Acordei Cedo no Dia da Minha Morte

Knowing that "I Woke Up Early the Day I Died" comes from a script by Ed Wood, it would seem that anyone should prepare heckling comments before watching it. It turns out that, although the movie makes little if any sense, there is a definite charm to it, possibly to the point of meriting a serious viewing. The plot - or whatever it is - centers on a mental patient (Billy Zane) escaping from the hospital, killing a bank teller, attending the funeral, and then getting involved with the people in the man's life. I think that that's the story; the absence of dialogue made it a little hard to follow.

So, it seems to be the sort of movie that you watch to study, just to see whether or not you can make anything out of the loosely strung together events portrayed. I can't say that I've been able to make anything out of it. Maybe you can. Also starring Tippi Hedren, Ron Perlman, Bud Cort, John Ritter, Christina Ricci and Karen Black. So perhaps we can call "IWUETDID" the almost unheard-of movie with a stellar cast.

I saw this film at the International Film Festival Of Brussels. I also met the director of the film. I heard that Ed Wood wrote the story in 10 years! I'm sure he thought his would be his masterpiece - his triumph.

Well, if you take the film seriously (like mr. Wood did) it is really one of the worst films you will ever see. And this is cool. The big joke of I Woke Up Early The Day I Died is that it doesn't even try to be a decent film.

This makes the film very, very good. The script is filled with nihilism and anarchism - a lot of black humour. Billy Zane's role is absolutely excellent. You see, this is either high art...or low rubbish.

****/*****

At a screening during the Toronto, International film festival I had the misfortune of being given a ticket to the premiere of this terrible excuse for a film. I had already been kicked out of one film because I was underage so i welcomed any tickets that came my way. While I was in line I heard the plot. A crazy cross-dressing killer breaks out of a mental institution and goes on a killing spree! Okaay. Then I heard that there was no dialogue. I was beginning to have a sinking feeling about this movie. Then I was told that it was a Ed Wood 'script' that he wasn't able to get developed!!! If Ed Wood was able to make all the c**p that he did but he wasn't able to find anyone to support this, it must be really bad. Well, I wasn't let down by. My suspicions were correct and the movie was unbearable. I left 30 minutes early so i could catch the last subway. Don't see this unless you enjoy seeing a pantheon of B-movie stars and washups being killed by an overacting killer.

Criticizing this film needn't go much beyond its premise - not that of the script, but the idea of producing a 'lost' Ed Wood script. Said script is a dialogue-free(!), surprisingly dark comedy about an asylum escapee, and in true Wood style it's a consummate triumph of imagination over any kind of narrative purpose or skill. Bright spots are Billy Zane's astonishing grasp of physical comedy, and some clever use of soundtrack, framing, jumpcuts and flashbacks. Still, it's unevenly paced and overlong, and neither slapstick nor camp-value can sustain it. The amazing supporting talent is unforgivably wasted. All up, a bold and fun experiment, but pointless.

This has to be one of the worst films of all time. It was unbearable sitting through it. I can't understand how and why so many talented actors became involved in this. The plot is thin, predictable, and boring. At the North American premier that I attended in Toronto, more than a few people walked out. There is no dialogue in this film so it is played as a slapstick "silent" film with a modern (and actually quite good) soundtrack. I could not help but be embarrassed for Mr. Zane, who was in the audience, while one gag after another fell flat. The film isn't even bad in a fun or campy way. It is dull and uninteresting. Not much more can be said.