Preso na Escuridão

Well, as it is in most 'fights' one has to see both before being able to see who the winner is and in this case it is Abre los Ojos (the original). It is not THAT MUCH better than Vanilla sky, but the ending does the trick. The ending in Abre los ojos, is much better and more comprehensible than the vague and somewhat pointless ending in Vanilla Sky, which makes the film just a notch better than the star-laden Hollywood remake. The other parts of the films are mostly equal to one another or should I say, the rest Cameron Crowe copied from Abre los ojos. If there is one thing that I didn't like about this film, is how it was spoiled for me by having seen Vanilla Sky earlier. Almost everything Crowe copied, which made this film rather boring at times and which also makes it difficult for me to rate this one. I can tell you though, that if could choose again I'd definitely see Abre los Ojos first and not see Vanilla Sky at all.

7,5 out of 10 (for the statistics, with a 7 to be handed out on voting)

Note: this review has been amended to remove some sexist comments I included at the time. Apologies for any offence caused. I was young and stupid at the time, thinking I was being 'cool'.

I went into this movie with no reservations and was pleasantly astonished by it. I advise anyone else to do the same; it is not like the Matrix, it is not like Hitchcock, it simply exists in its own right.

The film attempts to be at least two movies in one. Unlike numerous attempts in the industry, it succeeds elegantly. I was drawn into the first part, the character portrait of the wealthy, shallow young man who undergoes a startling change... and then found myself swept up in a keenly sympathetic, psychological suspense film. Part of the success of the story is that it is centered primarily around several young, uncomplicated characters. In Hollywood, such characters in suspense films are usually knifed up within the first few pages of script.

I don't look for anything positive in the upcoming American remake, incidentally. This is a film with depth and yet simplicity, truth and fantasy. It is a pure pleasure to watch, and it simply can not be improved upon without becoming gaudy and confusing.

Go see this film. Now. I'll wait.

Okay, this film is truly one of the most excellent mixtures of genres I have ever seen. It will leave you truly moved, truly surprised, and truly depressed. That's okay, though, because this is such a wonderful movie. The film centers around the life of a rich and handsome young man after a disfiguring accident. We are taken along as he tries to find a way to grow accustomed to a life without the things he relied on (mainly looks) before. After hitting rock bottom, things start to get better for him, and it is here that the seamless weaving of genres occur. I don't want to give too much away, but the film constantly keeps you on your toes and never grows dull. "Abre los Ojos" is a truly stunning love story, psychological thriller, and science fiction film all rolled into a flawless whole. Do yourself a favor and see it before the Cameron Crowe remake, "Vanilla Sky", does to this film what "City of Angels" did to "Wings of Desire".

While Vanilla Sky was a solid film, this still ranks as the better version. It's quite a contrast in styles. While Vanilla sky tried being over the top, Abre Los Ojos proved to be more subtle and controlled. Penelope Cruz, even though she was playing the same role, she was far more articulate and natural in her native tongue. Maybe we should stop remaking great foreign films, and appreciate them for what they are as opposed to what we want them to be.

César has been left rich by his restaurant owning parents. When he meets the beautiful Sofia at a party he uses her as a way to escape his jealous ex Nuria. After a night of talking with Sofia, César is picked up by Nuria who crashes her car deliberately killing her and horribly disfiguring him. With surgery limited as to what it can achieve César despairs at his loss (his looks, not Nuria) and tries to pick up with Sofia. However when surgery returns his looks he thinks everything is solved – but his dreams become more vivid blurring his sense of reality. He tells his fragmented story to a physiatrist in a mental institution/prison where he waits trail for murder.

Suddenly this little beauty is being sought out – even if Vanilla Sky is mixed, at least it put the original on the bigger stage. The story is magnificently set out – it builds slowly and you never know the full story – even the ending requires you to catch up really quickly. Not knowing what's going on at some points may frustrate some audiences, but it just drives this film on. It is a little far fetched at points but it's handled so well that you don't mind. The story is laced with emotion and passion – the ending is moving for so many reasons that I won't spoil.

Director Amenádar delivers a visually great film – he uses the dream sequences well and regularly contrasts the beauty and the twisted face of César. He delivers a story that is stylish and clever, using his cast to spin out a human drama before launching into the realm of science fiction.

Noriega is great as the conceited César – his character and his fate can both be taken as comments on vanity and the importance of image – and he is more than able to handle all the sides to his character. Cruz is good here too – she is quite attractive and plays well in a smallish role. The most underrated performance is given by the physiatrist – his role becomes bigger at the end and he handles the complexities thrust upon his character well.

Overall this is a superb film that mixes a clever plot, good acting, a great script and stylish direction. It may lose some of it's impact once you know the full story and it should be enjoyed as freshly as possible – but it will stand repeat viewings to get the full picture.