Um mensageiro de dados, que carrega um pacote de dados em sua cabeça, deve entregá-lo antes que ele morra da carga ou seja morto pela Yakuza.Um mensageiro de dados, que carrega um pacote de dados em sua cabeça, deve entregá-lo antes que ele morra da carga ou seja morto pela Yakuza.Um mensageiro de dados, que carrega um pacote de dados em sua cabeça, deve entregá-lo antes que ele morra da carga ou seja morto pela Yakuza.
- Prêmios
- 2 vitórias e 3 indicações no total
- Takahashi
- (as Takeshi)
Avaliações em destaque
Ideally, you need to have read Gibson's short stories and "Neuromancer" first, and then all the props - cyberspace, 'black ice', grubby streets, brand-name hardware, Yakuza assassins, muscle grafts, etc - make sense. The "Blade Runner" style information dump was no substitute. Incidentally, many of these props appear cliched, but remember that Gibson more or less invented them; it's merely that this film appeared long after they had become standard movie fixtures.
Gibson's written work has fairly sparse dialogue, and makes heavy use of precise and rather introspective visual description to convey character. Perhaps this just doesn't translate well to film.
There was a LOT of good things about the movie. It told a sci-fi story about a dark and bleak future....somewhat similar to "Blade Runner". And it did it well. There were an amazing amount of sets, extras, and really well done computer effects. There was even one really well filmed shot in a hospital that reminded me of the long scene from "Gone With The Wind" showing the dead and dying in the Atlanta train yard. Many of the secondary actors (especially Henry Rollins as "Spider" and Ice-T as "J-Bone") were surprisingly good and helped to raise my rating of the film from an initial 4.0 to an overall 7.0 rating.
If you aren't into a lot of foul language and/or gore, I'd steer clear of this film. But if you want to see a surprisingly well made piece of dark sci-fi, this is a film worth giving a chance to watch.
My favourite scene is Johnnys rant on the rubbish heap. I know it is contrary to the intent of the scene, but I sympathise completely with his feelings. He had sacrificed something that most people hold sacred, in order to live a certain lifestyle, and it gets taken away from him completely undeservedly - no wonder he feels cheated.
If you really want Gibsonesque cyberpunk, go for _New Rose Hotel (1998) _ instead.
Considering it was based on the short story of the same name by cyberpunk godfather William Gibson, the movie is a minor disappointment. It's not that bad, but it could have been so much better.
However, a lot of Gibson's ideas are still there, making it a solid cyberpunk movie. There aren't too many of those around.
Você sabia?
- CuriosidadesThe script was rumored to have been dumped on the doorstep of Keanu Reeves' house, a tactic that piqued his interest, and led to him accepting the role of Johnny.
- Erros de gravaçãoThe date on the screen in the New Darwin Inn reads "Thursday, 17 January 2021". January 17, 2021, was a Sunday.
- Citações
Johnny Mnemonic: What the fuck is going on? WHAT THE FUCK IS GOING ON? You know, all my life, I've been careful to stay in my own corner. Looking out for Number One... no complications. Now, suddenly, I'm responsible for the *entire fucking world*, and everybody and his mother is trying to kill me, IF... IF... my head doesn't blow up first.
Jane: Maybe it's not just about you any more.
Johnny Mnemonic: Listen. You listen to me. You see that city over there? THAT'S where I'm supposed to be. Not down here with the dogs, and the garbage, and the fucking last month's newspapers blowing *back* and *forth*. I've had it with them, I've had it with you, I've had it with ALL THIS - *I want ROOM SERVICE*! I want the club sandwich, I want the cold Mexican beer, I want a $10,000-a-night hooker! I want my shirts laundered... like they do... at the Imperial Hotel... in Tokyo.
- Versões alternativasIn 2021, 26 years after its original release, Robert Longo has converted the film into a black & white version that is a bit closer to his original intention. That black and white version premiered at the Tribeca Film Festival.
- ConexõesEdited into Twizzlers: The Movie (2015)
- Trilhas sonorasVirus
Written by Sascha Konietzko, En Esch and Günter Schulz
Performed by KMFDM
Courtesy of Wax Trax! Records Inc. / TVT Records
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Fugitivo del futuro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 26.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 19.075.720
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.033.850
- 28 de mai. de 1995
- Faturamento bruto mundial
- US$ 19.077.036
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1