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IMDbPro

Despedida em Las Vegas

Título original: Leaving Las Vegas
  • 1995
  • 16
  • 1 h 51 min
AVALIAÇÃO DA IMDb
7,5/10
142 mil
SUA AVALIAÇÃO
POPULARIDADE
2.100
295
Nicolas Cage and Elisabeth Shue in Despedida em Las Vegas (1995)
Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
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Ben Sanderson, um roteirista de Hollywood que perdeu tudo por causa de seu alcoolismo, chega a Las Vegas para beber até a morte. Lá ele conhece Sera, uma garota da rua.Ben Sanderson, um roteirista de Hollywood que perdeu tudo por causa de seu alcoolismo, chega a Las Vegas para beber até a morte. Lá ele conhece Sera, uma garota da rua.Ben Sanderson, um roteirista de Hollywood que perdeu tudo por causa de seu alcoolismo, chega a Las Vegas para beber até a morte. Lá ele conhece Sera, uma garota da rua.

  • Direção
    • Mike Figgis
  • Roteiristas
    • John O'Brien
    • Mike Figgis
  • Artistas
    • Nicolas Cage
    • Elisabeth Shue
    • Julian Sands
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    142 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.100
    295
    • Direção
      • Mike Figgis
    • Roteiristas
      • John O'Brien
      • Mike Figgis
    • Artistas
      • Nicolas Cage
      • Elisabeth Shue
      • Julian Sands
    • 423Avaliações de usuários
    • 92Avaliações da crítica
    • 82Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 32 vitórias e 30 indicações no total

    Vídeos1

    Trailer
    Trailer 2:48
    Trailer

    Fotos134

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    Elenco principal47

    Editar
    Nicolas Cage
    Nicolas Cage
    • Ben Sanderson
    Elisabeth Shue
    Elisabeth Shue
    • Sera
    Julian Sands
    Julian Sands
    • Yuri
    Richard Lewis
    Richard Lewis
    • Peter
    Steven Weber
    Steven Weber
    • Marc Nussbaum
    Kim Adams
    • Sheila
    Emily Procter
    Emily Procter
    • Debbie
    Stuart Regen
    • Man at Bar
    Valeria Golino
    Valeria Golino
    • Terri
    Graham Beckel
    Graham Beckel
    • L.A. Bartender
    Albert Henderson
    • Man at Strip Bar
    • (as Al Henderson)
    Shashi Bhatia
    • Hispanic Prostitute
    Carey Lowell
    Carey Lowell
    • Bank Teller
    Anne Lange
    Anne Lange
    • Business Colleague
    Thomas Kopache
    Thomas Kopache
    • Mr. Simpson
    Vincent Ward
    Vincent Ward
    • Businessman #1
    Lucinda Jenney
    Lucinda Jenney
    • Weird Woman
    French Stewart
    French Stewart
    • Businessman #2
    • Direção
      • Mike Figgis
    • Roteiristas
      • John O'Brien
      • Mike Figgis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários423

    7,5141.9K
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    10

    Avaliações em destaque

    8hitchcockthelegend

    Unconditional love in an alcoholic haze.

    Ben Sanderson is an alcoholic, who after getting released from his well paid screen writing position, heads to Vegas with his severance pay. Where he seriously plans to drink himself to death. But whilst cruising down the strip he meets Sera, a nicely turned out prostitute, and both troubled souls come together in an unlikely romance.

    Based around the semi-autobiographical novel by John O'Brien, an alcoholic who committed suicide before the film made it to the screen, this is a sad, dark and deeply upsetting picture. Sanderson and his plight has no motive, we are not fed reasons for his nihilistic behaviour. We find him at the beginning of the film joyously hurtling thru a liquor market isle, promptly filling his shopping cart with bottles of liquor. From here on in we know that this is no ordinary film about an alcoholic trying to get off the booze, we are on a train to Bleakville, stops at Love and Liberation seem a very long way away.

    Enter Sera, the sweet and wholesome prostitute, who having escaped the abusive and borderline psycho pimp, Yuri, is herself in need of liberation. But can she carry the burden of both as this unlikely and almost certainly doomed romance starts to become significant? Nicholas Cage as Sanderson is terrific, very compelling, realistic and segueing from zany wired comedy to the desolation of Sanderson's death wish descent within a heart beat. Elisabeth Shue as Sera is also incredibly potent, if perhaps guilty of looking too pristine, and prompting questions of why she would be drawn to Ben's world anyway?

