Memórias

So there are three stories: Magnetic Rose, Stink Bomb and Cannon Fodder.

The last one is a very direct and slap over the head story about a nation that runs for the only purpose of loading a cannon and firing at an enemy nation that supposedly does the same. Magnetic Rose is a pure sci-fi story in a space setting about the power of memories, pretty well animated and with terrific atmosphere. I would argue that, as annoying as the characters were, Stink Bomb was the best one, deliciously satirizing the Japanese social, political and military structure as a hapless idiot tries to escape the terrifying cloud of gas that he is unwittingly generating.

All in all, a wonderful and entertaining retreat into real storytelling and animation art.

An anthology movie split into three distinct pieces, so I thought it better to review them all separately.

Memories (1/3): Magnetic Rose - 7/10

Part 1 of the anthology movie that is Memories starts with what most people consider to be the best of the three: Magnetic Rose. Broadly speaking, it sees the crew of a ship in deep space investigating a distress signal, and then coming across some unexpected things.

It introduces its premise confidently, a little slowly, but overall surely, and it builds mystery well as things go along. As a piece of sci-fi, it's moderately intriguing, but I think it's all boosted immensely by the visuals on offer. What's happening doesn't seem too important, sometimes, when the animation is this striking.

Memories (2/3): Stink Bomb - 6.5/10

Stink Bomb is perhaps the best Japanese film about bureaucratic boobery that isn't Shin Godzilla. It's a good deal sillier than the first short film in the Memories anthology, but it's still fairly entertaining, following a ridiculous young man who accidentally turns himself into a bioweapon.

It does feel like a bit of a goofy kaiju movie parody, and even if that's the only real joke the short has, at least it's a funny joke, and at least it's only a short film, rather than them trying to stretch something like this to feature-length. I had fun, but it probably won't stick with me.

Memories (3/3) - Cannon Fodder - 6.5/10

The most visually unusual of the three, Cannon Fodder also stands out because it runs for 20-something minutes, while the other two shorts are both approximately 40-45 minutes each. As much as I can gather, it's about the meaningless of war, all done with a futuristic slant that bleakly suggests the human race will never change, and firing increasingly advanced cannons will always just be a thing.

It feels satirical, but not in a truly funny way. It's kind of feel-bad and has a vibe that feels off, but that feels intentional, and I think it makes for an offbeat and sort of fitting end to the overall anthology movie that is Memories.

After seeing Akira it's natural to be curious of what Otomo's produced. This collection of short movies(all more than 20 minutes though) is a fun, action-packed and imaginative reminder why anime is among the best genres, and NOT restricted to kids(or in the case of these shorts, not really for kids at all).

The last short of the three is called Cannon Fodder. It features a very cool style unlike normal anime, some neat "camera" tricks and illusions of 3D, and a heavy but playful mood. It's quirky and good but not great.

The second short is called Stink Bomb, which is a crazy, fast-paced disaster/action story with a healthy dose of black humour. It's very well made, with insanely detailed tanks, helis, airplanes etc, and lots of explosions. The whole thing is funny and bizarre, and easily a classic.

The first of the three shorts, which in my opinion should have been saved to last, is Magnetic Rose. Here the humour of the two others is gone, and we have a very gripping and serious story set in a sci-fi environment. This is more like Otomo's Akira stuff; epic but with great characters. Some scenes are gut-wrenchingly emotional and disturbing. All set to a classic opera score, it is chilling and eerie and grand-scale in a way Hollywood never seems to get right.

If you like to watch the occasional anime, this is a very good choice. Don't know how easy it is to get a hold of, but it seems to be very popular at least in Japan.

This was an amazingly beautiful film, filled with great music that only pushed each scene along wonderfully. I thought this was a great piece of film. I have had the pleasure of showing this to friends that have always looked down on what anime is, and walk away stunned. Some might find these stories slow, but I think if you have any real appreciation of anime, you will find this to be an interesting piece of work. It consists of three stores. Koji Morimoto's "Magnetic Rose", Tensai Okamura's "Stink Bomb", and Katsuhiro Otomo's "Cannon Fodder". I would say that Magnetic rose was perhaps the deepest of these three stores. Offering a beautiful mix of classical music, with a futuristic settings to offer a sense of contrast. Stink Bomb being the more lighthearted of the three. While still maintaining a grim reality, and almost eerie sense of setting, using a more modern day look, and music. Then Cannon Fodder, right from an Orwell idealized future, with the loud sounds, and marches. These movies all offer up something different, and wonderful, while still working there way along a nice line of thought.

Amazing anime trilogy from AKIRA's Katsuhiro Otomo, who presents three unrelated sci fi stories directed by different directors (he did the last one, writers/first-time directors Tensai Okamura and Koji Morimoto did the other two). They are amazing vignettes with some stupendous animation in three different styles. Otomo's is especially unique in that there are no cuts – the "camera" moves fluidly through every scene without a jump or a stop. Morimoto's 40-min "Magnetic Rose" is stunningly animated, the most amazing of the two, telling of a space ship's investigation of a distress signal discovering a magnificent world created by a woman's memories – the music takes advantage of the operatic aria, Madame Butterfly, arranged by Yoko Kanno, who also supplies an excellent original score. "Stink Bomb," the middle segment, is clever and funny and fast-paced; Otomo's anti-war statement in "Cannon Fodder" closes out the film with a subtle bit of thought-provocation about a city whose entire purpose is the firing of cannons at an unknown enemy.