O Castelo

Kafka's novel doesn't have much of a story. A movie that tries to tell this strange, deceptive and repetitive tale is bound to frustrate and annoy its audience. As this is a very famous piece of literature, three state-sponsored TV stations from Austra, Germany and France decided to give it another try, as part of the obligations from their - in the mid 1990s still officially relevant - educational mandate.

Haneke's film remains close to the source material, while still staying somewhat watchable, for most of the time. That's not a small achievement. This is a deliberate literary adaptation, a not too obtrusive narrator adds the sound of Kafka's writing, which is an essential feature. The color scheme that's mostly close to black and white, but not everywhere, is an interesting decision. The art direction is okay. The cast is of course top-notch. The storyline is what it is, not great, not annoying, and there is most certainly no deep hidden meaning to discover.

Kafka himself didn't have access to some divine wisdoms and truths. He described a worldview, a sentiment, created a melody that was very influential in the 1950s to 1970s. Haneke's film does the best it can to bring it to the small screen.

Kafka didn't know how to finish his novel. It's been said that he was considering to just kill K. Off. But that would have been a boring cheat, Kafka accepting his own defeat. Therefore his novel stayed "fragmentary" and was published as such two years after his death. This film ends EXACTLY like his script - not the printed book - ends. It's a surprising and funny moment.

Today, of course, the logical ending seems to be obvious: If everything is lies within lies, people pretending to be from the castle are most likely not from the castle. So when K. Finally gets a coach "to the castle" - he ends up in another village. Fixed it. Once you know the melody, it's easy to do a Kafka. 6/10.

This, apparently was made for TV by Michael Haneke. After having seen "The Trial" and read pretty much all the works of Kafka, one comes to expect something. Unlike the former, the protagonist is given many options, but never seems as confused as Joseph K was. He seems to feel that his job as a land surveyor trumps virtually anything, even though he is obviously not wanted. He will betray, barge in on, and do anything with the strange people he encounters, including marrying one of them, to get to that Castle. But as is the case with the existentialists, his path is as much a part of the thing, cold and dank and full of trauma, as ever actually reaching the Castle. And, why should such a place need a surveyor anyway. This is a nightmare come to life. He meets his assistants, a couple of twin "boys" and they have no surveying equipment. They have no knowledge of surveying, and yet off they go. Or sort of. It is an endless tromp through snow and buildings and meetings with obstructionists. And so it goes.

Unfinished works give rise to conjecture. How would Kafka intend to end this novel? Did he get tired of it? Did he avoid concocting an ending? K, a professional surveyor, arrives in a village during a winter storm. He is summoned by a Count whose castle overlooks that village. As might be expected in any Kafka story, K will not find the earl or perform any specific work. The castle of the title is not what you would expect, it is certainly not what the disappointed K expected to see, it is not even an old fortress or a new mansion, but a shady complex of countless small buildings close to each other. Swarms of crows circulate around the tower. It is clear that K's presence in the village is the result of a bureaucratic error. A surveyor had actually been requested by the Count some time ago, but the order had been canceled long before. Only Kafka would be able to explain why K does not leave the village - and only he would know how (or if) he intended to finish this unfinished masterpiece.

A land surveyor,K.,is invited to the Castle to do some work for the Count,but when he arrives at the Village,he finds that nobody is expecting him.K.'s attempts to get into the Castle are as unsuccessful as his attempt to settle into the local village.He is greeted by a compact reluctance from the villagers,who with a systematic inefficiency prevent him from any prospects of even approaching the castle.The harder the stubborn K.,tries,the farther he moves from his goals.The impenetrable,seemingly haphazard but strangulating bureaucracy of the castle hinders the clarification of his social and existential situation.K. remains what he was on the day of his arrival:a stranger who is barely tolerated...Haneke's film version of Kafka's famous unfinished novel is an unusually faithful and highly successful literary adaptation.Kafka is,with his absurd,pessimistic yet still very realistic idea of the world,a sort of soulmate of Haneke's.

This film is certainly not for everyone. Maybe for Haneke completists only.

It is based on one of Franz Kafka's three novels, and it can basically be described as a satirization of bureaucracy.

K (Ulrich Mühe - Georg in Funny Games) arrives for a job and is met with resistance. The next day two assistants arrive (one is Artur (Peter from Funny Games). K spends most of his time trying to get into the castle to do the work he was hired to do, but it seems he isn't needed.

He takes up with Frieda (Susanne Lothar - Anna from Funny Games, and the midwife in The White Ribbon).

From here it is surreal and confusing. He bounces from official to official never really getting anywhere.

Haneke and Kafka were made for each other.