O Mestre das Ilusões

"There are two worlds of magic. One is the glittering domain of the illusionist. The other is a secret place, where magic is a terrifying reality. Here, men have the power of demons. And Death itself is an illusion."

Clive Barker's Lord of Illusions is a terrifying glimpse into another world in which few have traveled. Those who have been there, didn't like what Barker had to show them. I wasn't even impressed with it upon my first viewing. I simply forgot it, lumped it in with the other, countless horror films I've seen and will never see again. However, I recently rediscovered it...and was completely awestruck. The theatrical release did not do the film justice. It dropped priceless minutes of film and much need footage. I strongly urge you to seek out the uncut director's version on DVD format. This is a very big horror movie, and a hidden treasure at that; hidden under a brilliant detective story and surrounded by film noir. But I promise you there is a horror spectacle buried under there. It may be a little slow going at times...but all that build-up makes whatever happens all the more effective. Lord of Illusions is an unbelievably awesome, genre-twisting experience (and was never bastardized by a sequel). Everyone needs to take this journey again. Please Mr. Barker...make another film.

Dorothea: "What the f**k are you?"

Nix: "A man who wanted to be a God...and changed his mind."

My fascination for Lord of Illusions dates back from the video store days, where I would wander around in the horror section of the video store, and would contemplate all these VHS boxes with horror imagery and titles in all sorts of funky, bloodied up fonts. Right next to the Hellraiser films, which all had the highest age restriction rating (18+), there was this new release, which also was rated 18+. This means a lot where I'm from, as only very few films obtain that rating. To be perfectly honest, I would often rent films based on age rating alone, expecting that it would be concomitant with the level of gore (I was fascinated with practical gore effects, at the time). I was ten or eleven years old.

Back then, the screenshots on the back of these VHS cases would spark my imagination, and when I grabbed Lord of Illusions', there was plenty of horror scenes for me to imagine: you could see a man lying down with multiple swords through his body; a screaming man wearing a strange metal mask that looked like a bear trap; a hairy, shirtless Scott Bakula holding a revolver; and what appeared to be a zombie, holding a screaming woman. I tried to imagine what the scenario must have been like in order to pack so many horror scenes that had seemingly very little in common.

Despite our young age, a friend of mine and I ended up persuading his mother to rent the film and let us watch it, to which she agreed, only if she was to watch it with us. Needless to say, it scared the living sh** out of us and, as two native French speakers, we did not understand much of the scenario (the VHS copy at the video store was in the original English version). The first scene alone with the baboon and the spooky cult members had us totally frightened, and we knew my friend's mom was close to stopping it. Then came the scene where Butterfield pulls glass out of his body...boy she came close to stopping it there. However, we somehow kept watching until that one scene which involves Swann and plenty of swords. That's when she turned it off.

Fast-forward to a decade later, when the technology shifted to DVD and video stores were getting rid of their old videocassettes for cheap. I found this film that I had almost forgotten and bought the director's cut on VHS.

I got to watch Lord of Illusions again as an adult who speaks and understands English. I have to say, although it certainly has its flaws, this is a very well executed thriller that offers a unique blend of horror, fantasy, magic, and genuine mystery. The very first scene is very intense and the setting was just as scary to me as an adult as it was when I was a child. You are introduced to terrifying characters that are very unusual to the sound of an excellent, haunting theme song.

From there, the film takes somewhat of a more conventional turn, where you get to meet the protagonist, Harry D'Amour, a private investigator who ends up in charge of protecting a popular illusionist against members of an obscure cult. Despite D'Amour being depicted as one of the lone characters truly grounded into reality throughout much of the film (although there are some interesting flashbacks showing that he's had glimpses of true evil before), it is fascinating to see him step into this world where the line between illusion and magic becomes disturbingly blurry, and where an unimaginable evil awaits. And if you think you've seen scary films before, wait until the final 20 minutes of this one. Oh boy.

Despite some lengthy developments mid-way through the film, a somewhat dreary romance building up and minor pacing issues, Lord of Illusions brings the viewer into a universe where film noir, pure horror, mystery and fantasy blend together in an almost magical way - something that can only stem from a mind like Clive Barker's. The cinematography has a unique feel to it, whether it be scenes in the desert or in Swann's mansion. Clive Barker's direction is also very good.

