AVALIAÇÃO DA IMDb
6,8/10
45 mil
SUA AVALIAÇÃO
Um agente secreto perde a memória após cair de um helicóptero que cai. Ele é então perseguido por vários agentes da agência, mas não tem ideia do motivo.Um agente secreto perde a memória após cair de um helicóptero que cai. Ele é então perseguido por vários agentes da agência, mas não tem ideia do motivo.Um agente secreto perde a memória após cair de um helicóptero que cai. Ele é então perseguido por vários agentes da agência, mas não tem ideia do motivo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 10 indicações no total
Ton Pompert
- CIA Chairman
- (as Tom Pompert)
Glory Simon
- CIA Secretary
- (as Gloria Simon)
Fred van Ditmarsch
- Airforce
- (as Johan van Ditmarsch)
Jeremiah Fleming
- Marine Assistant
- (as Jeremiah Flemming)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Great great kung fu film. The plot is a farce on the typical James Bond fare of secret government conspiracies and evil men attempting to gain the means to take over the world. The strength here, instead of a huge budget full of beautiful women and nifty gadgets, is in the action sequences. The fight scenes are so much fun to watch, and Chan's car chase is also a wonderful piece of footage (with some physics+ involved). If you are looking for a great time with the kind of fast fighting and physical comedy that come with Jackie Chan then make sure you sit down to Who Am I? Also, I will say that the final fight scene between Chan and the two toughest badies in the the bad men's stock fight is incredible. My favorite fight scene of all moviedom, especially the man whose specialty is his incredible legwork.
I'm astonished that there were so many negative reviews here...
This film is OBVIOUSLY not meant to be taken seriously. It is very clearly intentionally a "joke" of a film. That people would complain about bad acting, strange dubbing, and/or a convoluted plot just leaves me flabbergasted.
From the very beginning, it should be evident that a big part of the point of the film is its own self-deprecating humor. Jackie loses his memory and is picked up by a primitive African tribe. The chief asks him, in an unintelligible language, "Where do you come from? What is your name?" to which Jackie replies (not understanding the questions) "What am I doing here? Who am I?" This is a JOKE, folks.
A few minutes later, Jackie saves a snake-bite victim with an IV he improvises from a COCONUT! When he's returned to "civilization," the doctor is impressed with that tactic, saying, "That coconut IV technique is only used by elite military units!" Is there any way to even dream of taking the plot/dialogue seriously at this point?
The acting is "bad" by design. The actors were obviously told to ham up everything they did. The meeting of the American intelligence officials is a completely ironic reference to the same sort of scene you'd expect in any James Bond movie. Dialogue is intentionally absurd, plot developments are intentionally obvious. The "Morgan" character is played perfectly (and hilariously) as a crooked CIA operative out for his own gain while feigning loyalty to the USA.
Yuki is a master stunt-driver with the naivete and wide-eyed innocence of a schoolgirl. Christine Stark is a completely laughable "reporter" who fools Jackie only as a result of his head injury; after she's "exposed," she rescues Jackie in an golf cart that can't seem to move faster than an electric wheelchair.
That the villains actually join each other in a verse of song ("Friendship, friendship!") near the end should serve as a good reminder of just how camp this picture strives to be. To criticize it for this as a "failing" seems to me to profoundly miss the point. Did the same viewers dislike that "Hot Shots: Part Deux" was absurd too?
Overall, the strengths of the film deserve the attention: it is a very funny parody of the overplotted "action/intrigue" genre, it has a terrific car chase, notable action sequences, and a terrific Jackie-Chan-Style fight scene at the beginning of the film's climax.
Perhaps I enjoyed this movie because I had grown up watching the "GI Joe" cartoon series, and had always been rather insulted by the fact that it managed to be both preachy and stupid at the same time. If you're looking for a great 100 minutes of parody and HUMOR, I'd recommend this movie. If you're more interested in believability and suspending your disbelief, this film will definitely not work for you at all. Inappropriate expectations would be the only "problem" I can imagine that would reduce one's enjoyment of this film.
If you want a more serious Jackie Chan film, you might try Drunken Master II, or Police Story. But if you're looking for an enjoyable and sardonic 100 minutes, this is truly one of Jackie's great vehicles.
