms.But that is the trouble when a true 10 picture comes out, it tends to drop many of the others a point.If you haven't seen it rent it or better buy it. but be warned that you may be watching another movie and you will think "who needs this ----" i could be watching "Smoke signals"

"Smoke Signals" was touted at Sundance as the first completely Native American written, produced, directed etc. film or some such.

I thought it was going to be a plot less road movie, but it turned out instead to be about family and had a very specific story and plot line that avoided clichés. In that way it reminded me of the New Zealand "Once Were Warriors" - with about 1% of that violence about aborigine families struggling to have dignity within the confines of a white-restricted world. Like that movie you virtually don't see whites at all.

I very much liked how the flash backs were handled (in the context of "the past is never dead, it's never even past" type evocation). The title is used for several layers of meanings about smoke and fire.

Dar Williams's road song was used in an ironic road way, but I think it was added on afterwards. The passenger is bopping along to the song on the radio saying over and over that it's her favorite song, which would be odd for an obscure song. But the joke is also that the car can only go in reverse.

John Trudell (he's the DJ at KREZ) and Elaine Miles ("Marilyn" from "Northern Exposure") have teeny parts. The music is appealing --though none by Trudell and very little traditional. The closing credits have a Walala (the trio with Rita Coolidge and sister) tune that I thought it would be cool if it got nominated for an Oscar, if it's not previously recorded, as I thought it would be something different at the Academy Awards. The other music mostly also comes ostensibly from KREZ and is by Native Americans but in the singer-songwriter mode (no Bill Miller used). Other than Ulali (I thought was Walela, but I was corrected) and Dar when I tried to read the credits as they quickly went by I didn't recognize any of the names.

I almost immediately caught "Powwow Highway" on cable and was surprised to see how much it must have influenced "Smoke Signals" as a Native American road movie.

(originally written 7/2/1998)

I lived where this was filmed and really enjoyed the movie for the content and the location. The inside jokes about being Indian were great and since I no longer live on the reservation it reminded me of home. The story was believable and the actors brought it to life. I had to call my brother and tell him to watch it again and look closer at the end credits and background of the film, it is wonderful. Congratulations to the Cast & Crew.

As babies, Victor and Thomas survive a housefire that kill many others; their bond appears to be born of fire but years later they have drifted apart. They both still live on the reservation but Victor has become more of a jock and Thomas is the bespectacled geek that he has been since childhood. When Victor's absentee father dies, he plays to travel to the funeral but has not the resources to do so. Thomas offers to help pay for the trip on the proviso that he is allowed to come along with his friend. Victor accepts but prepares himself to be annoyed for the whole journey. However for every moment where their nonexistent friendship is stretched, they grow closer.

Although it is an independent film and produced entirely by an ethnic minority, the plot for this film is fairly straightforward and not anything that is worth hunting out just for that. However it is the delivery, writing and charm of the film that makes it worth seeing and makes it as enjoyable and engaging as it is. Never taking itself too seriously and even poking fun at the ethnic stereotypes we would expect to have found the film's charm relies heavily on its characters to bring it off. The natural writing helps and produces dialogue that flows convincingly even when the story isn't all you could have hoped for. The direction is equally as assured and aids the film by giving the whole thing an accessible and down to earth story.

The cast are a strange mix of people I've never seen and Indian actors who are in everything. Beach is impressive and natural and he makes his character more than just a jock sort of role. Likewise Adams is enjoyable even if he is a little annoying and he is more than just a geek. Bedard is as charming as the film itself and is gorgeous with it – she carries a lot of the emotional weight of the film and she does it well. Farmer is a presence as usual and does well in flashback while support from people like Skerritt adds something if not a lot.

Overall this is not a flawless film but it covers any problems by being charming and enjoyable. The cast take to the writing and deliver natural and likable characters who become the focal point of the film and carry the audience along. Sure it pushes all the "quirky independent film" buttons but it is no less enjoyable for it.