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IMDbPro

Perdidos em Nova York

Título original: The Out-of-Towners
  • 1999
  • PG-13
  • 1 h 30 min
AVALIAÇÃO DA IMDb
5,5/10
15 mil
SUA AVALIAÇÃO
John Cleese, Steve Martin, and Goldie Hawn in Perdidos em Nova York (1999)
The remake of the 1970 Neil Simon comedy follows the adventures of married couple Henry and Nancy Clark as they are vexed by misfortune while in New York City for a job interview.
Reproduzir trailer2:32
1 vídeo
60 fotos
Comedy

A comédia de Neil Simon acompanha os percalços de um casal que viaja para uma entrevista de emprego em Nova York. Segue-se uma série de desastres cômicos que podem fazer alguém pensar duas v... Ler tudoA comédia de Neil Simon acompanha os percalços de um casal que viaja para uma entrevista de emprego em Nova York. Segue-se uma série de desastres cômicos que podem fazer alguém pensar duas vezes antes de visitar a Grande Maçã.A comédia de Neil Simon acompanha os percalços de um casal que viaja para uma entrevista de emprego em Nova York. Segue-se uma série de desastres cômicos que podem fazer alguém pensar duas vezes antes de visitar a Grande Maçã.

  • Direção
    • Sam Weisman
  • Roteiristas
    • Neil Simon
    • Marc Lawrence
  • Artistas
    • Steve Martin
    • Goldie Hawn
    • John Cleese
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,5/10
    15 mil
    SUA AVALIAÇÃO
    • Direção
      • Sam Weisman
    • Roteiristas
      • Neil Simon
      • Marc Lawrence
    • Artistas
      • Steve Martin
      • Goldie Hawn
      • John Cleese
    • 133Avaliações de usuários
    • 51Avaliações da crítica
    • 33Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Vídeos1

    Official Trailer
    Trailer 2:32
    Official Trailer

    Fotos60

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    Elenco principal78

    Editar
    Steve Martin
    Steve Martin
    • Henry Clark
    Goldie Hawn
    Goldie Hawn
    • Nancy Clark
    John Cleese
    John Cleese
    • Mr. Mersault
    Mark McKinney
    Mark McKinney
    • Greg
    Oliver Hudson
    Oliver Hudson
    • Alan Clark
    Valerie Perri
    Valerie Perri
    • Stewardess
    Steve Mittleman
    • Passenger
    Randall Arney
    • Passenger
    Carlease Burke
    Carlease Burke
    • Airline Representative
    William Duell
    • Lost Baggage Clerk
    J.P. Bumstead
    • Boston Cab Driver
    Peggy Mannix
    Peggy Mannix
    • Sweeper Woman
    Anne Haney
    Anne Haney
    • Woman in Bathroom
    Charlie Dell
    Charlie Dell
    • Janitor on Train
    Jordan Baker
    Jordan Baker
    • Rental Car Clerk
    Tom Riis Farrell
    Tom Riis Farrell
    • Andrew Lloyd Webber
    Dani Klein
    • Michelle
    Daniel Parker
    • Desk Clerk
    • (as Daniel T. Parker)
    • Direção
      • Sam Weisman
    • Roteiristas
      • Neil Simon
      • Marc Lawrence
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários133

    5,515.4K
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    Avaliações em destaque

    bob the moo

    Plain, Strained & Automobiles – very basic and lazy stuff that is only amusing occasionally

    Henry and Nancy Clark have been married for 24 years and it is starting to show. Henry has lost his job but has kept it secret and plans to get a new job in New York. Having had their last child move out of the house the day before, Nancy isn't sure what to do with her time and decides to join Henry on his trip to New York. However a fog-bound city sees them diverted to Boston and struggling to get to their destination. Actually getting into Manhattan is only the first challenge in an eventful 24 hours that could only happen in New York!

    Nothing about this film suggested that it would be anything special; in fact the presence of Marc Lawrence as writer only promised the sort of safely comic humour that he produced with Two Weeks Notice, Miss Congeniality and similar projects. And from the very start it is obvious that Lawrence has produced his usual standard and that director Weisman has no aspirations to do more than churn out a rather derivative but amusing rom-com. So that is just what we get and if that is OK with you then you should be alright, although hardly impressed. The plot bumbles along from one unlikely scenario to the next; most of them are ho-hum but occasionally it tickled me. Most viewers (myself included) will find it all a bit obvious and weak but the undemanding will maybe find it amusing enough to serve as a distraction.

    Part of the film working (albeit on this level) is the partnership of Martin and Hawn. Even with the rather obvious material to work with, they do work well together and produce some laughs where they may not have existed on the page. Martin is only ever a hair away from mugging but, although not a shade on his former glory, he fits the lazy tone well. Hawn is a bit less convincing but is still quite amusing; the only problem with her is that she has to carry the more emotionally complex character and she can't get that right and mainly just overplays it for easy laughs, robbing the film of the engaging realism that it needed to have if it really wanted to pull off the emotional ending (which of course it doesn't actually want to do!). Cleese is embarrassing and can do nothing with the poor material he is served with – it is pretty much below him and it shows.

    Overall then a totally by-the-numbers, obvious little romantic comedy. It is fairly forced and contrived which was a problem but bits of it rose above the rest and generally it provided just enough to be distracting for those in an undemanding mood. However the majority of us will see something that lacks any real effort and it doesn't encourage me to do much into it when watching. The two leads brighten it up a little bit but it is hard not to see the glaring lack of originally and spark at pretty much every turn.
    6PWNYCNY

    Banality reigns supreme in this tepid retread.

