AVALIAÇÃO DA IMDb
6,2/10
2,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaLonging to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife.Longing to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife.Longing to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife.
- Prêmios
- 1 vitória no total
Thomas Downey
- Torrey Harrington
- (as Tom Downey)
Frank Toste
- Frank
- (as Father Frank Toste CSC)
Avaliações em destaque
Fortunately for me, I stumbled on this film with absolutely no expectations--didn't even know the title until I looked it up on the IMDb! But it kept me watching, fascinated, for two hours (including commercials), and at the end I felt like I wanted to spend more time with it. It has romance, elegant atmosphere, a surprising plot, intriguing themes, and good actors...so, while the pacing and direction sometimes seem a touch stilted, I'd definitely watch it again.
I'm a bit baffled that everyone who finds fault with this film picks on the story. For me, the story was the strong point: it had some truly surprising twists and grew from the complexities and relationships of a range of fully drawn characters--a luxury most films, with their flat cardboard characters, don't offer. And the references to Virginia Woolf, also singled out for criticism by many viewers, actually served to enrich and illuminate the ways the film dealt with the tragic inability of a woman to escape the double standard. In the world of the film, where even a seemingly perfect husband could with no warning transform into a tyrant, even a woman who thought she had it all could be trapped by a paucity of choices.
That makes it sound like a preachy feminist movie, which it isn't. In fact, those who enjoy good old-fashioned murder mysteries will get a kick out of it. Perfect it isn't, but I can think of far worse ways to spend a lazy evening.
I'm a bit baffled that everyone who finds fault with this film picks on the story. For me, the story was the strong point: it had some truly surprising twists and grew from the complexities and relationships of a range of fully drawn characters--a luxury most films, with their flat cardboard characters, don't offer. And the references to Virginia Woolf, also singled out for criticism by many viewers, actually served to enrich and illuminate the ways the film dealt with the tragic inability of a woman to escape the double standard. In the world of the film, where even a seemingly perfect husband could with no warning transform into a tyrant, even a woman who thought she had it all could be trapped by a paucity of choices.
That makes it sound like a preachy feminist movie, which it isn't. In fact, those who enjoy good old-fashioned murder mysteries will get a kick out of it. Perfect it isn't, but I can think of far worse ways to spend a lazy evening.
I was looking for the Australian western of the same name and the Sundance credits writer got it wrong and roped me into this 1930s Boston Catholic melodrama. I still want to see the western, but this was not a bad misdirection.
Whoever cast A History of Violence had to see this film as William Hurt plays the same character in both films - marvelously, I might add. He is a rich Catholic businessman here instead of a mobster, but the basics are the same. He wants to give his wife (Madeleine Stowe in a great performance) a child and Viagra was not yet invented, so he hires someone (Neil Patrick Harris) to do the job. His only mistake was picking a 24-year-old who couldn't just take the money and walk away. OK, so we have a moral question here, but we ignore that for the movies sake.
Into his parish comes a new priest (Kenneth Branagh) and he jumps the Rabbit-Proof Fence, uses The Magic Flute, and we have an Alien Love Triangle. Didn't Richard Chamberlain do that naughty priest bit in The Thorn Birds? There is a lot of Catholic malfeasance, guilt and remorse and penance and symbolism here, but don't let that turn you off as it doesn't interfere with the story. And, no children were hurt in the making of this film.
There are some fine performances and an interesting story. You should check it out.
Whoever cast A History of Violence had to see this film as William Hurt plays the same character in both films - marvelously, I might add. He is a rich Catholic businessman here instead of a mobster, but the basics are the same. He wants to give his wife (Madeleine Stowe in a great performance) a child and Viagra was not yet invented, so he hires someone (Neil Patrick Harris) to do the job. His only mistake was picking a 24-year-old who couldn't just take the money and walk away. OK, so we have a moral question here, but we ignore that for the movies sake.
Into his parish comes a new priest (Kenneth Branagh) and he jumps the Rabbit-Proof Fence, uses The Magic Flute, and we have an Alien Love Triangle. Didn't Richard Chamberlain do that naughty priest bit in The Thorn Birds? There is a lot of Catholic malfeasance, guilt and remorse and penance and symbolism here, but don't let that turn you off as it doesn't interfere with the story. And, no children were hurt in the making of this film.
