Acusação

The pursuit of legitimate child abusers is worthy indeed, but this movie shows how it can quickly get out of control. It also shows how people who start out to protect victims can fall in love with their own reputations along the way. I'm sure all the "bad folks" in this story started out with all the best intentions. James Woods and Henry Thomas stand out in a strong cast. This is a very important story.

Indictment is a movie showing how untested pop psychology and bad (circular) reasoning can still produce witch hunts in this day and age, and an appeal to both the viewer and the public in general to always keep a critical eye towards the facts like a laser beam.

Nor was this case a one-off. In fact, when I saw the announcement for this movie, I thought it was about the "Little Rascals Day Care Center" in Edison, NC. Only a year before the McMartins were released from jail, an almost cloned incident happened in Edison, when the owner, Robert Kelly jr. and his wife were charged with massive child abuse - as well as satanism, cannibalism, abductions... they were also accused of taking the children along in space ships, killing animals, sacrificing babies in the middle of the day care center during open hours, etc (although no children were ever reported missing). There too, the case started out with a single vindictive mother with an agenda of her own, and was built upon "recovered memories", etc.

However, unlike the McMartins, who spent up to half a decade in jail awaiting trial, the Kelly's were actually convicted and sentenced to twelve consecutive life sentences. Their convictions were later quashed on appeal.

What is also shown out in this movie is the way "true believers" think. Kee, played by the gorgeous Lolita Davidovitch, doesn't look for corrobable evidence, but simply affirmation of her already drawn up conclusions. Here is where the circular thinking comes in. When a child is asked if it has been abused, and the answer is yes, then it must be telling the truth. However, if the answer is no, then something must be keeping them from telling the truth, in this case, "they're in denial". And so they will be cojoled, even threatened, until the answer is yes. They how's, when's and even who's are less important, and as a result many of testimony becomes fantastical, even impossible. Or, to quote from an article on False Memory Syndrome:

"When the victim responds, " but I get along fine with my parents, they aren't perverts". - the trusted advisor responds, "Wow, they must have been really horrible for you to have repressed it that deep. If you won't recall, you won't get better." "

Also, Gerardo and OJ trial regular Ira Reiner (who gravely described OJ's gloves as "loosely fitting, working man's gloves") don't come off very well at all, not surprisingly.

Nor have these modern witch hunts limited themselves to North America - there have been similar mass arrests after allegations of satanic abuse in the north of Scotland, recently in the UK the daily mail undertook a campaign of publicly naming child molesters, many of whom were confused with other people, one man had a neckbrace like one of the men in the newspaper and needed police protection after both his and his neighbors house had been stoned, and a PEDiatrician needed protection after children had painted "PEDo" on her house. Nor is mass hysteria and mass psychology limited to child abuse - recently in Holland a scuzzy politician tried to whip up public support by claiming as "outrageous" the number of middle aged citizens of Maroccan and Turkish descent claiming disability - totally and conveniently ignoring the fact that among the physically demanding and dangerous industries, like steel, chemicals, and the cleaning industry, these groups were hugely over represented in the decades after WWII and still are today.

This movie is an indictment of mass hysteria, and is an appeal for every citizen to think for him or herself, and be very critical, even cynical of whatever news is presented to them on a platter every night at six.

See it.

A brilliant account of justice gone haywire as an innocent family is dragged through the courts and all but destroyed by rumours of child abuse. This (true) story is a universal one - it all happened in the early eighties but similar injustices have happened again in Britain recently following witch-hunts by irresponsible national newspapers. (Do we never learn?) The film itself is excellent, with fabulous performances all round but especially by an as-always-knockout James Woods and Mercedes Ruehl. Director Mick Jackson moves it along at a terrific pace - two and quarter hours flies by. Highly recommended!

It's 1983. Police receives a complaint from Judy Johnson of her son's molestation at the McMartin family-run pre-school daycare center in Manhattan Beach, California. Eventually over 60 children make accusations of outrageous abuse at the school run by 76 year old Virginia McMartin (Sada Thompson) prodded by child-psychiatrist Kee McFarlane (Lolita Davidovich) and her questionable techniques. Virginia's grandson Ray Buckey (Henry Thomas) is at the center of the accusations. Callous defense lawyer Danny Davis (James Woods) is eager to take the case stoked into a media circus by Wayne Satz. Lael Rubin (Mercedes Ruehl) is self-righteous prosecutor. They arrest Ray, Virginia, his sister Peggy Ann (Alison Elliott), mother Peggy (Shirley Knight), and teachers Betty Raidor and Babette Spinler. Prosecutor Glenn Stevens pulls the case together discovering it to be built upon conflicting testimonies from the children.

This is a compelling true story. It's told from the defense's side although I'm not sure what the prosecution's side would be. It's a harrowing case. James Woods brings his energetic persona to full force. The case is riveting and utterly memorable. It is a great award-winning TV movie from HBO.

Fat-free account of the legal crucifixion of a pre-school teacher and his mother, caught in the frenzy of an anti-molestation movement. The screenwriter, Abby Mann, sticks to the transcripts, and so the pungent subtext is seen only glancingly: the mania of save-our-children parents, obsessed either by their own guilt or an overidentification with wounded innocents. Gripping from start to finish, the movie also features a rarity: a hyped-up James Woods performance as the defense attorney that is, for once, trim and in keeping with the surroundings.