Chutney Popcorn

ok, i have some preparation for this film before seeing it in that i am a white guy married to an Indian woman, have gay friends, and i have an affinity for independent films, but this film has great characters and lots of charm. so, it sort of feels like an independent film in that it doesn't feel glossy all over and the characters are more offbeat, those are plusses in my book. it is a very human movie about the experiences of life with other people. my wife really liked it too. if you liked this movie, another really good non-traditional Canadian-Indian movie is Masala (not Mississippi Masala) from 1991 by Srinivas Krishna.

For what this film is -- a low-budget indie targeted mostly at the expanding lesbian audience -- this isn't too bad of a film. Not my cup of tea, but there's an earnestness and grit that this production has that you can't help respecting.

That being said --

I felt that the central character of Rena was almost Job-like in dealing with family issues, and that most people would have blown off the family by that point. I certainly had a hard time believing that anyone would have offered to carry a surrogate pregnancy for a sister as demeaning and awful as Rena's. I also felt that the actress playing Rena (also the director) was half-asleep during most of the movie. The part needed more energy.

Most of the rest of the principals turned in good performances, especially Jillian Hennessey from Law & Order (I almost didn't recognize her without the dark hair and business suit). Some of the peripheral characters were Offbeat-stereotype lesbians; not much to work with there. The script suffered from some ridiculous dialogue and situations. The worst was probably in the waiting room, where two of the minor characters crudely act out a birth (in front of the two grandmothers, no less) and then petulantly wonder why Rena's taking so long. Come on, these are lesbians, not idiots. I think they understand the birth process a little better than that. I think children of eight understand the birth process better than that, and have better manners as well.

Like I said, not my cup of tea, and has some serious shortcomings, but it was a good effort and is worth a watch, if you don't mind the subject matter.

"Chutney Popcorn" is a warmhearted, earnest, sincere story with a subtle sense-of-humor. With all the ear marks of a low budget independent film, this flick moves with serenity and honesty through the lives of some New York City dwellers including a surrogate mother, some Indian-Americans, some lesbians, and some others. Not for the mindless masses, this flick will play best with those who appreciate brave independent films.

Firstly, it's a refreshing film worth watching. Indian/Lesbian twist really adds spice on an old rebellious child eloping plot.

I have some problems with some minority themed films. In these films, somehow gay/lesbian always had a brief dancing with heterosexuality, and minority character has to have conflict with mother culture by dating white guy/gal. What's up with that? Otherwise audience won't "get it"? It's almost "pandering" to mass audience.

But then others might say "otherwise it might not worked". It really depend what the author is trying to make, a "product" or an art statement or whatever is in between.

As an Indian American and a female, I was pleasantly delighted by this movie. I found it to be very funny and especially interesting because of the lesbian themes. It surprised me to see this in the movie, because Indians generally feel uncomfortable talking about homosexuality at all. I don't think it's necessarily a bias or prejudice against it, just conservatism.

I didn't really relate to any of the characters in the movie, mostly because there were too many characters and little development of any of their personalities. But I adored Madhury Jaffrey, who was very natural and realistic as the mother. She reminds me so much of my own mother, and many of the things she says to her two daughters about marriage and family are comments my own mother's made to me. It was strangely comforting to see the ambivalence that Indians born and raised in the US feel in trying to maintain their culture while being true to themselves. Until now, I haven't seen it discussed so frankly and honestly in a movie.