Um jovem faz amizade com um robô gigante do espaço, um paranóico agente do governo quer que seja destruído.Um jovem faz amizade com um robô gigante do espaço, um paranóico agente do governo quer que seja destruído.Um jovem faz amizade com um robô gigante do espaço, um paranóico agente do governo quer que seja destruído.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 prêmio BAFTA
- 20 vitórias e 18 indicações no total
Eli Marienthal
- Hogarth Hughes
- (narração)
Harry Connick Jr.
- Dean McCoppin
- (narração)
Jennifer Aniston
- Annie Hughes
- (narração)
Vin Diesel
- The Iron Giant
- (narração)
James Gammon
- Foreman Marv Loach
- (narração)
- …
Cloris Leachman
- Mrs. Tensedge
- (narração)
Christopher McDonald
- Kent Mansley
- (narração)
John Mahoney
- General Rogard
- (narração)
M. Emmet Walsh
- Earl Stutz
- (narração)
Jack Angel
- Additional Voices
- (narração)
Bob Bergen
- Additional Voices
- (narração)
- (as Robert Bergen)
Mary Kay Bergman
- Additional Voices
- (narração)
Michael Bird
- Additional Voices
- (narração)
Devon Cole Borisoff
- Additional Voices
- (narração)
- (as Devon Borisoff)
Rodger Bumpass
- Additional Voices
- (narração)
Robert Clotworthy
- Additional Voices
- (narração)
Jennifer Darling
- Additional Voices
- (narração)
Zack Eginton
- Additional Voices
- (narração)
Resumo
Reviewers say 'The Iron Giant' is acclaimed for its heartfelt narrative, exploring friendship, acceptance, and choice. Its Cold War paranoia and anti-war themes resonate deeply. The blend of traditional and CGI animation is lauded for its beauty and emotional impact. Vin Diesel's voice performance as the Giant is particularly praised. The film successfully appeals to both children and adults, offering mature themes and moral lessons, solidifying its status as a timeless classic.
Avaliações em destaque
Sometimes when watching an animated feature, I spend my time saying, "What great animation." When this happens, I wonder if I am doing what the producers wanted me to do. Like so many things, should I be so enamored with the technical part of the movie that I am distracted from the content. As I watched "The Iron Giant" I realized I had forgotten it was an animated feature. Don't get me wrong. I knew the enormous title character was animated, but the relationships among the characters and the intelligence of the script caused me to forget that these weren't actors. The movie is filled with tender moments, especially as they relate to our feelings of our own mortality. What I enjoyed is that the grownups aren't treated as garden variety bad guys. Even the military, which is nearly always portrayed as evil, finds itself in a contradictory position--having to go on faith. The animation is wonderful, but so are the "performances." No spoilers here, but I think the ending is a lovely tribute to the spirit of the life force in all of us--even those of us not made of metal. See this. It is one of the better movies of the year.
An ambitious take on Ted Hughes' 1968 children's book The Iron Man, director Brad Bird's The Iron Giant works well as both archetype-infused allegory and heartstring-tugging tale of friendship. Set in small town Maine in the 1950s at the height of Cold War paranoia, the film explores the relationship between a lonely, fatherless boy (a photo on a nightstand hints that the father was a combat pilot killed in WWII) and a monstrously huge, hulking metal behemoth (the origins of which are brilliantly left to the imagination). The animation marks a welcome contrast from the virtually ubiquitous Disney template, with the human characters bearing a stylized, comic book exaggeration that fits perfectly with the story material. The Iron Giant has more than enough imagination and sparkle to interest kids and adults, and nicely balances its action-adventure aspirations with a solidly-crafted sense of moral purpose.
I have only just recently rewatched this classic and it is as good today as the first day I saw it.
I love the setting of this, back in the 50's during the height of cold war tension and fear of alien invasion.
This movie has a great balance, just enough character development, enough action scenes and enough tension to keep you glued for the hour and a half play time.
It is aimed at kids for sure but adults would enjoy watching this one just as much.
The characters are all endearing that you really get attached to them. The bad guy is less evil and more of an authoritarian trying to do their job regardless of emotions involved. It makes for a fun movie for all ages.
I love the setting of this, back in the 50's during the height of cold war tension and fear of alien invasion.
This movie has a great balance, just enough character development, enough action scenes and enough tension to keep you glued for the hour and a half play time.
It is aimed at kids for sure but adults would enjoy watching this one just as much.
The characters are all endearing that you really get attached to them. The bad guy is less evil and more of an authoritarian trying to do their job regardless of emotions involved. It makes for a fun movie for all ages.
10dpenny
I'm 25 years old. I have no children. So why am I praising a 'kid's movie' which nobody saw? Because I have never seen a film pack the emotional wallop 'The Iron Giant' provided.
The film's plot is similar to 'E.T.' - a young boy meets an alien robot from outer space, who is stranded on earth, and runs afoul of paranoid government agents. Not to knock the Spielberg film, but what makes 'The Iron Giant' the better film is that the young boy is the teacher. It is he who has to teach the Giant about the beauty of life, the difference between good and evil, and choices we have to make. The Iron Giant, it turns out, is a weapon, who has to struggle against his own nature. The film has an obvious (and timely) gun control message, but its real message is about the choice we make when dealing with other people. We can use our powers for good or lash out at everyone around us.
