Stiff Upper Lips

I have always admired the way Merchant/Ivory films have had at their core a sort of droll humour that has come through and made me smile. This movie has taken every little bit that had made me crack a smile during the "serious" Merchant/Ivory productions and made me smile and laugh so much my cheeks hurt by the end of the movie. There are so many sight gags that I couldn't keep track of them all, and the ones I did see were enough for me to recommend this movie. Here's a little hint, just before George rescues Emily from drowning, take a look at what he's carving, maybe that's why he was little too eager to divest himself of his clothes. Don't get me wrong, I loved Howards End and Room with a view, but I also loved The Naked Gun and Airplane as well, this is the perfect hybrid of the two genres. The acting isn't in the least bit Hammy, the actors play it straight the whole way through, which is what makes this so funny, Samuel West probably being the best thing about this movie. His brainless upperclass twit played to perfection makes this a good movie for Masterpiece theatre watchers with a sense of humour.

This is a hilarious film designed to appeal to Anglophiles, particularly those who enjoyed Fawlty Towers and Monty Python. It is a takeoff on all those wearisome and often thought-provoking Masterpiece Theater films many of us know well. Only the British themselves could have made such glorious fun of this genre. I would give this the highest rating possible.

For anyone who has seen Howards End, Enchanted April, A Passage to India, Carrington, and especially A Room with a View, this is a side-splitter. Though aiming mostly at Merchant-Ivory films, this piece takes on that entire category of films centered on the lives and loves of stuffy late-Victorian and Edwardian Brits of the upper class. Some of the gags are film specific like Edward opening his window in Rome to find a brick wall or character names like Reverend Dweeb. Others, like Emily's panicked flight through a hedge maze the size of closet are broader. I found the entire cast, especially Prunella Scales as Aunt Agnes, to be spot-on perfect. It helps that Scales and West (as Edward) were actually featured in Howards End. Peter Ustinov is also grand as batty Horace. Whether you love or hate this kind of movie, Stiff Upper Lips is a kick.

This film kept me laughing all the way. Prunella Scales alone cracked me up totally! The Bonham-Carter parody was indeed weak. That was a pity, since she is the crown princess of Merchant-Ivory Land. Samuel West was brilliant at mocking the characters he DIDN'T play in the real Merchant-Ivory pieces. His fan scene with friend was fabulous. Ustinov didn't try very hard, as usual in his later career. But, as a Merchant-Ivory junky, I have to say that I was delighted at the opportunity to laugh at myself for being such a sucker for their formula. If you watch this film, you must be prepared to lighten up, or else it will be wasted on you.

Emily (Georgina Cates), a lovely young British blueblood, lives with her stuffy Aunt Agnes (Prunella Scales) in a beautiful mansion. Her brother, Edward (Samuel West) is bringing home a college friend, Cedric (Robert Portal) in hopes that he may be a good match for Emily. However, although Cedric can quote Homer and dresses meticulously, he is a snob who criticizes nearly everything, including the cucumber sandwiches Aunt Agnes serves for lunch. That, of course, may be the fault of Agnes butler, Hudson, for he is the only servant-cook-bottlewasher in the whole house, and he is too busy to worry about whether the cucumbers are sliced thinly enough. In any case, Emily doesn't really warm up to Cedric but does become quite heated when George (Sean Pertwee), the local poor boy, rescues her from a near-drowning. Emily gets a bad cold from her ordeal and Aunt Agnes decides to take everyone to sunny Italy, including George in the capacity of a servant. Nothing could please Hudson more, as he will have the time to actually sit down and rest. But, will Emily and George be able to hide their budding attraction in such a romantic venue? And, does Cedric have his eye on someone, too? This film is great fun, especially for those, like myself, who adore Merchant & Ivory, David Lean, and others. It sends up such films as A Room with a View, Chariots of Fire, and A Passage to India in a most amusing way. For example, Edward manages to trip the runners at Cambridge, who are attempting to beat the clock in a race around the school's courtyard, while Emily needs a horse, pulling a rope, to get her into her corset. Fun, fun, fun. The cast is truly great, with Peter Ustinov adding to the amusement as a tea plantation owner. West, as some may know, played the unfortunate clerk in Howard's End and it is wonderful to see him getting a chance to smile, for a change. Cates is lovely, Scales a stitch, and Portal's imitation of Daniel Day-Lewis's character in Room with a View is priceless. The scenery is also gorgeous, the costumes very fine, and the production values quite high. All in all, even if you have never seen a Merchant-Ivory or David Lean film, you will still find this an entertaining film. But, if you are a true fan of distinguished British cinema, you will vastly enjoy the opportunity to laugh at this worthy parody.