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5,4/10
2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaRetired British spy Harry Palmer is called back into service to prevent North Korea from getting its hands on a deadly virus called "The Red Death".Retired British spy Harry Palmer is called back into service to prevent North Korea from getting its hands on a deadly virus called "The Red Death".Retired British spy Harry Palmer is called back into service to prevent North Korea from getting its hands on a deadly virus called "The Red Death".
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Tamara Timofeeva
- Elderly Woman
- (as Tamara Timofeyeva)
Anatoliy Shvederskiy
- Doctor
- (as Anatoly Shvedersky)
Anatoli Davydov
- Yuri Stephanovich
- (as Anatoly Davidov)
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Avaliações em destaque
Michael Caine reprises his portrayal of the Len Deighton character "Harry Palmer" in this rather cheap and cheerful cold-war thriller. This time he joins forces with the handsome, but lightweight, Jason Connery ("Nick") as they work for the enigmatic "Alex" (an unlikely Russian Michael Gambon) to thwart a deadly plan to release a virus that has been pinched by some North Koreans. A few other familiar faces try their best to pep this along, but it's really just an amalgam of themes that is well past it's sell by date. Caine is there, but he isn't - maybe another swimming pool? The dialogue is really pretty pedestrian (though the "we're all getting a bit too old for this" byline does raise a smile now and again). It's got plenty of stylish location photography and the action scenes - of which there is a distinct paucity - are quite good fun when we get them. Otherwise, it's a mediocre television movie that I found placed the "Palmer' character in a series of fish-out-of-water scenarios that rather undermined the charm and novelty of his earlier outings. Caine can carry a film, his sheer weight of personality does that here - but this is certainly nobody's finest work.
After 30 years Harry Palmer ( Michael Caine) returns a bit older but still amused and amusing. There are at least two versions of this film. In the one I own, Sue Lloyd makes a brief appearance as Harry's old girl friend Jean, now a blonde, sexy widow. They have a suggested sex scene. This was worth some of the lapses in the films storyline. However, I though Caine, Connery and Michael Gambon were all first rate and the running gags about redundant, over-the-hill secret agents worked for me.The locale of St Petersburg is fresh and the complications of plot ( who is one whose side), falling off the train, the problems of the decaying yet free market Soviet Union, etc. are interesting. I like BULLET and have actually watched it twice in 2 weeks. Too bad its sequel was a bit redundant itself.
I first broke into the Harry Palmer series when I thought Midnight in St. Petersburg sounded like a good film in the TV guide, and it had Michael Caine in it. Since then (realising there was more of it)I've become quite a fan of the series, not really minding if it was the vintage 60s or the modern 90s.
Bullet to Beijing was the fourth film out of the five that I've seen (I've yet to see the somewhat rare Billion Dollar Brain) and I thought it was a good film, certainly worthy of at least a 6.5 rating on IMDB. I know fans of the vintage 60s were somewhat opposed to this even being made, because it was obviously not going to be as good as The Ipcress File.
And it's not. The Ipcress File is still the best of Harry Palmer, but I thought this was the second best of the series. I found Funeral in Berlin to be mind-numbingly tedious, and Midnight in St. Petersburg didn't quite live up to this one.
First thing, I'm going to address a few issues regarding plot holes or continuity. Make no mistake, this is one of those films you'll probably have to watch twice or even three times to fully comprehend all that's going on. You have to concentrate on it, you can't watch it and talk on the phone at the same time. So most plot holes are probably down to something the viewer missed (I certainly thought that the first time I watched it).
This certainly isn't vintage Palmer, and I give it credit for not trying to be. Palmer is on the verge of retirement anyway, and so he's not going to be as quick or sharp as he once was (at least they didn't try and pretend he was still young!). Even so, he's still somewhat quick-witted and amusing, the milk in the tea joke being my favourite. He doesn't run from danger, something present in all the movies, even when he's being followed by the mafia, he's fairly daring once he's got away from them.
As for the film itself, it's very fast-moving and fluid. There are a LOT of twists and turns in the plot, but I like the fact that's it's all within the time limit of the train arriving in Beijing, who's going to make it there etc. The trouble with something like the Ipcress File was the amount of free time Palmer had, and so it would sometimes seemingly stand still, whereas the train journey here gave it an edge.
That's my humble opinion anyway, maybe I'm just uncultured. This certainly doesn't have the class of the 60s, but it makes up for it with the action, humour and plot-twists.
8.5/10
Incidentally, if you can get hold of it, there's a special edition DVD where Sue Lloyd has a slightly bigger role than a voice on the telephone.
Bullet to Beijing was the fourth film out of the five that I've seen (I've yet to see the somewhat rare Billion Dollar Brain) and I thought it was a good film, certainly worthy of at least a 6.5 rating on IMDB. I know fans of the vintage 60s were somewhat opposed to this even being made, because it was obviously not going to be as good as The Ipcress File.
