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IMDbPro

Cortando Custos

Título original: The Big One
  • 1997
  • PG-13
  • 1 h 31 min
AVALIAÇÃO DA IMDb
7,1/10
8,1 mil
SUA AVALIAÇÃO
Cortando Custos (1997)
ComédiaCrimeDocumentárioDrama

Adicionar um enredo no seu idiomaOn his book tour, Michael Moore exposes wrongdoing by big greedy businesses and callous politicians around America.On his book tour, Michael Moore exposes wrongdoing by big greedy businesses and callous politicians around America.On his book tour, Michael Moore exposes wrongdoing by big greedy businesses and callous politicians around America.

  • Direção
    • Michael Moore
  • Roteirista
    • Michael Moore
  • Artistas
    • Michael Moore
    • Elaine Bly
    • Dan Burns
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    8,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Moore
    • Roteirista
      • Michael Moore
    • Artistas
      • Michael Moore
      • Elaine Bly
      • Dan Burns
    • 39Avaliações de usuários
    • 28Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 6 vitórias no total

    Fotos11

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    Elenco principal28

    Editar
    Michael Moore
    Michael Moore
    • Self
    Elaine Bly
    • Self - Random House Media Escort
    Dan Burns
    Dan Burns
    • Self - Radio Personality
    Chip Carter
    • Self - Forbes Campaign
    Bill Clinton
    Bill Clinton
    • Self - Presidential Candidate
    • (cenas de arquivo)
    Jim Czarnecki
    • Self
    • (as Jim)
    Brian Danitz
    • Self
    • (as Brian)
    Robert Dornan
    • Self - Congressman
    • (cenas de arquivo)
    Joel Feick
    • Self - Radio Commentator
    Steve Forbes
    Steve Forbes
    • Self - Presidential Candidate
    • (cenas de arquivo)
    Doug France
    • Self - Random House Representative
    Mary Gielow
    • Self - Media Escort in Milwaukee
    Bev Jacowski
    • Self - Johnson Controls representative
    Richard Jewell
    Richard Jewell
    • Self - Innocent Guy
    Kevin Keane
    • Self - Governor Thompson's Press Secretary
    Garrison Keillor
    Garrison Keillor
    • Self
    Andy Crash Kelly
    • Self - Radio Personality
    Phil Knight
    Phil Knight
    • Self - Nike Chairman
    • Direção
      • Michael Moore
    • Roteirista
      • Michael Moore
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários39

    7,18.1K
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    Avaliações em destaque

    6allyjack

    Moore doesn't address the broader revolutions that would be required to make his ideas stick

    The movie is frequently reminiscent of Letterman, visiting corporate headquarters with silly stunts - there's no way for the victims to win; even when they play along, as Phil Knight tries to, there's no room for rational argument. Moore is pretty engaging and energetic, but it soon becomes apparent that his movie has little ambition other than to string together such diverting moments and to hammer away at the main anti-downsizing theme. Astonishing that everyone makes the opposing case so poorly - it's a walk over; an overwhelming victory for the Forces Of Good. But Moore doesn't address the broader revolutions that would be required to make his ideas stick - the corporate heads are surely culpable, but if they didn't play along they'd be fired: it's investment-obsessed America (Beardstown Ladies and all) that keeps this crazy cycle going. Moore has a great gift for getting into the middle of activity and is a great raconteur, but for someone so relentlessly pure on hammering at the same anti-capitalist drum he leaves his own success conspicuously unexamined. The ragbag style is always entertaining though and the film has an appealing zippy pace - reservations aside, the uncertain encounter with Knight makes for a good climax.
    8andrew_hawkins

    The Downsize This! Book Tour Film

    The Big One is a well rounded accomplishment for Michael Moore. This film is almost like watching an autobiographical documentary. The movie highlights the notable events surrounding Michael Moore's book tour for Downsize This!. The feel of a rushed and improvised tour schedule sets the pace for scenes of public speeches, crew activity, and corporate inquisition. The film shows that Michael Moore reveals his humanitarian instincts in even the most hectic of environments. The direction of developing plot is specific to each of the cities that Moore goes to on his tour. The story that surrounds Nike, Inc. is absolutely worth watching. Corporate business is analyzed throughout this film and Michael Moore makes it a point to have the audience think about what they are watching. Highly recommended for fans of Bowling for Columbine, Fahrenheit 9/11, Sicko and admirers of Michael Moore.
    7LilyDaleLady

    Funny, but unfocused

    I applaud Michael Moore for addressing gnarly, difficult subjects that other commentators and especially the news media are too chicken to tackle. This 1997 BBC documentary follows his '96 book tour promoting "Downsize This!". In the film, Moore travels to small town and Rust Belt America -- places often ignored by other social critics in favor of big cities and glamor locations. The realism and problems of ordinary, middle class, Middle Americans is one of the highlights of the film. This is an honest look at the economic problems in the US circa the 90s.

    One of Moore's strengths and weaknesses is just how funny he is -- he's a skilled speaker and essentially a talented stand-up comic, whose material is politically skewed and occasionally self-deprecating. This is disarming, and also plain, laugh-out-loud funny. I watched this film recently with a group of people who were in stitches, even though some of the material (in 2005) is a bit outdated by recent historical events. Some of Moore's funniest material is when he confronts executives or stone faced PR honchos, and waits for their predictable, canned, nonsensical remarks designed to give little information and obscure the issue at hand. It's powerful stuff, watching the rich and selfish defending their privileges, and a scathing commentary on economic inequality in what we like to think is the freest, richest, most egalitarian society in the world.