The soundtrack is haunting, mysterious, and has an almost epic feel to it. The theme song, especially, is absolutely memorable.

Daniel Von Bergen stands out as Nix, the cult leading villain. But really, the whole cast does a great job. Those cult members are absolutely bone-chilling.

While a minor portion of the visual effects may not hold up to today's standards, all the practical effects and makeups are incredible and look way better than what you see in most horror blockbusters nowadays. In terms of gore, this is definitely not the bloodiest film I've seen, but it definitely features plenty of quite inventive deaths and sophisticated horror imagery.

My love for this film may have a bit to do with nostalgia, but it has much more to offer than just gore and horror imagery - those things that I was craving so badly as a kid. I have seen many films in many genres, but oddly enough, nothing quite comparable to Lord of Illusions. A true little gem forgotten by many that certainly deserves to be revisited.

Private investigator Harry D'Amour must stop a supernatural cult from raising Nix, a man with god-like powers, who was killed 13 years before hand. Now he's back, and he must save illusionist Philip Swann and his wife, Dorothea. Clive Barker's "Lord of Illusions" may not be his ultimate masterpiece, but it sure is an entertaining horror film. Pretty good performances from most of the lead cast members, though Kevin J. O'Connor was a little wooden as Philip Swann. The make-up effects, courtesy of the boys at KNB FX, are really cool, and there's enough gore (My favorite being the messy "sword accident" scene) to satisfy horror fans. The visual effects were also very well-done for the most part.

An enjoyable, well-done horror film overall. Not a masterpiece but gory, fun and often imaginative. Worth a viewing.

6/10.

In 1982, a group led by a man called Swann breaks in a cult in the Mojave Desert to rescue a teenager from the evil leader Nix the Puritan. Thirteen years later, New York private detective Harry D'Amour (Scott Bakula) is assigned to investigate a embezzler that is spending money in Los Angeles and he stumbles upon the fortune teller Quaid (Joseph Latimore) that was tortured and murdered by two men. Soon he is hired by Dorothea Swann (Famke Janssen), the wife of the famous illusionist Philip Swann (Kevin J. O'Connor), to investigate the murder of Quaid. She invites D'Amour to go with her to a show of magic of her husband. When Swann is killed on stage during his act of illusion, D'Amour meets other illusionists in the Magic Castle where he learns that magic does exist in the beginning of his weird journey to the evil world of Nix.

"Lord of Illusions" is an horror film written and directed by Clive Barker and still great in 2020. The noir-style makes the film timeless and with an intriguing beginning. The special effects are ahead of time (for a 1995 movie), with good performance of Scott Bakula and the debut of Famke Janssem in a feature. My vote is seven.

Title (Brazil): "O Mestre das Ilusões" ("The Lord of the Illusions")

If you liked the first two films of the series "Hellraiser" and appraised "Nightbreed",you will have a thankful surprise with 1995's "The Lord of Illusions", the last film that Barker directed ( he is currently re-writing his story "The Thief Of Always" for the screen), and that carries his characteristics and basic ideas. The film is morbid, violent and very frightening as well as "Hellraise" was, back in the eighties.It explores delicate themes as mysticism, demons and sects. One of the great qualities of Barker's last project is to dare, telling a tense and complex story in an imaginative and bloody way. The homosexual context of the work is evident, Clive Barker once again tried to join the concepts of pain, fear, horror, pleasure and meat, but he didn't obtain an excellent result as he achieved in "Hellraiser" . However, "The Lord of Illusions" is a more sophisticated film, with a tuned cast, formed by Scott Bakula and Famke Jansem,just to mention a few,and with an above-the-average production. The atmosphere, and the scenery, in this English movie-maker's filmography, is quite significant element, if in "Hellraiser" the atmosphere was dark and sordid, "The Lord of Illusions" is punctuated by clear, stunning and luminous sceneries, exalting the whole magic and madness' aspects. The story is very intricate, and it involves a rich and famous magician who sold his soul for the devil and who is now sorry, his temptress and reluctant wife and an ambitious detective who will find himself a prisoner in a tissue of murders, strange creatures and homosexuality.So, if you like Clive Barker's ideas, watch this film today!! "The Lord of Illusions" is rated R for strong violence, gore, language and sexuality and it runs 108 minutes.