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6,4/10
7,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA congressional candidate questions his sanity after seeing the love of his life, presumed dead, suddenly emerge.A congressional candidate questions his sanity after seeing the love of his life, presumed dead, suddenly emerge.A congressional candidate questions his sanity after seeing the love of his life, presumed dead, suddenly emerge.
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I cannot recommend this film strongly enough. This story celebrates the timelessness of love without cynicism or irony. It portrays a relationship in all its many forms: moments of joy, frustration, passion, tenderness, tragedy, and even a bit of insanity. Fielding Pierce and Sarah Williams are the two politically-minded lovers. While they share very similar political goals, their means of achieving those goals are vastly different. Fielding is the ambitious golden boy, campaigning through the political machine in an effort to affect change by working within the established system. Sarah is the rebel outsider, who believes real change will never be accomplished within a corrupt system, leaving political revolution as the only alternative. The film never passes judgement on which is the nobler or the more effective method. Rather, it chooses to portray Fielding and Sarah as two people whose love for what they believe in is second only to the love they have for each other.
The ability of 'Waking The Dead' to polarize critical opinion is the best indication of how powerful this film really is. In short, you either love it or hate it. I LOVED IT!
Yes, the story of an up and coming politician falling in love with a beautiful, left-wing activist is a bit trite but no more so than the 70's in which they shared their life together were naive, idealistic and a necessary part of the evolution of American social conscience.
I thought the performance by Jennifer Connelly as 'Sara' was astounding. Her ability to convey the sentiment of her beliefs in anger and love is nothing short of inspiring. If you're not in love with Sara by the end of this movie, you should check into the Emergency ward of your local hospital because there's no heart in your chest or warm blood flowing in your veins.
Billy Crudup's performance as 'Fielding' could be interpreted as "flat" only to those who would say that life imitates art and not the other way around. I found Crudup's acting highly believable for the character he was portraying. I know lots of extremely intense people who hide behind a facade of calm out of necessity. Where he needed to be good, he was exceptional. Case in point, during his celebration dinner with family after winning the election, his declaration of his burgeoning insanity is extremely convincing and frightful.
Aside of great individual performances, the overall chemistry between Sara and Fielding was tangible, necessary and believable, as this is a story about love and why true love is endless. The editing, jumping between the present and the past, helped to make the point that we all have the power to change the world through the people we come into contact with and in this way we're all eternal, all powerful. To top it off, the haunting presence that was Sara after she was presumably killed, lends an element of mystery and hope in a metaphysical and real way, to a movie that could have been just another, too sweet love story in the hands of lesser director.
Though Waking The Dead has its flaws, they're too few to dwell on. I've watched it now three times and every time I appreciate it more than the last. I suggest its detractors do the same before making hasty negative assessments.
Yes, the story of an up and coming politician falling in love with a beautiful, left-wing activist is a bit trite but no more so than the 70's in which they shared their life together were naive, idealistic and a necessary part of the evolution of American social conscience.
I thought the performance by Jennifer Connelly as 'Sara' was astounding. Her ability to convey the sentiment of her beliefs in anger and love is nothing short of inspiring. If you're not in love with Sara by the end of this movie, you should check into the Emergency ward of your local hospital because there's no heart in your chest or warm blood flowing in your veins.
Billy Crudup's performance as 'Fielding' could be interpreted as "flat" only to those who would say that life imitates art and not the other way around. I found Crudup's acting highly believable for the character he was portraying. I know lots of extremely intense people who hide behind a facade of calm out of necessity. Where he needed to be good, he was exceptional. Case in point, during his celebration dinner with family after winning the election, his declaration of his burgeoning insanity is extremely convincing and frightful.
Aside of great individual performances, the overall chemistry between Sara and Fielding was tangible, necessary and believable, as this is a story about love and why true love is endless. The editing, jumping between the present and the past, helped to make the point that we all have the power to change the world through the people we come into contact with and in this way we're all eternal, all powerful. To top it off, the haunting presence that was Sara after she was presumably killed, lends an element of mystery and hope in a metaphysical and real way, to a movie that could have been just another, too sweet love story in the hands of lesser director.
Though Waking The Dead has its flaws, they're too few to dwell on. I've watched it now three times and every time I appreciate it more than the last. I suggest its detractors do the same before making hasty negative assessments.
10rbrb
Currently showing on cable this movie is sensational. A young want to be politician apparently loses the love of his life, and the film centres on that love and his grief. Rarely can such emotions have been more compellingly and brilliantly portrayed on film.It is thought provoking and often scary too. There is a superb screenplay and all the performers are excellent. Anyone who has every loved another will know that you see that love wherever you go; and the lead actor's portrayal of that emotion is at genius level.The most emotionally charged scene is at the restaurant of the election results are known, and I for one cannot recall any movie where a particular scene is so intensely sensitive or almost uncomfortably realistic.For quiet and justifiably restrained but wonderful adult entertainment, this is the best film I have seen in years. 10 out of 10.
Never mind `Traffic'. Forget `Gladiator'. To find 2000's finest, most nail-on-the-head perfect film, you'll need to look a little deeper. A small film that only enjoyed limited release in theaters and isn't getting much attention on DVD either, is Keith Gordon's latest, `Waking the Dead'.