I dare not give away the climax. All I will say is that it features a sacrifice absolutely breaktaking and emotionally shattering (albeit somewhat blunted by the ending). The animation is gorgeous, Michael Kamen's score is perfect, and the film beautifully evokes the 1950s.
Sadly, poor marketing kept audiences away in droves. All I can say is, to heck with the box office gross. Despite Warner's appearant desire to pretend the film never existed, the word is getting around about what a magical film this is, and I have no doubt it will join 'It's a Wonderful Life' as a film which bombed in theatres but became a classic over the years. See it now, so you can say you discovered it before everyone else did.
The film's plot is similar to 'E.T.' - a young boy meets an alien robot from outer space, who is stranded on earth, and runs afoul of paranoid government agents. Not to knock the Spielberg film, but what makes 'The Iron Giant' the better film is that the young boy is the teacher. It is he who has to teach the Giant about the beauty of life, the difference between good and evil, and choices we have to make. The Iron Giant, it turns out, is a weapon, who has to struggle against his own nature. The film has an obvious (and timely) gun control message, but its real message is about the choice we make when dealing with other people. We can use our powers for good or lash out at everyone around us.
I dare not give away the climax. All I will say is that it features a sacrifice absolutely breaktaking and emotionally shattering (albeit somewhat blunted by the ending). The animation is gorgeous, Michael Kamen's score is perfect, and the film beautifully evokes the 1950s.
Sadly, poor marketing kept audiences away in droves. All I can say is, to heck with the box office gross. Despite Warner's appearant desire to pretend the film never existed, the word is getting around about what a magical film this is, and I have no doubt it will join 'It's a Wonderful Life' as a film which bombed in theatres but became a classic over the years. See it now, so you can say you discovered it before everyone else did.
10Figaro-6
All too often, "family films" are only infantile, simplistic formulas with a few self-referential and pop-culture jokes thrown in to try and keep adults awake. But then along comes something like "The Iron Giant", which is sophisticated enough to demand respect while maintaining a mythic and pure-hearted tone that actually does appeal to the kid in everybody.
"The Iron Giant" is refreshingly non-Disney in no end of ways. Characters seem real and chosen to fit the story, instead of being a superficial reshuffling of an old formula. The animation definitely has its eye-popping moments, but there are also scenes of great wonderment, pathos, and humour that only top-drawer animation can convey. The Giant itself is a great character, who only becomes MORE interesting as the film continues (another huge break from Disney). No scene is wasted in this film, either; every set piece, even the really funny ones, helps either to establish the "world" of the movie, or to advance the plot. At no time do you feel that you are merely waiting for the story to crank up again.
"The Iron Giant" is funny, exhilarating, and touching as well. It's sad to see it failing at the box office, as a blunt reminder that the success of films is often in direct proportion to their publicity budget. Hopefully, though, word-of-mouth will come to its rescue. Go see it! Tell your friends! Then go again! (Repeat as necessary.)
P.S. I find myself comparing the Iron Giant character to Martin Donovan's character in "Amateur". If there is anyone else on earth who has seen both films you may wish to entertain the notion yourself.
"The Iron Giant" is refreshingly non-Disney in no end of ways. Characters seem real and chosen to fit the story, instead of being a superficial reshuffling of an old formula. The animation definitely has its eye-popping moments, but there are also scenes of great wonderment, pathos, and humour that only top-drawer animation can convey. The Giant itself is a great character, who only becomes MORE interesting as the film continues (another huge break from Disney). No scene is wasted in this film, either; every set piece, even the really funny ones, helps either to establish the "world" of the movie, or to advance the plot. At no time do you feel that you are merely waiting for the story to crank up again.
"The Iron Giant" is funny, exhilarating, and touching as well. It's sad to see it failing at the box office, as a blunt reminder that the success of films is often in direct proportion to their publicity budget. Hopefully, though, word-of-mouth will come to its rescue. Go see it! Tell your friends! Then go again! (Repeat as necessary.)
P.S. I find myself comparing the Iron Giant character to Martin Donovan's character in "Amateur". If there is anyone else on earth who has seen both films you may wish to entertain the notion yourself.
Você sabia?
- CuriosidadesBrad Bird was in part inspired to make this film as a memorial to his sister Susan, who died at the hands of her estranged husband by gun violence. His pitch was this: "What if a gun had a soul and didn't want to be a gun?"
- Erros de gravaçãoAt the beginning, Sputnik is shown orbiting from East to West. Most non-polar orbits of satellites run West to East (including Sputnik) in order to take advantage of the Earth's rotation.
- Citações
[as the Giant flies toward the missle]
Hogarth Hughes: [in the Giant's mind] You are who you choose to be.
The Iron Giant: Superman.
- Cenas durante ou pós-créditosThe Warner Brothers logo is done in 1950s art deco, as the Sputnik signal is heard.
- Versões alternativasTwo added scenes overseen by Brad Bird were animated for the theatrical release of The Iron Giant: Signature Edition.
- ConexõesEdited into The Making of 'The Iron Giant' (1999)
- Trilhas sonorasHoneycomb
Written by Bob Merrill
Performed by Jimmie Rodgers
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Special Products
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El gigante de hierro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 70.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 23.315.035
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.732.614
- 8 de ago. de 1999
- Faturamento bruto mundial
- US$ 23.339.506
- Tempo de duração1 hora 26 minutos
- Mixagem de som
- Proporção
- 2.39 : 1
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