Sonhos de Uma Noite de Inverno

This was a film that I wanted to see from the very second that I heard about it. Unfortunately (for one reason and another) I missed it at the cinema and was forced to trawl the depths of video stores to find it. It is a beautifully shot, subtly hilarious piece of cinematic history. Anyone who has ever worked in theatres or have met "theatre types" will empathise with the characters immediately...and anyone who has never experienced the backstage "goings on" of theatres should watch this film to experience the endearing qualities of theatre in its extreme.

Quite simply this film is wonderful and has made me a huge fan of Kenneth Branagh's writing and direction.

My only complaint about this film is that it is impossible to find!! Why can't we buy it on DVD yet??!

Bizarrely, given its small scale, this may be Branagh's best film to date. Shorn of the over-ambition which hampered Frankenstein and Dead Again, this minor masterpiece (which almost looks made for TV) will be a joy to anyone who's ever worked in under-funded theatre (excuse the tautology).

The cast are in fine form, and the photography is suitably glowing - but the film's greatest strength lies in its witty and accurate script. Obviously born of years of painful experience, the dialogue sparkles with insight and humour. Why the hell doesn't Branagh write more of his own material? Subtly directed, cleverly structured and superbly performed, this is recommended to all Branagh followers, all theatre lovers, and all fans of grown-up British humour. 9 out of 10.

PS The connections with Branagh's own version of Hamlet are obvious, but who is Dylan Judd, who gets offered a three-film sci-fi deal? Could it be Liam Neeson or Ewan Macgregor? Answers on a postcard to Shepperton Studios...

This was really good. The coming together of a number of people who create a 'family' is so positive in an, at present, negative world. They support each other and offer positive strokes So much film and tv portrays our planet's inhabitants as violent and unpleasant. Children must have a strange idea of the environment in which they are to grow. This did have witty dialogue and no special effects because it had things to say and slightly exaggerated characters who were different from each other. Although it is British it is about eternal values of persistence, commitment which is not financially motivated and thinking about others beside self and therefore applicable to humanity generally. It certainly wouldn't do any harm in our modern world. It did no damage to the image of theatre and film either. No guns or knives, no car chases, no police or ambulances, how quaint, how rare but harder to write.

My wife and I saw this film a week after we completed a production of A MAN FOR ALL SEASONS.( I directed and she was Meg). We had experienced the disasters of Actors who couldn't remember lines,Tech problems, an Vain Egotist causing problems etc. What A joy it was to enter the theatre as see this Branagh gem. the script,acting and Direction were all flawless. ( for those who said the characters were cliche' youve obviously never delt with actors!) the high marks were scored by Richard Briers as the older no-nonsense character actor, John Sessions as the "queen" gertrude , and the Highly underated Michael Maloney in the lead. Maloney has long been a favorite supporting actor of mine and its good to see him as the protaganist for a change. I cannot speak high enough of this film...and to answer Noel Coward's question "why must the show go on?" because if it didn't we would be robbed of this films suberbly directed ending! BRAVO BRANAGH, BRAVO!!

It seems Director Kenneth Branagh has the immortal Dane on the brain. The video even comes with the trailer for Kenneth Branagh's bigscreen "Hamlet". This minor canon Bard is a tale of a motley troupe recruited by Joe (Michael Maloney subbing for Kenneth Branagh) to save an ancient church in obviously-named hamlet of Hope. Troupe features nice performances from Richard Briars (veteran of big budget "Hamlet"), Nick Farrell (same; and was Horatio to Kenneth Branagh's Laertes in 85) and mum & daughter Julia Sawalha and Jennifer Saunders (affecting a gawdawful Southern accent) to assure comic impact. The black and white lensing gives a nice indy feel, but the lovingly shot stained glass looks lacking. Joan Collins does a nice turn as Joe's agent.