There are some fine performances and an interesting story. You should check it out.
You know there must be a problem when a recent film appears on TV with a cast that includes William Hurt, Kenneth Branagh, Madeleine Stowe, Robert Loggia and Blythe Danner and you've never heard of it. I guess my suspicions were aroused when the TV Channel shoved it out at 3 o'clock in the morning, but I really didn't think it could be that bad.
I was wrong. One of the previous comments summed this film up far better than I could but I would still like someone to tell me who the hell is Blythe Danner supposed to be? The mother, sister, best friend,'Mrs Danvers', I still haven't got a clue. I'm certainly not going to watch it again just to find out..
However, by far the saddest thing about this movie is watching talent like Blythe Danner, Madeleine Stowe and William Hurt being wasted in rubbish like this (I didn't miss out Mr Branagh by accident , incidentally).
Come on Hollywood, give them something decent to get their teeth into!
I was wrong. One of the previous comments summed this film up far better than I could but I would still like someone to tell me who the hell is Blythe Danner supposed to be? The mother, sister, best friend,'Mrs Danvers', I still haven't got a clue. I'm certainly not going to watch it again just to find out..
However, by far the saddest thing about this movie is watching talent like Blythe Danner, Madeleine Stowe and William Hurt being wasted in rubbish like this (I didn't miss out Mr Branagh by accident , incidentally).
Come on Hollywood, give them something decent to get their teeth into!
As another reviewer said--either you love it or you hate it. I loved it. A well acted movie--somewhat far fetched in the storyline. Very intense deep story and you really get caught up in it. I do not think a lot of the comments from other reviewers really see the value of the movie, or look at it from all of the character's points or motives. William Hurt as Barret is totally selfless in his quest for a family and Madeline Stowe as his wife is also very convincing. The big surprise comes from Blythe Danner, although I really cannot figure out exactly what her role was--is she secretly in love with Hurt? Hard to say. But the acting is fine and Kenneth Branaugh does a terrific and convincing job. He is a good actor and this role suits him splendidly. I do recommend this movie.
This movie is visually stunning and very well acted by the WHOLE cast. I think it is better seen at home where you can go back and watch portions over again, because in some scenes you must hear every word and pay attention to body language and expression quite closely or the plot can easily lose you. Bad acting or directing would have made this movie impossible to understand, because the writing is extremely subtle. I think the directing and acting is amazing because of what it conveys without language. (Some of the negative reviews were written by people who did not pay attention to key things are explained in few or no words, once, and once only, or to things that were shown only through non-verbal language. You must look and listen the whole time.) It does have the tragic-amazingly-coincidental stuff going on, but so what? It is entertainment, for goodness sakes, not a documentary! Apparently someone who was involved in making it is embarrassed, because it is impossible to get it on DVD in American format, which is a real shame. I love this movie, and am very sad not to be able to watch it since my VHS player broke. It always absorbs me and lets me forget about my own life for a few hours. I like to watch it once or twice a year, and enjoy sharing it with friends who have not seen it. It has been enjoyed by many people I know, but some did say that my pointing out key scenes was necessary for them to follow the plot. A few friends really did not like it, but none of those particular friends like tragic drama in general. I will continue to look for it on DVD every several months, and I will be looking to fix or replace my VHS player just so I can watch this and one other movie that I also love and can't get on DVD.
Você sabia?
- CuriosidadesThe screenwriter, Rick Ramage, said the song "Elenor Rigby" by The Beatles was a catalyst in developing the story.
- Erros de gravaçãoThe narration of this movie is supposed to be Father McKinnon telling the story to Hannibal Thurman, yet there are parts of the story that Hannibal is in which would certainly not have to be told to Hannibal by McKinnon. If that isn't bad enough, there is a part of the narration (right after Roger agrees to be the surrogate father) that McKinnon says "Hannibal knew that.........." even though it is Hannibal he is talking to.
- Citações
Father Michael McKinnon: You're probably the one person in the world Arthur Barret respects enough to fear, loves enough to kill for.
- Trilhas sonorasModern Woman
Composed and Arranged by Sonny Kompanek
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- How long is The Proposition?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Proposition
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 147.773
- Fim de semana de estreia nos EUA e Canadá
- US$ 61.560
- 29 de mar. de 1998
- Faturamento bruto mundial
- US$ 147.773
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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