Como Grãos de Areia

I don't think the main idea was so bad, but the plot was completely implausible and awful. Moreover, this movie was merely a lengthy sequence of CM films, a kind of sports drink. The whole movie was too long and dull to continue seeing-should have been much shorter.

I was pleasantly surprised by this film, and the complexity of the main female character. her behaviour appears strange to others, and she does have some complexities. But overall she is deeply empathetic, and finds the shortcomings of others disappointing.

The scene where they hug and first kiss is very adorable, and I do wish the writer had given the gay one more of a story line where his very innocent affections were reciprocated, as I have been in a similar position of hopeless teenage heartache in the past, and probably many others have.

The aesthetic of the film is pretty 90s but still very tasteful I would say, overall - for example at the orange orchard, and after the counselling session next to the stairs with the light reflecting off the water. It can seem slow at times, but is ultimately quite a sweet look into high school life and it's confusions.

As of now, 2016, no English subtitled DVD print of this film exists. It is Hashiguchi's second feature and has a bigger ensemble cast of young actors all expertly directed with utmost naturalism. It initially centres on Ito, a boy who has a crush of his best friend Yoshida, who himself although polite, is straight, and keen on a girl, Aihara, who in turn seems to detest him and fancies Ito instead!. The script veers from joy to the overwrought: one minute everything is simple, in the next suicidal despair! The film deserves to be a classic- not just pegged as a 'gay' coming of age film which is only one of the many strands in the film (high school coolness and popularity, bullying and jealousy are the others). Parents hardly feature at all. The specifics of family life (an important strand in Hashiguchi's next film HUSH) is completely left out. These are adolescents remember!- they exist everywhere in their own bubble. And unlike HUSH, parts of LIKE GRANIS OF SAND is not easy to watch. There's nothing 'feel good' in it. It is loaded with the pain and confusion of finding out whom you might be, and what choices you will have to make. Choices that in a way determine the rest of your life. Hashiguchi is a director who paces his films beautifully. The long takes never feel forced. It is scandalous no one has bothered to pick this up for distribution with English subtitles. There is a French release with French subtitles only.

I think this movie is underrated. To me it felt like a gulp of fresh air. Some people complain about the implausibility of the plot, overlong sequences and lack of sex (the latter being, I believe, the main reason for "implausibility"; and how come there are no drunken teenagers talking dirty?!); but it's just not their thing, and good for them if they can't relate to the story. The performances are great; I'd really like to see more of the actors in other movies. The emotions are genuine. The whole unrequited love thing is presented with uncanny subtlety. And it does give you the tingly feeling you expect to get from a good movie.

This is a skillfully crafted piece of cinema that deals with a teenage boys confused sexuality.The cut scenes within can be lengthy but the cinematography is beautiful.This film would not appeal to many people, especially those who are queasy about gay teenage relationships, but the more open minded can sympathize with the puzzled protagonist.