AVALIAÇÃO DA IMDb
7,5/10
21 mil
SUA AVALIAÇÃO
Para onde nós, humanos, vamos? Um poema cinematográfico inspirado no poeta peruano César Vallejo. Encontramos pessoas na cidade. Pessoas tentando se comunicar, buscando compaixão e conectand... Ler tudoPara onde nós, humanos, vamos? Um poema cinematográfico inspirado no poeta peruano César Vallejo. Encontramos pessoas na cidade. Pessoas tentando se comunicar, buscando compaixão e conectando coisas pequenas e grandes.Para onde nós, humanos, vamos? Um poema cinematográfico inspirado no poeta peruano César Vallejo. Encontramos pessoas na cidade. Pessoas tentando se comunicar, buscando compaixão e conectando coisas pequenas e grandes.
- Prêmios
- 9 vitórias e 4 indicações no total
Rolando Núñez
- Immigrant
- (as Rolando Nunez)
Klas-Gösta Olsson
- The speechwriter
- (as Klas Gosta Olsson)
- …
Avaliações em destaque
10Beast-5
SONGS FROM THE SECOND FLOOR is honestly one of the best films I have seen so far in my years of cinematic appreciation. Alice, below, nailed it in her analysis, and there's little I can add that would be useful. I also agree with the critics who compared it to what would happen if Monty Python set their sights on Bergman. The film is both a character study and a meditation on humanity, filled with transcendent moments of beauty that left me completely stunned. It is also a biting satire of corporate greed and its effects on society, and the search for hope in a dying, empty world filled with people who've basically given up. SONGS is a great film that everybody should see.
Of the 11 films I saw at this years Vancouver International Film Festival, this was one of the best. Definitely not a film for the masses, but if you're tired of seeing so-so hollywood formula and you and don't mind a shot of bizarre, then this is the film for you. I doubt it will come back for a commercial run, as it is not the kind of film the multiplex crowd would appreciate. If, however, like me, you are a fan of Terry Gilliam and don't mind a slower pace, there is much to recommend this film. Made up of a series of short vignettes, some related and some not, it weaves a story of apocalyptic chaos. A story some of us were expecting to happen Jan.1,2000.
The unmoving camera stares into the lives of a society on the brink. Maybe ours in the near future. A movie that will demand discussion afterwards.A bomb shelter in the blighted landscape of Californication.
The unmoving camera stares into the lives of a society on the brink. Maybe ours in the near future. A movie that will demand discussion afterwards.A bomb shelter in the blighted landscape of Californication.
This film makes you probably sad and depressed, but it is a wonderful and touching movie about the misery of human life: the ultimate loneliness and hopelessness, which we do not like to think of, but have to face. As the film is based on poetry (by the to me unknown Cesar Vallejo), it does not have a straightforward story. Rather, it is a collection of scenes that all move you at an emotional level, as you see the vulnerability of all the people. The film is moving from reality towards surrealism, although you could see the strong surrealistic pictures as the real and hidden nature of our society, which fails to offer any help to these eternal problems. I should probably go to see this movie again so that I could grasp more from its symbolism, enjoy its excellent and unique film-making, and last but not least to feel it again. This film does not give you hope, but perhaps it makes you more sympathetic to other people, let them be alcoholics, immigrants, old, stupid, mentally ill or just simple "boring philistines".
8-88
One critic described this film as being "Slapstick Ingmar Bergman"; it's a great joke, and in many ways a true one. I've never seen a movie like this before, and I haven't laughed so hard at one in years. Every single scene has something off-beat or funny happening in it, so that you may want to see it more than once. (I watched it twice in one day!) The best bit occurs when the businesspeople decide on a rash course of action to save the faltering economy. I won't spoil it for you but trust me, it's one of the blackest comic moments in all of film. Don't miss it!
This film won the prestigious Cannes Film Festival award in 2000, and it is indeed very well made. But damn, it's not what you'd want to take someone to on a date. Unless they have odd tastes.
Songs is a kind of allegorical black comedy about capitalism and the brutalising effects of modern society. The cast is mainly depressed middle-aged men in bad suits and there are multiple storylines and little scenes that all add up to one big condemnation of the Western world: a man who hasn't missed a day in 14 years and decides to go to work rather than have sex with his wife, then gets fired. A poet/taxi driver driven insane by the misery around him. His father, who burnt down his store for the insurance and spends most of the film covered in soot. You get the picture.
The film is full of powerful symbols, like a heap of cheap plastic Christs being thrown onto a rubbish heap, or the eternal traffic jam, and moments of absurdity that made me laugh out loud, such as when the Swedish high command gather to honour a retired commander who is so senile his bedpan gets emptied while they give him a speech. But the even the humour is bleak - there isn't a single happy moment in this film. Frankly I didn't buy it. Life may sometimes be dull, bad things do happen to good people, capitalism can suck, but it just isn't that awful. Forgive me for getting lyrical, but life is too full of hope and friendship and beauty to get sucked down in to this grey, dreary view of the world.
RATING: 7/10
Songs is a kind of allegorical black comedy about capitalism and the brutalising effects of modern society. The cast is mainly depressed middle-aged men in bad suits and there are multiple storylines and little scenes that all add up to one big condemnation of the Western world: a man who hasn't missed a day in 14 years and decides to go to work rather than have sex with his wife, then gets fired. A poet/taxi driver driven insane by the misery around him. His father, who burnt down his store for the insurance and spends most of the film covered in soot. You get the picture.
The film is full of powerful symbols, like a heap of cheap plastic Christs being thrown onto a rubbish heap, or the eternal traffic jam, and moments of absurdity that made me laugh out loud, such as when the Swedish high command gather to honour a retired commander who is so senile his bedpan gets emptied while they give him a speech. But the even the humour is bleak - there isn't a single happy moment in this film. Frankly I didn't buy it. Life may sometimes be dull, bad things do happen to good people, capitalism can suck, but it just isn't that awful. Forgive me for getting lyrical, but life is too full of hope and friendship and beauty to get sucked down in to this grey, dreary view of the world.
RATING: 7/10
Você sabia?
- CuriosidadesEach scene is shot with one take where the camera stands still as the actors embrace the frame (the camera moves once in the entire film, in the railway station scene).
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Songs from the Second Floor
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 80.334
- Faturamento bruto mundial
- US$ 80.334
- Tempo de duração
- 1 h 38 min(98 min)
- Cor
- Mixagem de som
- Proporção
- 1.66 : 1
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