A Namorada do Soldado

Movies that focus on the war in Vietnam now are almost completely forgotten. Well, "A Soldier's Sweetheart" is a different story and how the tale unfolds is remarkable. A soldier named Rat (Kiefer Sutherland) tells the tale that may seem like a tall one of how Fossie (Skeet Ulrich), an lonely army medic whom Rat had worked with a small Army hospital, who had his girlfirend, Marianne (Georgina Cates) flown in. Sutherland and Ulrich are fine here, but Cates steals the show here with a solid performance. A crafty and very unique experience.

the weird thing about A Soldiers Sweetheart is that it's worth watching it. if you say that it's stupid to get your girl to 'Nam, you're right, but that's the gimmick. it makes the story interesting. the movie is not so bad at all. it's quite enjoyable actually. thumbs up for Kiefer Sutherland and Skeet Ulrich! I really want to recommend this movie to anybody who hasn't seen it yet!

"A Soldier's Sweetheart" has Sutherland as a hunkered down Army medic in Vietnam telling an incredible tale to a disbelieving comrade. The tale, which is the bulk of the film, is about his experiences with another soldier (Ulrich) at a sort of mini-MASH outpost who manages to have his civilian sweetheart (real life spouse Cates) from home brought to him "in country" where the pert female finds herself enjoying her unauthorized vacation-of-sorts in war torn Vietnam a little too much. The film plays out as a sort of tall tale as it begs the question is the story fact or fantasy...a question it attempts to answer in the conclusion. An obviously budget conscious made-for-tv flick full of time consuming uneventful filler, the film flows like molasses though it does wax curiously if not interesting if not suspenseful. An okay watch for those into girl power and Vietnam war spook stories. (C+)

Tim O'Brien's combat experience was either not particularly well reflected or deliberately altered by the director to better frame the story. Regardless, once you accept the premise, the movie became in many ways reminiscent of, perhaps a precursor to, Apocalypse Now. Marianne's descent into her own heart of darkness (though somewhat stagey) still illuminated the central question effectively. In a summer filled with cartoon cutouts going through their paces in front of blue screens, it was refreshing to watch a movie (even a flawed movie) which attempted greater things.

Taken at face value this film is a little ridiculous. So don't see it as a war story;see it as an allegory. Here's the deal: GIs really miss the good old USA. They are miserable, stuck in a strange foreign land. One gets the idea of how to bring home to them in the guise of his girl. She arrives and they suddenly feel safe and home again. Note there are none of the expected plot turns such as jealousy and sexual competition. All the guys are happy to have her there;they don't desire her;she makes them happy just by being there. She is the girl next door; the unchanging symbol of the USA, home! Yet, she begins to change; she is "polluted" by mixing with the strange foreign environment they carefully avoid. She becomes different,unsettling in the same way the good old USA is becoming changed by the tumult of the 60s back home. This foreshadows the way the guys will feel when they return home to a strange,now foreign USA. I saw an interview with the director and he described this film as a Vietnam War movie. If that is what he meant it to be it is a really bad one. Try it my way ; it makes much better sense.