    Shue none the less works her socks off to make Sera sensitive and believable. Directed by Mike Figgis, who shot it beautifully in Super 16 film, the film won a Best Actor Academy Award for Cage, and garnered nominations for Best Actress {Shue} & Best Director and Best Adapted Screenplay {both Figgis}. Massively popular and praised on release, it has lost none of the impact that it had back then. 8/10
    8luke-a-mcgowan

    An unrelenting tragedy, with raw and passionate performances

    Having recovered from the mind-numbing Heat, a supposed character study, I was eager to sink my teeth into a different 1995 gem and I found it here with Leaving Las Vegas. With only two important characters, the entire film rests heavily on the shoulders of Nicolas Cage and Elisabeth Shue, and neither of them disappoint.

    Of the two, Nicolas Cage is the Oscar winner and the truly deserving one at that. He is simply hypnotic as Ben Sanderson, an alcoholic so far gone he doesn't even remember why he wants to die. His withdrawal scenes are so real they are upsetting, whereas his drunken charisma is so real its almost funny. The balance that Cage strikes really highlights how tragic his character really is. He conveys hatred and rage and loneliness and despair, and you will be so sad yet so hooked that its impossible to look away. Elisabeth Shue gets off to a slower start than Cage, but she is still an endearing, emotional character, capable of great things.

    The writing is very good, giving Cage the perfect, pitiful dialogue in order to serve his woeful character, and even throws in a hypnotic monologue or two. The best thing that Figgis achieves in this film is his cruel and deliberate intersplicing of mood-killing incidents (invariably caused by alcohol) between the moments of love and passion that Shue and Cage share. It is a relentless reminder that their love story is completely doomed. Sting's My One and Only Love is all over this film, which I thought was a very good choice, in addition to the beautiful and haunting score.

    The final act focuses a little too much on Shue and not enough on Cage, and whilst their final scene together was appropriately pathetic to suit the tragedy of the film, I couldn't help but feel less engaged. I also didn't enjoy Shue's constant commentary, given that it doesn't really go anywhere.

    But between the raw passion of Nicholas Cage and the uncompromising guiding hand of Mike Figgis, any complaints I could ever have otherwise found in Leaving Las Vegas are completely washed away.
    9jguz58

    Amazing, and gritty performances

    It's not a movie I could bear to watch very often, because it's sad to see people destroy themselves. But Nicolas Cage and Elisabeth Shue are riveting to watch here. As a person who has a past involvement in alcohol and substance abuse, I found Cage's performance especially compelling, and after watching him in this one, I am sure glad that lifestyle is behind me!

    The chemistry between these two is really great, two people that need each other in different ways, trying to cope with how screwed up their lives have become. Very real performances, if you're faint-of-heart be ready for some strong words, and not just obscenities. Wow! They really lay it on the line. Great performances by two of my favorites.
    Michael_Elliott

    Raw Look at Alcoholism

    Leaving Las Vegas (1995)

    **** (out of 4)

    Depressing account of a man (Nicholas Cage) who goes to Las Vegas to drink himself to death and once there he strikes up a relationship with a prostitute (Elisabeth Shue). Going back and watching this film after so many years had a lot of things going through my mind. Such as the first time I watched this it was in the theater as the second part of a double feature with DEAD MAN WALKING. Talk about a depressing four hours in the theater. The second thing it reminded me of was what a terrific actor Cage was and how at the time many people were calling him one of the greatest of his generation. I bring this up considering the type of films Cage is currently doing. LEAVING LAS VEGAS is without question a very dark and depressing film and it always amuses me that people attacked the picture for this. I mean, there are several films each year that shows the fun side of drinking so I always find it strange that so many could object to a film showing the ugly side. I can understand people not wanting to sit through a nearly two-hour suicide movie but at the same time those who can stomach the story are going to be shown one of the best performances from this era. Cage is simply marvelous as the alcoholic who goes on a death wish for reasons we're not fully told. It's funny but the screenplay really doesn't give us much insight to either character other than both are troubled, alone and find some sort of comfort with each other. This love story between the two certainly isn't all that casual or romantic but it's quite unique in its own way. The way Cage controls this character, his various emotions and the physical nature of his body falling apart are simply amazing to watch. It really reminds one of how great he can be when the material is right. Shue also turns in the best performance of her career and you can really see the pain in her eyes as this man she loves is slowly dying. Julian Sands is also quite effective in his few scenes. Director Mike Figgis does an extremely good job with the material but a lot of credit also needs to go towards his film score. LEAVING LAS VEGAS isn't a very pretty movie to watch but then again, why would anyone expect alcoholism to be pretty?
    flipgirl38

    Powerful Film About Loneliness And Acceptance

    Remarkable. Touching. Riveting. Leaving Las Vegas is all of these and then some. I have not seen a film of this magnitude about loneliness and acceptance in such a while that I was in tears for much of the run time.

