Tabutta Rövasata

Shot on a minimal budget around the streets of İstanbul, TABUTTA RÖVAŞATA focuses on the life of Mahsun (Ahmet Uğurlu), a down-and- out living on the edge of the Bosphorus. He ekes out an existence living under bridges, and subsequently as a bathroom attendant, offering eau de cologne to the customers. He encounters a drug- addict girl (Ayşen Aydemir), with whom he dreams of traveling away in a boat; but nothing comes of it. In the end he ends up in the Rümeli Fortress, where he steals a peacock and cooks it over an open fire.

Derviş Zaim's debut feature makes some trenchant points about the way society treats its lowest members. Mahsun is regularly beaten up by the police, or forced to do errands for the local criminal classes in order to survive. At a heart a good-willing person, trying to help the girl, his efforts at kindness come to naught.

Zaim contrasts this worldly indifference with more enduring elements; there are regular shots of the Bosphorus, suggesting its timelessness. The use of the peacock in Rümeli likewise suggests the timeless theme; they have strutted around the castle battlements for centuries, and will continue to do so. By stealing the peacock Mahsun hopes to associate himself with that timelessness, as an alternative to the exigencies of the present; but hunger eventually gets the better of him, and he is forced to eat it.

TABUTTA RÖVAŞATA introduces several of the motifs characteristic of Zaim's later work - the emphasis on the power of water to transcend merely human affairs, regular shots of a graveyard that once again emphasize the timeless theme - where past, present and future collide - and the regular shots of the protagonists standing by the water's edge, prompting us to reflect on the human condition. This is not just an indictment of contemporary Turkish life: Zaim wants us to reflect on all human life.

The story of Mahzun who is an outsider living out on the streets. This docile, slow but gentle character works in a Turkish cafe during the daytime and at nights, he is a professional car burglar. He steals a car, drives around the city all night and in the morning, he brings it back to the spot he had taken it from. He is often in trouble with the police, he has only a few friends. Mahzun falls in love with a heroine addict and everything hidden in him comes out after this... Tabutta Rovasata is a good movie with a strong story, charming characters and good acting..One of the best of 20th century Turkish cinema. Please pay attention to the wonderful music of ' Yansimalar' ...

The movie have been shooted for 4 hours with borrowed movie camera in 24 days. The crew sticked together. So, this is a low budget movie. I found technical specifications (such as shots, sounds, synchronization) little bad by year. If you like oriental songs, you will lose yourself with "Yansimalar" and "Baba Zula"s music in this movie. The subject is the life story of someone on the street. We can really see how it is. So realistic. But some frames are greenly, nonsensical, absurd. The movie received awards at several international film festivals including the Golden Orange for best film. This is a cult film. And it deserves.

Mahsun (Ahmet Uğurlu) steals cars and sleeps inside only to save himself from the cold, and returns them when the sun shines .. he has no money, no profession, no future and no any intelligence, just a couple of friends and a peacock to talk to..he is no one in terms of what we expect from a man in present life, but he has everything in terms of what present life lacks of.. some scenes are very brave, drinking and pouring wine onto graveyard is neither something we tend to do nor have we seen before :) Mahsun's relation with the peacock worths watching, i think its one of the most interesting 3-5 scenes in Turkish Cinema, very close to be the first. I watched this film again and again, Ahmet Uğurlu performs his best work ever, this film shows us clearly that even he seems to be the right one for comedy films, he should have better not made any, he fits for such roles perfectly, one of the most dramatic and realistic films ever, a masterpiece from Derviş Zaim ...

An exquisite movie about survival. Perhaps human's biggest mistake is to throw itself into things outside of survival. There was an enormous scene in the film: the Turkish national team beat its rival and the people are throwing themselves in the street, but Mahzun is in the process of spooning the soup. In solving the hunger, in the life of survival. Identity, power, belonging, success, etc. What's so important about surviving?