AVALIAÇÃO DA IMDb
5,4/10
15 mil
SUA AVALIAÇÃO
Corelli está mergulhado em um caso que pode levá-lo aonde ele não deseja ir. Chazz Palminteri interpreta Matt, um advogado e amigo antigo de Corelli. Linda Fiorentino é a esposa de Matt, Tri... Ler tudoCorelli está mergulhado em um caso que pode levá-lo aonde ele não deseja ir. Chazz Palminteri interpreta Matt, um advogado e amigo antigo de Corelli. Linda Fiorentino é a esposa de Matt, Trina: uma psicóloga capaz de tudo, até matar.Corelli está mergulhado em um caso que pode levá-lo aonde ele não deseja ir. Chazz Palminteri interpreta Matt, um advogado e amigo antigo de Corelli. Linda Fiorentino é a esposa de Matt, Trina: uma psicóloga capaz de tudo, até matar.
- Prêmios
- 2 indicações no total
Avaliações em destaque
Don't believe all the negs about this pix. It's not just another "Basic Instinct," either. Chaz and Linda are the consummate couple. V-e-r-y classy. The set decorations are fantastic. I absolutely vote Linda the quintessential queen of soft porn (or was it "hard"--I haven't yet seen the uncut version). Was it Linda or was it Memorex? Whoever it was, her legs are fabulous! Angie Everhart's sultry soliloquy describing her passion for LF (Trina) was like butter melting on a hot lobster. I found myself replaying that scene over and over just to capture the full essence of the moment. The hit-and-run scene was extremely graphic, (wow,what a stunt!) except to Friedkin fans who expect a certain amount of gratuitous violence. The final scene with CP and LF was perfect. I could feel the sexual tension jump out from the screen. The beautifully haunting song, "Mystic Dream," by Loreena McKennitt fit the dark mood perfectly. I still don't know why I love this movie; to borrow a line from the film, it must be "hysterical blindness." Go see this movie with a date, and have a great time together afterwards!
A wealthy art collector (and admirer of world leaders Ronald Reagan, Margaret Thatcher and Richard M. Nixon) is murdered in his San Francisco mansion. Due to repeated chops with a hatchet, there is an abundance of blood. Along with many pricey artifacts, the dead man has an amply supply of sex paraphernalia. His most prized possession appears to be a collection of his partners' pubic hair. Four hours later, red-haired assistant district attorney David Caruso (as David Corelli) is at a dance attended by still sexy old flame Linda Fiorentino (as Anna Katrina "Trina" Maxwell). He still longs for her, but she married best friend Chazz Palminteri (as Matt Gavin), a rich defense lawyer. Employed to investigate, Mr. Caruso finds a cuff-link at the murder scene. Curiously, he decides to withhold it from other collected evidence...
The cuff-link is from "The Golden Bay Club" where Caruso and Mr. Palminteri are members. Also discovered is the murder victim's collection of pornographic pictures. Most importantly, there are photographs of California Governor Richard Crenna (as Lew Edwards) with a young prostitute. Caruso confronts Mr. Crenna with the dirty pictures and is threateningly told he has a future in State politics comparable to Jerry Brown - a line they must regret, as Mr. Brown is presently serving an historic term as Governor. Everything seems to come together in an intriguing web of sex, mystery and murder. But, by the end, "Jade" proves looks can be deceiving. This is a puzzle with pieces shoved into place, by director William Friedkin. He shows the usual skill with car chase scenes, but doesn't make this story coherent.
***** Jade (10/13/95) William Friedkin ~ David Caruso, Linda Fiorentino, Chazz Palminteri, Richard Crenna
The cuff-link is from "The Golden Bay Club" where Caruso and Mr. Palminteri are members. Also discovered is the murder victim's collection of pornographic pictures. Most importantly, there are photographs of California Governor Richard Crenna (as Lew Edwards) with a young prostitute. Caruso confronts Mr. Crenna with the dirty pictures and is threateningly told he has a future in State politics comparable to Jerry Brown - a line they must regret, as Mr. Brown is presently serving an historic term as Governor. Everything seems to come together in an intriguing web of sex, mystery and murder. But, by the end, "Jade" proves looks can be deceiving. This is a puzzle with pieces shoved into place, by director William Friedkin. He shows the usual skill with car chase scenes, but doesn't make this story coherent.
***** Jade (10/13/95) William Friedkin ~ David Caruso, Linda Fiorentino, Chazz Palminteri, Richard Crenna
I'm shocked by the huge number of negative comments. This film is great, obviously written before Showgirls was released (when the screenwriter's ego was still intact.) Between Joe's deliriously entertaining B-movie dialogue and Friedkin's rock-solid direction, I find this movie fascinating and fun, the only downpoint being the lackluster ending. Jade has the greatest car chase I've seen in any film since the last time this director tackled one, and it's full of cute little references to the rest of his career. There is even a blatant homage to "Cruising" (Al Pacino) for those of you who were really paying attention. When David Caruso takes those cufflinks out of the drawer and looks in the mirror as we fade to the beach skyline...shot for shot and beat for beat it's the last two shots of Cruising, and it even conveys a similar meaning. This movie is clever, raunchy, sexy and fun. It's not the greatest film ever made, but it certainly deserves a lot more credit than it is receiving here. When did film lovers become such humorless prudes? (And why did Friedkin insist that the DVD be released only in a fullscreen version? Why, why, why???)