    Goldie Hawn is a wonderful comedy actress; Steve Martin is a wonderful comedy actor; Neil Simon is a wonderful comedy writer; and New York City is a wonderful place to use as a setting for a movie. Yet, this movie is a clunker; it's as flat as a pancake, and an overcooked one at that. Although certain scenes do provoke a laugh, in general this movie simply is not funny. The story is a pure Hollywood comedy potboiler, that is, a formula movie and a poor retread of the 1970 original, which itself wasn't the funniest movie either, but that's for another review. The idea of everything going wrong during a trip is nothing new, but if properly treated it can produce laughs. But in this movie the things that go wrong are so absurd and contrived that the laughs are lost. What happens to the Clarks would not and could not happen to anyone else, hence the movie becomes irrelevant to the audience and loses its meaning as a satire or parody. John Cleese provides some humor as the hotel manager but his presence is limited and in no way comes close to rescuing this movie from its essential banality.
    D-FENS-5

    Stay home

    When I went to the sneak preview, I was afraid they would give me 'Runaway Bride', but they managed to come up with something so full of nothing, that I almost left during the break (and I have never done that), and I wouldn't have had to convince my friends. This thing is filled with jokes that I would be ashamed to come up with, like a candy bar stuck in the machine. We have never seen that before right? At one point Steve Martin is sitting in a Limo, and realizes he swallowed an XTC pill, then jumps out of the car and starts to rape a tree. John Cleese was the only funny part, but do yourselves a favour, and go see 'Runaway Bride'. I am sure it's much better. Dennis Pennis was right.
    FilmCritic-3

    A disappointment for fans of the original

    Being that I was a fan of the original, I found this film to be a complete disappointment. Who thought that they could remake the Out-Of-Towners? It was a stupid move actually. George and Gwen Kellerman are now George and Nancy Clark (Played by Steve Martin and Goldie Hawn). This time they are left with empty-nest syndrome after their son leaves for London. With nothing to do, George needs to go to New York because of a job interview that he desperately needs being that he was let go from his previous job after 23 years. The only thing is that Nancy doesn't know this. But she does nearing the middle of the film. A few jokes are resurrected from the original and still bring a smile to those that watched and enjoyed the original. Other than that, the rest of the movie is a complete disappointment from start to finish.

    Don't rush so fast to see this one. It is better to wait until it comes out on video.
    jas_vdm

    A nice, warm hearted, funny little comedy.

    I have always been a big fan of Steve Martin, and hilarious 80's comedies like 'Trains Planes and Automobiles', so thats why I decided to rent this film. And I can tell you, I was not disappointed! Its not an hilarious movie, but it is funny from beginning to end. The mishaps that Goldie and Steve go through are sometimes predictable, but are always good for a chuckle. And John Cleese just steals the show. I have not seen the 1970 version, but I found this one pleasant and light hearted. I love watching 'endless mishap' comedies like National Lampoon's Vacation and 'Trains Planes and Automobiles', and this is another one to add to my collection. Steve Martin, you are king! And I can;t understand everyones negative comments on this film - maybe they were expecting just too much.

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Henry and Nancy Clark's son Alan is played by Goldie Hawn's real son, Oliver Hudson.
    • Erros de gravação
      Henry's necktie becomes neatly tied between shots when he is on the elevator.
    • Citações

      Henry Clark: Do you know what your problem is?

      Mr. Mersault: No, what's my problem?

      Henry Clark: You live here. You're jaded. What you need is a fresh perspective from an outsider from say Ooo-hio! Because you have forgotten just how amazing this city is. I have had more experiences in this city than many people who have lived here their whole lives. I mean, I met colorful characters. I've taken a breathtaking cab ride through Central Park. I climbed to the top of a luxury hotel. Not in the elevator, actually on the hotel. And then, I fell - in love with my wife all over again at Tavern on the Green, on the actual green itself. And - and then I had *sex* in front of the Mayor! I mean, where else can something like this happen? Only in New York!

      Mr. Mersault: What did you just say?

      Henry Clark: You mean the whole thing or the tag line for your new campaign, "Only In New York"? Which, incidentally, I copyrighted just before I came up here, along with the visual of the Statue of Liberty giving the high five to a family of tourists.

      Bill: Oh, this guy's very good.

      Henry Clark: Can I have a doughnut?

    • Conexões
      Featured in Siskel & Ebert & the Movies: The Matrix/10 Things I Hate About You/Cookie's Fortune/The Out-of-Towners/The Dreamlife of Angels (1999)
    • Trilhas sonoras
      (Just Like) Starting Over
      Written and Performed by John Lennon (1980)

      Courtesy of Capital Records under license from EMI Music Special Markets

    Principais escolhas

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    Perguntas frequentes20

    • How long is The Out-of-Towners?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • outubro de 1999 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • The Out-of-Towners
    • Locações de filme
      • Hotel Plaza Athéne, 37 E 64th St., Nova Iorque, Nova Iorque, EUA(Exterior)
    • Empresas de produção
      • Cherry Alley Productions
      • Cort/Madden Productions
      • Paramount Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 75.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 28.544.120
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 8.224.215
      • 4 de abr. de 1999
    • Faturamento bruto mundial
      • US$ 28.544.120
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 30 minutos
    • Cor
      • Color
    • Mixagem de som
      • DTS
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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