Back in 1992, there was another under-appreciated independent film called `A Midnight Clear' that had the misfortune of being released alongside the likes of `Unforgiven' and `Last of the Mohicans'. For reasons I can't fathom, this brilliant film seemingly did nothing to help Gordon's career. His budgets stayed small, but he continued looking for the most daring and fascinating material. In 1996, he released `Mother Night', another war-themed film, only this time set in the aftermath of WWII.
With `Waking the Dead', Gordon outdoes himself. He casts Billy Crudup as Fielding Pierce, an ambitious Coast Guard officer who'd like to be president--and he means it. His world is turned upside-down when he meets Sarah Williams (Jennifer Connelly), who just wants to feel like she `lives on the planet'. Fielding and Sarah could not be more different, yet they cannot live without each other. Each is the antithesis of the other, which dooms their relationship and intensifies their love at the same time.
The film begins with the announcement of Sarah's death, and continues pulling you back and forth in time. Employing this storytelling technique and maintaining the momentum of the story is a difficult task. While we see Fielding wrestle with her memory, we're shown the powerful connection these two had during her life.
What's more, Fielding begins to see visions of her. Some of these visions are so real, he begins to believe she's alive. The hauntings come just as he begins campaigning for the U.S. House. It begins to affect his life and threatens his campaign. The question of whether Sarah is really alive is the dramatic carrot Gordon dangles in front of us. It's then we realize that she was his conscience in life and remains so in death. Gordon pours it on right until the very last frame. He gets the best performance of Connelly's career out of her, plus a jaw-dropping performance out of Crudup that's worthy of an Oscar. Whoever was in charge of plugging this film for awards nominations must have fallen asleep at the wheel (though I see it did win an Independent Spirit award for its script).
That this film or others in the same situation get no recognition is definitely for the best. The more popular a film becomes, the more idiots that come out of the woodwork to second-guess it. So best to leave it to be discovered by those willing to seek it out. It is 2000's crown jewel.
Grade: A (but only because there isn't a higher grade)
Back in 1992, there was another under-appreciated independent film called `A Midnight Clear' that had the misfortune of being released alongside the likes of `Unforgiven' and `Last of the Mohicans'. For reasons I can't fathom, this brilliant film seemingly did nothing to help Gordon's career. His budgets stayed small, but he continued looking for the most daring and fascinating material. In 1996, he released `Mother Night', another war-themed film, only this time set in the aftermath of WWII.
With `Waking the Dead', Gordon outdoes himself. He casts Billy Crudup as Fielding Pierce, an ambitious Coast Guard officer who'd like to be president--and he means it. His world is turned upside-down when he meets Sarah Williams (Jennifer Connelly), who just wants to feel like she `lives on the planet'. Fielding and Sarah could not be more different, yet they cannot live without each other. Each is the antithesis of the other, which dooms their relationship and intensifies their love at the same time.
The film begins with the announcement of Sarah's death, and continues pulling you back and forth in time. Employing this storytelling technique and maintaining the momentum of the story is a difficult task. While we see Fielding wrestle with her memory, we're shown the powerful connection these two had during her life.
What's more, Fielding begins to see visions of her. Some of these visions are so real, he begins to believe she's alive. The hauntings come just as he begins campaigning for the U.S. House. It begins to affect his life and threatens his campaign. The question of whether Sarah is really alive is the dramatic carrot Gordon dangles in front of us. It's then we realize that she was his conscience in life and remains so in death. Gordon pours it on right until the very last frame. He gets the best performance of Connelly's career out of her, plus a jaw-dropping performance out of Crudup that's worthy of an Oscar. Whoever was in charge of plugging this film for awards nominations must have fallen asleep at the wheel (though I see it did win an Independent Spirit award for its script).
That this film or others in the same situation get no recognition is definitely for the best. The more popular a film becomes, the more idiots that come out of the woodwork to second-guess it. So best to leave it to be discovered by those willing to seek it out. It is 2000's crown jewel.
Grade: A (but only because there isn't a higher grade)
This is one of those films that you watch and contemplate later in your life. As far as losing someone you love, and how that effects every major decision you will ever make for the rest of your life, this film is the most realistic portrayal I have ever seen. Billy Crudup was meant to play Fielding in this movie. This movie is haunting and is just one of those little movies that falls through the cracks but is never forgotten. A stunning movie directing by none other than the director of A Midnight Clear, another terrific film. If you are reading this you should seek out this movie or just buy it online. I give Waking the Dead 9/10.
Você sabia?
- CuriosidadesJennifer Connelly's son Kai was in the film. She was holding him in the scene in which Fielding was at the church.
- Erros de gravaçãoDuring an argument in his new apartment, Fielding's (Billy Crudup) new girlfriend calls him "Billy".
- Citações
Sarah Williams: Ambition is... the ice on the lake of emotion.
[They walk for a moment in silence]
Fielding Pierce: Who said that?
Sarah Williams: I did.
- Versões alternativasIn the U.S. DVD release, the passionate sex scene between Fielding and Sarah is more graphic, and contains more nudity.
- Trilhas sonorasSnow Come Down
Performed by Lori Carson
Courtesy of Restless Records
By Arrangement with Warner Special Products
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- How long is Waking the Dead?Fornecido pela Alexa
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- Waking the Dead
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 270.745
- Fim de semana de estreia nos EUA e Canadá
- US$ 150.422
- 26 de mar. de 2000
- Faturamento bruto mundial
- US$ 270.745
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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