San Francisco ADA David Corelli (David Caruso) is attending a ball with friend Matt Gavin (Chazz Palminteri) and his wife, David's former love, Trina (Linda Fiorentino). David is called away to the brutal murder of a wealthy businessman. He finds a silver case engraved with the Chinese character Jade. The police uncovers photos of Governor Edwards (Richard Crenna) with an unknown woman later identified as prostitute Patrice Jacinto (Angie Everhart). Bob Hargrove (Michael Biehn) is a disagreeable police detective. As the investigation continues, the Gavins are pulled into the sexual political intrigue.
Joe Eszterhas' psycho-sexual script may not be fitting material for director William Friedkin. The rewriting is evident of that and not necessarily fixed anything. This concentrates more on the lurid in this stylized erotic thriller. Bless his heart, Friedkin tried. There are some car action on the steep streets but he has done better work before. Driving thru the parade may be an interesting idea. The execution is more frustrating than thriller.
The movie got caught up with the Caruso factor during its initial release. He is a perfectly serviceable actor if he doesn't get romantic. His sex appeal is limited and any attempt at sexuality is awkward at best. His character is rarely a lawyer and runs around investigating like a cop. He plays a better cop than a lawyer. Corelli should have been a police detective. Fiorentino has her great smoldering dark sexuality and that helps in this role. The story is a little messy and drags sometimes. It needs a little simplification to allow better flow and heightened tension. None of it is that compelling but it's not completely bad.
Joe Eszterhas' psycho-sexual script may not be fitting material for director William Friedkin. The rewriting is evident of that and not necessarily fixed anything. This concentrates more on the lurid in this stylized erotic thriller. Bless his heart, Friedkin tried. There are some car action on the steep streets but he has done better work before. Driving thru the parade may be an interesting idea. The execution is more frustrating than thriller.
The movie got caught up with the Caruso factor during its initial release. He is a perfectly serviceable actor if he doesn't get romantic. His sex appeal is limited and any attempt at sexuality is awkward at best. His character is rarely a lawyer and runs around investigating like a cop. He plays a better cop than a lawyer. Corelli should have been a police detective. Fiorentino has her great smoldering dark sexuality and that helps in this role. The story is a little messy and drags sometimes. It needs a little simplification to allow better flow and heightened tension. None of it is that compelling but it's not completely bad.
To say Friedkin's career has had its ups and downs is an understatement, his eighties filmography inarguably has enough bombs to sink a oil tanker. Yet eschewing their performances at the box office, many of his films yearn to be rediscovered, from "Cruising" to "Deal of the Century" to "Rampage". Let's not kid ourselves, "Jade" is not a great film, and this is the fault of one man and one man alone - Joe Esterhas. If trash had a messiah, it would be him. For a fleeting moment in the nineties, Esterhas was paid by the bucketload to write formulaic movies for guys, and the erotic thriller has him to thank for its continuing lugubrious existence. "Jade" is interesting however, it is an erotic thriller without the erotic part. While Paul Verhoeven filled "Basic Instinct" chock full of the sleaze he had become renowned for, Friedkin's films are notable for primarily dealing with male characters, and are subsequently about as erotic as as a bowl of cereal. "Jade" is not about sex; it is about sexual jealousy. The talent of Linda Fiorentino cannot be underestimated here, giving depth to a part that amounts to no more than a typical male fantasy - part good girl, part whore - that's right, it's "Crimes of Passion" without Anthony Perkins and his bag of dildos. The leads are well cast and all give adequate performances, and Friedkin throws in all his usual directorial touches (subliminal images and, you guessed it, yet another bloody car chase). "Jade" is an enjoyable film, with delightfully silly twists and over-the-top violence (come on, you know you want to see Angie Everhart get run over again), and is given some class from it's cast and director, but, in the end, proves itself to be a guilty pleasure that makes one feel more guilt than pleasure.
Você sabia?
- CuriosidadesAccording to Joe Eszterhas's autobiography, he hated the final film. Director William Friedkin changed Eszterhas's script so much, he threatened to remove his name from the credits. Paramount settled with him by giving him a "blind script deal" worth $2-4 million. Later, Friedkin admitted that he did virtually rewrite the script, but Friedkin also said that this was his favorite film.
- Erros de gravaçãoWhen David is chasing the black car you can clearly see his airbag coming out with the second jump. In the next scene the airbag is gone.
- Citações
David Corelli: Cristal, Baluga, Wolfgang Puck... it's a fuckhouse.
- Versões alternativasWilliam Friedkin created a director's cut of the film, approximately twelve minutes longer, which added quite a few scenes including a different ending. This version aired exclusively on USA cable network Cinemax in August/September 1996. It has also been posted on Hulu.
- ConexõesEdited into The Green Fog (2017)
- Trilhas sonorasThe Mystic's Dream
Written, Performed and Produced by Loreena McKennitt
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products and Quinlan Road Limited
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Джейд
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.851.610
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.284.246
- 15 de out. de 1995
- Faturamento bruto mundial
- US$ 9.851.610
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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