And it's not. The Ipcress File is still the best of Harry Palmer, but I thought this was the second best of the series. I found Funeral in Berlin to be mind-numbingly tedious, and Midnight in St. Petersburg didn't quite live up to this one.
First thing, I'm going to address a few issues regarding plot holes or continuity. Make no mistake, this is one of those films you'll probably have to watch twice or even three times to fully comprehend all that's going on. You have to concentrate on it, you can't watch it and talk on the phone at the same time. So most plot holes are probably down to something the viewer missed (I certainly thought that the first time I watched it).
This certainly isn't vintage Palmer, and I give it credit for not trying to be. Palmer is on the verge of retirement anyway, and so he's not going to be as quick or sharp as he once was (at least they didn't try and pretend he was still young!). Even so, he's still somewhat quick-witted and amusing, the milk in the tea joke being my favourite. He doesn't run from danger, something present in all the movies, even when he's being followed by the mafia, he's fairly daring once he's got away from them.
As for the film itself, it's very fast-moving and fluid. There are a LOT of twists and turns in the plot, but I like the fact that's it's all within the time limit of the train arriving in Beijing, who's going to make it there etc. The trouble with something like the Ipcress File was the amount of free time Palmer had, and so it would sometimes seemingly stand still, whereas the train journey here gave it an edge.
That's my humble opinion anyway, maybe I'm just uncultured. This certainly doesn't have the class of the 60s, but it makes up for it with the action, humour and plot-twists.
8.5/10
Incidentally, if you can get hold of it, there's a special edition DVD where Sue Lloyd has a slightly bigger role than a voice on the telephone.
Return of Harry Palmer is not as bad as expected and is occasionally amusing. The fact that I can only recall a funny car chase scene with falling apart Russian cars is ominous, though. Someone mentioned a boat chase and I vaguely remember it although what it was about, I don't know. Certainly, it's sell out to modernity with violent shoot-outs and deaths seems incongruous to the originals. palmer only shot one person the entire trilogy, If I recall correctly.
The Palmer of those films was something of a blank page. An ironic and detached observer of the self interest around him, surviving on a combination of quick wit, luck and a lack of an ideological axe to grind. His inability to be tempted into corruption at various stages was surprising seeing as he was originally a tacky fraudster in the army but perhaps it's unwise to try and do an analysis of comic book characters, they're basically tosh. The Palmer of 'Bullet' has lost that sixties cool and it's hard to recognise him. He's more like an ex-football or pool hall manager with a drink problem or simply Caine being more his working class self. The effect is rather curious viewing, whimsical but rather sad, as cinema itself is in decline nowadays. Some of the old stalwarts remain, such as Harry meeting 'old friends' who turn out to have no qualms in dispensing with him altogether in the terminal sense. The sequel fizzles out altogether. 'Bullet To Beijing' is only to be viewed as a last resort, that is you have been made redundant, your wife has left you and your TV license is about to expire with no money left in the kitty to renew it.
The Palmer of those films was something of a blank page. An ironic and detached observer of the self interest around him, surviving on a combination of quick wit, luck and a lack of an ideological axe to grind. His inability to be tempted into corruption at various stages was surprising seeing as he was originally a tacky fraudster in the army but perhaps it's unwise to try and do an analysis of comic book characters, they're basically tosh. The Palmer of 'Bullet' has lost that sixties cool and it's hard to recognise him. He's more like an ex-football or pool hall manager with a drink problem or simply Caine being more his working class self. The effect is rather curious viewing, whimsical but rather sad, as cinema itself is in decline nowadays. Some of the old stalwarts remain, such as Harry meeting 'old friends' who turn out to have no qualms in dispensing with him altogether in the terminal sense. The sequel fizzles out altogether. 'Bullet To Beijing' is only to be viewed as a last resort, that is you have been made redundant, your wife has left you and your TV license is about to expire with no money left in the kitty to renew it.
Thankyou, thankyou, Mr Caine. The collapse of the cold war has somewhat put an end to our spy stories, but I was thrilled to get another Harry story. I have a little trouble coping with the slap stick humour in this movie. ( Perhaps I'm just two stiffer upper lip) Regard less loved it.
Você sabia?
- CuriosidadesAs Michael Caine was 61 at the time of filming, it was decided to make Harry Palmer a retired secret agent.
- Erros de gravaçãoHarry has to suddenly go to Beijing. But Britons need a visa, and he has no time to get one.
- Citações
[Toasting his host at the strip club]
Harry Palmer: Here's to capitalism and big tits.
- Versões alternativasThe version that aired on The Movie Channel in 1997 was cut from 122 to 101 minutes. Among the scenes cut was Sue Lloyd's onscreen appearance. This version was released on VHS and DVD. In 2001, the full version was released on DVD as a "special edition".
- ConexõesFollowed by Meia-Noite em Moscou (1996)
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- Tempo de duração1 hora 41 minutos
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