O Colosso de Roma

The king Tarquinio is banished from Roma . Mucio Scevola (Gordon Scott) married to Clelia goes to Porsena's headquarter and demonstrates his courage by burning himself a hand , for that reason is named Scevola (the left-handed) . Tarquinio (Massimo Serato) unites to Lars Porsena (Roldano Lupi) , king of Etruscos . They ask to Romans as hostages a group of young women (Gabriella Pallota , Maria Pia Conte). But Aronte(Antonini) , Porsena's son , enamored to Valena (Pia Conte) frees her and she passes the river Tiber . Meantime , Scevola hides his hand into an iron glove and begins the fighting .

This is an enjoyable sword and sandals movie with historical backstage , action , a love story , battles and spectacular scenarios . Gordon Scott is top-notch , as the historic hero who finds many dangerous situations while attempting to save Rome and his true love , Clelia , of several risks . Strong and robust Gordon Scott was a magnificent muscle-man . He was one along with Ed Fury , Brad Harris , Kirk Morris , Reg Park , Mark Forest , among others , whom to seek fame and fortune acting absurdly as muscle mythological figures , but anybody topped Steve Reeves and Gordon Scott in popularity . He played another historical character : ¨Coroliano , hero without country¨ with battle stock shots taken from this one and directed again by Giorgo Ferroni , a Peplum expert (Conquest of Micenas , Trojan war) . The motion picture is based on true events but has not prospect historical . The real deeds are the following : Tarquino(534-509, B.C.) was the seventh and last king of Roma and he governs tyrannically . The rape of Lucrecia by his son caused a riot and he was overthrown , the Roman Republic was proclaimed and he actually disappeared . Rating : Better than average Peplum fodder and better than most Sword and Sandals movies , thanks to Gordon Scott and slick direction by Giorgo Ferroni .

These Peplum Studios movies based on ancient historical characters always seem to be better produced than their regular run of the mill sword and sandal 60s sentimentality. The version of this movie I saw was on DVD in widescreen 16:9 format and the print and sound quality seemed to be in quite good condition considering its age. It comes across as a min-epic based on the legendary hero of Rome, Gaius Mucius Scaevola, which lives up to a lot of expectations. Some gorgeous women are in it including the beautiful Gabriella Pallota as Cloelia. Mucius or Lucius, as he sounded like in the dialogue is a warrior played by Gordon Scott, our friend who played Tarzan from 1955 to 1960. He shows off his muscle man duties like picking up "heavy" plastic logs and throwing at the enemy soldiers. The rest of the movie is filled with a whole lot of battle scenes. Some of which I'm sure I've seen before. All in all it's a decent movie. The story was solid, well paced and the acting decent. What more can a man and his kids ask for? And Yes. There were no dragons or monsters in this one Brian Carruthers.

In this movie Gaius Mucius Scaevola, the heroic general goes down in history by being remembered by his act of bravery. When captured bythe Etruscans in 508 BC he puts his right hand, his sword hand, into the flames rather than become a traitor. That meant he had to use his left hand from then on and "Scaevola" today means " left handed" in Italian. Mucius saves his beloved Clelia from the tyrant Tarquinius, the last king of Rome who he kills in a duel and saves the newly Roman republic from their Etruscan overlords. This by far a better " Sword & Sandal movie with a love story, plenty of action, battles with spectacular scenery surrounding a historical backstage. Our hero Mucius, (Gordon Scott) played Tarzan in five films of the Tarzan series between 1955 and 1960. bcarruthers-76500

As far as the story goes, it's another one of those that had the potential to be good but falls flat on it's own script. Cinematography is ordinary, choppy at times. Directing is questionable, some of the shots are really bad. Acting seems okay, I can't hear their real voices it's originally in Italian and it's dubbed it into English but as far as I can tell the acting is fine. The voice actors did okay with the dubbing.

It's just flat, drab. It's not bad at all but really needed a bit more action to "dress it up". What action there is in the film is fine.

Once again we have out of this world costumes for the men, the Roman soldiers mainly (as usual). Standard stuff on the women. There are some cool prop weapons as with all peplum films.

4/10

Among Italian peplums of the period around 1960, there were some concerned with Roman legend, including "Coriolano, eroe senza patria", which was also helmed by Giorgio Ferroni. "Il colosso di Roma" is another example.

After having overthrown their king, Tarquinius Superbus (Massimo Serato), Rome is a young republic. Tarquinius tries to regain his throne with the military assistance of the Etruscan king, Porsenna (Roldano Lupi). Film sets in with Romans suffering from hunger, and top-notch soldier Mucius first securing the arrival of a corn transport, then deciding to kill Porsenna. In the king's camp he kills the wrong man, is captured, but proves his boldness by voluntarily burning his right hand in an open flame. The tiny, but crucial story about Roman bravery, which originally has a noble youngster as the failing killer, is generously embellished and furnished with a muscular experienced military leader as Mucius instead, played by ex-Tarzan Gordon Scott.

As the story progresses, it is interwoven with another heroic character from Latin legend, Cloelia, who is presented as Mucius' fiancée. She is among the hostages produced to secure the peace with Porsenna, but organizes the escape across the River Tiber when they find themselves betrayed. Her rôle is performed by one of the countless second-rate beauties of Italian screens, Gabriella Pallotta.

Although it may be deemed interesting to illustrate a national saga of yore, the film's pathetic hero-worship seems out of date for the mid-sixties. Still, monumental adventures were fashionable, and Italy's writers happy with any adaptable material. It is almost surprising how much of the legend's original idea can be recognized.

Expectations of a grand epic, as nurtured by the heavily orchestrated opening credits of nearly three minutes, are not at all lived up to by the following 82 (in the version I saw) minutes. Achievements are hardly average in all categories, although cinematography (Augusto Tiezzi) and score (Angelo Francesco Lavagnino) come from peplum's most experienced artists. Not even its best-hated villain, Massimo Serato, is really credible as Tarquinius. Fighting scenes are well staged, although some of the material seems to be taken from other films, too.