    HOWEVER -- Moore often weakens his own arguments by using shoddy and overly simplistic examples. Comparing a torn-down factory in Flint Michigan to the Oklahoma City bombing is very tacky, and not even a good analogy -- the loss in Oklahoma was human life, including many pre-school children...the loss of the Murrah building itself is insignificant. Unemployed workers in Flint do actually have other options, like moving elsewhere for work. It's a cheap shot. Another lame effort occurs when Moore challenges the president of Nike to build a shoe factory in Flint, over his objections that "American's don't want to make shoes". Moore claims he will get 100 workers together who do want to produce footwear for Nike -- then the film shows a pitiful rally of a couple dozen folks, many of whom are small children. Closeup photography obscures the fact that Moore could NOT find 100 willing workers in Flint, despite all the well-publicized poverty...is it true that Americans are unwilling to manufacture shoes? We'll never know.

    Another flaw is that Michael Moore is not especially honest about his own status in all this. He's a very successful pundit and filmmaker (although this movie was made years before the phenom of "Fahrenheit 911"), and had already published several books and had a TV series. He's wealthy by the standards of most Americans, a celebrity and immune to the economic realities that he is describing. That tends to make his criticism rather facile. For example, he fails to explain how (as in the example above) Americans earning even minimum wage, about $5 per hour, can possibly compete in manufacturing with Third World workers who make 50 cents an hour...no matter how hardworking or willing those Americans are. This is the hard reality facing both employees and employers, and it's curiously left on the table here without discussion...except perhaps to suggest (vaguely) that companies should make business decisions on charitable grounds, rather than economic ones.

    Still with all it's flaws, I find this (and other) Moore documentaries a valuable contribution to National debate, especially along Red State/ Blue State lines. The most valuable historical information in "The Big One" is whenvoters (talking about the '96 Clinton/Dole presidential race) say that "both candidates are the same" and "turnout will be historically low" and "who cares who is in office". Those comments are truly astonishing in light of current events and political atmosphere, and this is only 8 years later. The world has been turned on it's axis by current events! Yet it's important to realize how recent that change has occurred, and extremely valuable to look at evaluate the political and economic changes of just the last decade.

    In conclusion: a challenging and interesting documentary, with some flaws, but extremely funny. Worth watching.
    MovieAlien

    So-so documentary marred by hypocrisy, bad timing.

    Michael Moore's latest documentary focuses on his new book and more assorted attacks on corporations which he deems as inferior or greedy. Although it is somewhat interesting, it is nowhere near as important as 1989's "Roger & Me", which was strongly valid in argument. (When GM CEO Roger Smith laid off thousands of workers just for cheap labor in Mexico, it was probably one of the most dispicable things anyone with four limbs has done.)

    But the bad timing is nowhere near severe as the hypocrisy. For example, shortly before the messy 2000 Presidential election, Salon magazine surfaced Ralph Nader's 1999 tax returns revealing that he owns a mutual fund with stocks in Walmart, The Gap and an affiliate of Halliburton Oil (all of which came under fierce attack from the Moore/Nader team) This crusade courtesy of the Naderites may have erroneously lead to the wrong guy being in office, and the Moore/Nader team have taken no responsiblity to their actions, or the hypocrisy which surfaced when the Green Party candidate's stocks appeared.

    This just goes to show that investigative commentary can lead to contradictions and often diminish credibility in argument.
    7helpless_dancer

    But I thought my company would take care of me!

    Very good documentary on the uncaring greed of corporate Amerika. I was, as usual, vastly amused by the corporate "whores" who went scampering for the shadows when Moore turned his light on them. Many wouldn't even let him stay in the lobby. These little weasel butt kissers will someday, if there is any justice, feel the unemployment boot crunching down on their own pathetic, fearful little craniums. Amazing how some folks can downsize their brains into feeling "my company" is always right: they need to stop genuflecting at the alter of this false god and wake up to a world of charity for their fellow man. I've been watching Moore for a while, and I don't always agree with him, but I feel he is dead on in his indictment of American conglomerates and their villainous leaders. The reply of Nike's CEO to Moore's question about his employees in the far east was telling indeed: "I don't care." Chilling.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Michael Moore: [Flint] Moore tries to convince Phil Knight to open a factory in Flint, Michigan.
    • Citações

      Michael Moore: [referring to McDonald's] They put vegetables on my fish filet. Fuckers.

    • Cenas durante ou pós-créditos
      To make a reservation on TWA call 1-800-221-2000
    • Conexões
      Featured in Late Night with Conan O'Brien: Tom Brokaw/Michael Moore/Ben Harper (1998)
    • Trilhas sonoras
      Panic In Detroit
      (1973)

      Written and Performed by David Bowie

      Courtesy of Jones/Tintoretto Entertainment Co., LLC

      By kind permission of Tintoretto Music/RZO Music

      EMI Publishing Ltd., Chrysalis Music

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    • How long is The Big One?Fornecido pela Alexa

    Detalhes

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    • Data de lançamento
      • 10 de novembro de 1999 (França)
    • Países de origem
      • Estados Unidos da América
      • Reino Unido
    • Central de atendimento oficial
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • The Big One
    • Locações de filme
      • Bryn Mawr, Pensilvânia, EUA
    • Empresas de produção
      • Mayfair Entertainment International
      • British Broadcasting Corporation (BBC)
      • Dog Eat Dog Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 720.074
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 146.909
      • 12 de abr. de 1998
    • Faturamento bruto mundial
      • US$ 720.074
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 31 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby
    • Proporção
      • 1.85 : 1

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