This film is OBVIOUSLY not meant to be taken seriously. It is very clearly intentionally a "joke" of a film. That people would complain about bad acting, strange dubbing, and/or a convoluted plot just leaves me flabbergasted.
From the very beginning, it should be evident that a big part of the point of the film is its own self-deprecating humor. Jackie loses his memory and is picked up by a primitive African tribe. The chief asks him, in an unintelligible language, "Where do you come from? What is your name?" to which Jackie replies (not understanding the questions) "What am I doing here? Who am I?" This is a JOKE, folks.
A few minutes later, Jackie saves a snake-bite victim with an IV he improvises from a COCONUT! When he's returned to "civilization," the doctor is impressed with that tactic, saying, "That coconut IV technique is only used by elite military units!" Is there any way to even dream of taking the plot/dialogue seriously at this point?
The acting is "bad" by design. The actors were obviously told to ham up everything they did. The meeting of the American intelligence officials is a completely ironic reference to the same sort of scene you'd expect in any James Bond movie. Dialogue is intentionally absurd, plot developments are intentionally obvious. The "Morgan" character is played perfectly (and hilariously) as a crooked CIA operative out for his own gain while feigning loyalty to the USA.
Yuki is a master stunt-driver with the naivete and wide-eyed innocence of a schoolgirl. Christine Stark is a completely laughable "reporter" who fools Jackie only as a result of his head injury; after she's "exposed," she rescues Jackie in an golf cart that can't seem to move faster than an electric wheelchair.
That the villains actually join each other in a verse of song ("Friendship, friendship!") near the end should serve as a good reminder of just how camp this picture strives to be. To criticize it for this as a "failing" seems to me to profoundly miss the point. Did the same viewers dislike that "Hot Shots: Part Deux" was absurd too?
Overall, the strengths of the film deserve the attention: it is a very funny parody of the overplotted "action/intrigue" genre, it has a terrific car chase, notable action sequences, and a terrific Jackie-Chan-Style fight scene at the beginning of the film's climax.
Perhaps I enjoyed this movie because I had grown up watching the "GI Joe" cartoon series, and had always been rather insulted by the fact that it managed to be both preachy and stupid at the same time. If you're looking for a great 100 minutes of parody and HUMOR, I'd recommend this movie. If you're more interested in believability and suspending your disbelief, this film will definitely not work for you at all. Inappropriate expectations would be the only "problem" I can imagine that would reduce one's enjoyment of this film.
If you want a more serious Jackie Chan film, you might try Drunken Master II, or Police Story. But if you're looking for an enjoyable and sardonic 100 minutes, this is truly one of Jackie's great vehicles.
Some of the most exciting action movies came out in the 90's, and this espionage gem is no exception, as it keeps you engaged from start to finish with its death-defying stunts - all of which don't feel as forced as they do in other Jackie Chan action flicks - and intriguing blend of humor, drama, and suspense. Taking place across a variety of locations (including South Africa), it's an adventurous epic that gives you a lot to see. The plot also unfolds primarily as a mystery, keeping you guessing to the end, as Jackie is trying to find out exactly why everyone from the secret police to the CIA is after him. Like most Jackie Chan films, there's also a strong reliance on humor, except this film doesn't have nearly as much slapstick as, say, "Police Story", to the point where it becomes annoying. The humor is carefully blended into the proceedings, and even when it reaches unintentional levels, it somehow makes the movie all the more enjoyable.
I won't spoil the various stunts performed in the film, you just have to see them to believe them, but needless to say, they are jaw-dropping. Speaking of jaw-dropping, the rooftop fight, which also serves as the final fight sequence in the film, is one of the best I've ever seen. It goes on for a while, but it's so well choreographed and stunningly executed that you'll want it to keep going for a few more minutes afterwards. The score by Nathan Wang, while nothing remarkable, fits the movie well, and sometimes goes so far as to raise the excitement factor, specifically during the chase sequences. It must be hard for anybody to direct themselves in a film, especially in an action film on such a large scale as this one, but Jackie Chan does so admirably here, alongside Benny Chan. It's some of his best work of the 90's alongside "Operation Condor".
