A Princesinha

I prefix my comments by stating that typically I enjoy the real tough guy movies -- movies with action and martial arts. I am a former boxer and martial artist that really likes the action movies like Bloodsport and Gladiator. One summer evening, I found myself babysitting my 11 year old niece, whom I adore. We were trying to find a movie at the local video store and the one movie that she wanted to see more than any other and had never gotten to was "A Little Princess". I finally gave in to her whims and rented it expecting to be bored out of my mind. Surprisingly, I found myself drawn into the movie and into the young lady's indomitable spirit. Throughout the trials and tribulations of her own life, she continued to worry about others and about making THEIR lives better and forgetting about HER own needs. This selfless action is very admirable. This should be everybody's philosophy on life. If there were more people in this world like this young lady, the world would be a MUCH better place.

Sara (played by Liesel Matthiews) is a generous, compassionate, and imaginative character. This film reminds me of virtues I adhered to as a child, how almost identical they were with that of Sara, and how those virtues have gradually submerged as I ventured towards adulthood. It reminded me of the innocence I once possessed, the innocence that has been slowly but surely chipped away by Society as I know it.

Nevertheless, this film made me realize that all I ever believed was never lost in me, but rather, simply inert and obscured. As my emotions swayed along with the joys and plights the little child Sara endured, I realized I am still as humane and compassionate as I always have been, and that it just doesn't show too much on the exterior anymore, that's all.

Each time my eyes went moist, I felt happier with myself.

Too bad this film did not do too well in the theatres, as I find the film quite moving and uplifting. I would definitely recommend it to anyone!

Just before seeing this movie, I wasn't expecting much. There just wasn't anything else on TV, and this was just beginning, so I decided to give it a chance. It wasn't very long in before I began to realize that this wasn't just your ordinary, run-of-the-mill, by-the-numbers production. First of all, the movie, with all of the obvious attention to the sets and costume design and how it was photographed, just look absolutely beautiful. Then, the acting is simply superb by everybody, and not just the principal performers. Alfonso Cuaron (who was later tabbed to direct the 3rd Harry Potter movie, really showed his stuff in this film, which in my opinion was largely overlooked, as I don't remember a whole lot of publicity being done when it was first released, which is a shame, because a lot of effort went into making this such a good movie. Equally appealing to kids and adults alike, which is pretty rare as well. Highly recommended!

This wonderful movie is based on Francis Burnet kids' classic novel . A sympathetic little girl is sent by her father(Liam Cunninghan in role dual as dad and prince Rama) to New York(the original is London) seminary school ruled by a grumpy headmistress(Eleonora Bron), while he's posted in European WWI. When her daddy is declared wounded and his memory is lost , then the penniless schoolgirl ought to work in the boarding house as a servant to pay her existence.

Marvelous rendition has Liesel Mattews as fanciful little girl and Liam Cunninghan as her lovely father and of course the spiteful governess well performed by Eleonora Bron. Besides appear as secondaries Vincent Schiavelli and the future great star Camilla Belle. Although many liberties are taken from original novel contains vivid performances and luxurious scenarios filmed on Burbank studios creating a nice film for children and adults. Spectacular production design by Bob Welch , adding a colorful cinematography by Emmanuel Lubezki, director's usual. Evocative and imaginative musical score with oriental influence on the glamorous dreamt images .The motion picture is brilliant and stunningly directed by Alfonso Cuaron(Children of men,Harry Potter and the prisoner of Azkaban, Great expectations). Another adaptations about this classic story are the following : the vintage version by Walter Lang(1939) with Shirley Temple and Ian Hunter(Liam Cunninghan lookalike role) and Mary Nash(Eagle-eyed Eleonora Bron character) and TV rendition (1987) by Carol Wiseman with Amelia Shankley and Nigel Havers.

THis is a wonderful children's film full of fascinating adult tensions. The reactionary assumptions of the source material remain - the upper class are jolly nice and paternalistic; the bourgeoisie (represented by Eleanor Bron) are grasping, slave-owning monsters; India is not a massive subcontinent rife with internal and anti-colonial divisions, but a bright fantasy world of escape from reality - but the film is full of darkness unusual for such a film: apartheid, child abuse, poverty, the disruptive, harrowing effects of war, the absence of parents. In this way, the film's style, veering between fantasy and expressionistic 'realism' is impressive. The social order may be restored, but the film is full of heartening little revolutions: its ultimate message is, look HARDER.