O Museu de Margaret

A wonderful story about relationship and family, Margaret's Museum is a moving story that has more to do than love. The setting of Nova Scotia makes the theme of the film more gritty than if it took place in a more modern atmosphere. Starting their family and their marriage from scratch, the building of their home and their careers are shown as the "young" couple try hard to do things right. Helena Bonham Carter is the star of the film as she portrays Margaret. Throughout the film we see her transition as a woman and a wife. Many actors are known for their physical qualities as oppose to their acting talents. Some actors have very little if not zero acting talent, but are very beautiful and are willing to showcase their assets. Helena Bonham Carter has shown much of herself on the big screen throughout the years. Still, along with her physical beauty, Carter has become an amazing actress. Even though there are moments in this film where she showcases her body for the delight of the audience, she remains a strong actress overall with her true talent of being a great actress.

I saw this first in the theatre, it didn't stay too long, so I was lucky. For the life of me I don't understand how these movies don't get the publicity they deserve. Saint Ralph comes to mind, C.R.A.Z.Y., and the "Hanging Garden" et al. Lovely homegrown efforts with a story line and casting and the kind of breathtaking scenery that doesn't leave your mind for a while.

This is eccentric in the extreme, you wonder where it is going from the outset when a woman leaves a little local museum in Glace Bay, Nova Scotia, screaming her head off.

The story unwinds charmingly and tragically. Helena Bonham Carter sinks her teeth into the role of the sniffling Margaret, all quirky and saucy who captures the heart of the drunken ex-miner bagpiper extraordinaire and Gaelic aficionado, Neil Currie, played by the devilish Clive Russell. Sparks fly, some highly erotic bits between the two. Kate Nelligan as Margaret's mother, plays a hardnosed sarcastic and bitter woman who has lost her husband and a son to the mines and is caring for her elderly father who can't breathe for the coal dust in his lungs.

I won't spoil the story, it winds to its sad and shocking conclusion in its own time, suffice to say that there are many lovely side bits ( a blossoming love story between Margaret's young brother and the daughter of the manager of the mine being one).

8 out of 10. Supporting cast and music were wonderful. A few little story holes that were slightly annoying - an uncle supposedly out on bail for arson back in his old job lickety split and a grandchild that had disappeared - but not enough to detract from an overall fine film. Even the second time around!

Few films capture the strange and elusive energy of maritime Canada, and those that try are often so inept as to do it no justice. The style of speech and emotional resonance of these characters carries through in a way that cannot be pretended at or treated like some amusing passing interest. "New Waterford Girl" got it right. So does this film. It takes a strong, central female performance to tie this story together, and it gets that in Helena Bonham Carter. She is luminous in her look and speech, a kind of animal type of push for freedom. Kate Nelligan is fully convincing as her mother, a believable reflection of who she might become.

The general look and feel of "Margaret's Museum" is a curious thing. The style of director Mort Ransen and cinematographer Vic Sarin is very straightforward. The images are driven by content solely, by composition. Every visual aspect is informed by straight realism. It's not the sort of film that makes you say "What a beautiful shot," but instead "What a beautiful person/place/thing." You see past the camera, more to what is there in front of you, in front of the characters.

The ending (which proves the reason behind the film's title) is a bug surprise. Every single day, ordinary people do strange and unexpected things, but it is rare to find a script that takes a real, human character and gives her one such bizarre action to commit. But "Margaret's Museum" is a fascinating, unexpected film. It takes a well-used dramatic arc and directs it toward uncommon places. It captures the spirit and feel of Cape Breton, Nova Scotia. Something I've known quite well, and could always feel more. See this.

The setup: In a town where half the men die down the coalpit, Margaret MacNeil is quite happy being single. Until she meets Neil Currie, a charming and sincere bagpipe-playing, Gaelic-speaking dishwasher. But no matter what you do, you can't avoid the spectre of the pit forever.

The verdict: The characters in this film have a lot of depth, and that makes all the difference. In the end, the audience gets a casserole of film elements and little of the satisfaction that comes from watching these types of movies. This is a story about a place most people might not be able to conceive. It is a powerful film, but I doubt I will ever want to watch it again.

Margaret's Museum (1995) UK/Canada 114m, Colour Director: Mort Ransen; Cast: Helena Bonham Carter, Clive Russell, Craig Olejnik, Kate Nelligan, Kenneth Welsh, Andrea Morris

Margaret's Museum is a dark and tragic love story about a woman's grief and defiance after losing much of her family to the coal mines in Glace Bay Nova Scotia during the 1940s. Based on Sheldon Currie's 1979 novel entitled The Glace Bay Miners' Museum, Margaret's Museum is a beautifully photographed and wonderfully scored film with haunting and unforgettable images and melodies. A deeply moving and original film, Helena Bonham Carter and Clive Russell give remarkably convincing and heartfelt performances in this powerful film about life and death in small Canadian coal mining community (Klaus Ming September 2013).