    Nicholas Cage is Ben, a man who has lost his wife and child, throws his job away, and takes all of his remaining money to buy as much liquor as possible and "drink himself to death" in the city of Las Vegas. He has given up all hope, with no wish to live, but for one reason or another, wants a companion to share in his misery, but not try to save him. He finds this companion in a hooker, Sera, played by Elizabeth Shue. They immediately form a strong relationship based on one night of talking about their lives. Sera in particular quickly grows attached to Ben, for no other reason than she has been alone her whole life and wants nothing more than to feel that want and need by someone.

    Cage won his first Oscar for his role as Ben, and how deserved it was. He was astounding, perfection, down to every single tick, the volume of his voice, the pain and tragedy buried in his eyes. I could not believe the extent of his role, the dedication and time he invested in bringing this character to life. Same goes for Elizabeth Shue, who with a simple glance at a person, she reveals her entire self, and no one even dares to notice except for Ben. This neediness is apparent, she wants to hold onto this relationship so badly, yet what makes their relationship work is total and complete acceptance of their respective decisions. He will not tell her to stop being a hooker, and she in return can never ask him to stop drinking. And it is in that factor that makes this film worth watching. To be totally accepted by those around them, to open themselves up to such an extreme.

    Leaving Las Vegas is a sobering film about connections, loneliness, acceptance, and a small little island of hope that is Ben and Sera. They are two good people, depicted in a world full of sorrows and misdeeds, who latch onto each other and never let go. They were nothing but ghosts, till that chance encounter, and became each others worlds. Cage and Shue bring these good people to life in such an extraordinary way, making Leaving Las Vegas a film to be treasured and remembered for years to come. I highly recommend this film.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Author John O'Brien, on whose novel this movie is based, committed suicide two weeks after the movie went into production. Director Mike Figgis contemplated abandoning the project, but decided the film would make a good memorial for O'Brien.
    • Erros de gravação
      Yuri is supposed to be swearing in Latvian on the phone. In fact, he speaks gibberish.
    • Citações

      Ben Sanderson: I don't know if I started drinking 'cause my wife left me or my wife left me 'cause I started drinking, but fuck it anyway.

    • Cenas durante ou pós-créditos
      The opening credits do not appear until fifteen minutes into the film.
    • Versões alternativas
      LaserDisc version is unrated and contains more sexually explicit footage. First pressings of the VHS versions also contained this footage but later pressings did not. The Unrated Edition has also been released on DVD and Blu-ray and runs 112 min.
    • Conexões
      Featured in Siskel & Ebert & the Movies: Vampire in Brooklyn/Mighty Aphrodite/Copycat/Leaving Las Vegas/Never Talk to Strangers (1995)
    • Trilhas sonoras
      Angel Eyes
      Written by Matt Dennis and Earl K. Brent

      Performed by Sting

      Courtesy of A&M Records, Inc.

    Principais escolhas

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    Perguntas frequentes22

    • How long is Leaving Las Vegas?Fornecido pela Alexa
    • What does Ben get told by a waitress at the casino (around 1:04:00), when he's sitting at a gaming table with Sera, which makes him react by flipping the table and screaming?
    • What are the differences between the R-Rated and Unrated Version?

    Detalhes

    Editar
    • Data de lançamento
      • 8 de março de 1996 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Official Facebook
    • Idiomas
      • Inglês
      • Russo
    • Também conhecido como
      • Adiós a Las Vegas
    • Locações de filme
      • River Palms Resort Casino - 2700 South Casino Drive, Laughlin, Nevada, EUA(interiors, as Gold River Casino and Resort)
    • Empresas de produção
      • Lumiere Pictures
      • Initial Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 3.600.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 32.029.928
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 70.864
      • 29 de out. de 1995
    • Faturamento bruto mundial
      • US$ 32.029.928
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 51 min(111 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.66 : 1

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