Doce Vingança

Like Harvey Fierstein's TORCH SONG TRILOGY, this two-part play almost demanded a name change before lensing, but all except the US market chose to do so (SWEET REVENGE, to us Yanks). Alan Ayckbourn's cutting comic caper concerns two desperate losers who opt for revenge instead of a midnight dive into the Thames. Fine Britress Helena Bonham Carter is the controlling "she" while sedate Ozian Sam Neil is the duller "he". Stick insect Kristin Scott Thomas replaces the much-missed Joanna Lumley from the stage version while a mopey Rupert Graves is serviceable as the wayward brother. This is only one of three Ayckbourn plays (out of 69) to make it to the big screen (A CHORUS OF DISAPPROVAL and SMOKING/NO SMOKING, the other two) and it's compression proves it's failing. The quaint Liz Smith is antic as the doddering maid. In the end, though, the fabric has been sliced and mended till the narrative is less than satisfying.

What a refreshing change to see such a witty comedy. The cast was excellent, especially Helena Bonham Carter who was outrageously wicked. But my only complaint is that it was too short. I wanted to see Helena's character work out the rest of her revenge plot.

A little-known gem I picked up on the other night, this film really is so very, very amusing. Helena Bonham Carter steals the show as a completely insane upper class psychopath, and is supported with stellar performances from Sam Neill as her awkward accomplice, Rupert Graves as her odd brother, and Kristin Scott Thomas being the target of her vendetta. Special mentions go to the hilarious Steve Coogan and to Martin Clunes as the obnoxious husband. The storyline is old as day (based on Hitchcock's 'Strangers on a Train'), and yet with its quintessentially British humour, manages to be highly entertaining. I would certainly recommend it; it has the viewer chortling the entire way through, and is short, snappy, and a good laugh on a Sunday afternoon.

If you want to know what people mean when they say the British are superb in creating droll comedies and you do not know what they are talking about, watch this movie! You also get the benefit of seeing a movie that gives new meanings to words like ironic, satiric, quaint, bucolic, whimsical and hilarious.

The three leads are superb, but watch for the secondary leads, such as the boss who gets the axe by his wife due to his being set up, or the husband who gets shot by accident and everyone is ecstatic or, best of all, the head housekeeper who is taking two or three years to break in her replacement.

Get it, rent it, do whatever you need to do to see it and laugh. Then sit around as I am with impatience waiting for the sequel.

Henry (Sam Neill) has just lost his job and has been very unlucky in love, too. After hatching a plan to jump off a tall bridge, Henry is surprised to see that someone else is there ahead of him, with the same idea. Its Karen (Helena Bonham Carter), who has been dumped by a man she thought loved her very much. As Henry and Karen convince each other not to end it all, Karen proposes a plan straight out of Hitchcock. Karen will get revenge on Henry's ex boss if Henry will go after her ex and the wife to whom he returned. Bewildered and still emotionally raw, Henry agrees to talk about the idea back at Karen's home. Wait, its a castle and obviously the lady is quite rich. Doubting whether Henry is really sincere, she invites him to spend the night but, when he wakes, Henry's clothes are gone and he is tied to a bed. Nothing will free him except the promise of taking her ex down. He agrees. Soon, Karen has disguised herself as a frump and wormed her way into a temp job as Henry's ex-boss' (Steve Googan) secretary. Meanwhile, Henry reluctantly seeks out the farm where his targeted couple abide, including the lovely wife, Imogen (Kristin Scott Thomas). All too soon, Karen seems to be achieving her goals while Henry drags his feet, because Imogen has transfixed him. What, what will Karen do as revenge to Henry if he doesn't do her bidding? This is a funny tale but by no means exceptional. Neill is great as the hero trying to turn to the dark side for a bit while Bonham Carter is one nasty female. Thomas, Coogan, Rupert Graves and the others do nice supporting work. Sets, costumes, script and direction are quite above average. Therefore, those who enjoy British comedy and light romance will find this a satisfying view for an evening.