I won't spoil the various stunts performed in the film, you just have to see them to believe them, but needless to say, they are jaw-dropping. Speaking of jaw-dropping, the rooftop fight, which also serves as the final fight sequence in the film, is one of the best I've ever seen. It goes on for a while, but it's so well choreographed and stunningly executed that you'll want it to keep going for a few more minutes afterwards. The score by Nathan Wang, while nothing remarkable, fits the movie well, and sometimes goes so far as to raise the excitement factor, specifically during the chase sequences. It must be hard for anybody to direct themselves in a film, especially in an action film on such a large scale as this one, but Jackie Chan does so admirably here, alongside Benny Chan. It's some of his best work of the 90's alongside "Operation Condor".
This overlong Jackie vehicle looks like a DTV flick (of course it WAS a DTV flick, but that's no excuse), has an exposition-heavy script, and some of the action set-pieces (including the car chase) lack energy, but all's forgiven when we get to the last 20 minutes, where we witness one of the most exhilarating fight sequences ever filmed, followed shortly afterwards by (arguably) THE most breathtaking stunt Chan has ever attempted on-screen - and that's saying something! (**1/2)
This is the first Jackie Chan film I saw and I loved it. I was a little bit young to understand the storyline but now that I'm older, the storyline is actually very great.
The action in this movie is a key part of this film, as it is in any martial arts film. Jackie Chan brings his usual unique fighting style on screen and the best fight of all is atop the roof of the CIA building at the films climax which is followed by an awesome stunt which I won't give away. The villain is a decent antagonist and Chan's sidekicks come in handy this time around.
Great film, it is dubbed by a few actors/actresses but just plain fun and awesome overall.
The action in this movie is a key part of this film, as it is in any martial arts film. Jackie Chan brings his usual unique fighting style on screen and the best fight of all is atop the roof of the CIA building at the films climax which is followed by an awesome stunt which I won't give away. The villain is a decent antagonist and Chan's sidekicks come in handy this time around.
Great film, it is dubbed by a few actors/actresses but just plain fun and awesome overall.
Você sabia?
- CuriosidadesMichelle Ferre never considered acting, but on the set of this movie, when she tried to interview Jackie Chan, he was struck by her, and asked her to audition for the movie, which she did, and landed a co-starring role.
- Erros de gravaçãoWhen Jacki runs up the hill on top of the rocks and screams, "Who am I?" you can see a member of the crew underneath the bridge area. When the chopper shot starts to move around you can see him look up at the camera and move back under the bridge trying to hide.
- Citações
Morgan's hitman: You've got two choices. Give us the disk and jump off.
Morgan's Hitman: Or number two, we take the disk and throw you off.
Who Am I?: I like the third choice: I keep the disk, and I throw you both off.
- Cenas durante ou pós-créditosIn the tradition of every Jackie Chan film, outtakes appear under the end credits. All of Jackie's outtakes involve bloopers only. The only injury on the outtakes is a stunt driver being brought out on a stretcher.
- Versões alternativasThe American version is cut by 9 minutes. Scenes omitted from the American version: -In the Hong Kong version, we do not see Jackie's unit get double crossed right after the mission is over (The American edit shows the unit getting double crossed after the mission). When the mission is over, it immediately cuts to the CIA briefing room. The scene with the double cross is shown during a flashback.
- There are more scenes with Jackie and his time with the African tribe. These include:
- Jackie talks in Chinese most of the time (The American version shows him talking in English as the film was shot in English).
- A conversation with tribal child Baba about the sun and the moon in hopes of finding out what happened to him.
- A confrontation with Jackie and a lion after Jackie picks up one of the lion's cubs.
- A ceremony where Jackie is made a member of the tribe.
- Before he leaves his tribal friends to go journey to find out his true identity, he does a traditional tribal dance for them and they return the favor with a dance of their own.
- ConexõesFeatured in Jackie Chan: My Story (1998)
- Trilhas sonorasYa Kuo Hu Di Ren (A Man in the Past)
Written by Lam Si
Performed by Emil Chow Wah-Kin
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- ¿Quién diablos soy?
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 2 h(120 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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