O Cavaleiro do Telhado E a Dama das Sombras

I found this film to be excellent. Though I am a student of history, I really do not know all the details regarding this episode of the freeing of Italy from Austrian authoritarianism. Though interesting, the historical aspect of the movie was not that important to me. It was a highly enjoyable adventure film that could have been placed in lots of different historical times.

Besides being a great adventure film it masterfully dealt with a most wide range of emotions. There were many undertones and harmonics dealing with fear, desperation, horror, escape, passion, love, honor and divine, or natural, justice.

What was so fascinating to me was how the movie showed the power of freedom, courage and focus. The protagonist was raised by his mother (a most curiously powerful presence in this movie even though we never see or hear her)to be independent and freedom loving and this movie shows how strong and almost invincible this makes him because he believes it and lives it with all his heart. All around him the world is literally falling apart and going mad from fear and disease and yet, by neither railing against it nor taking on these thoughts, he triumphs with his will to live and being true to his own vision at all times.

And as an added bonus, the visual artistry of this movie, from the titles all the way to the end is beautiful to behold. The scenery, costumes, sets, actors, camera angles and etc. are all brilliantly satisfying. The movie was a joy to see.

The Horseman on the Roof has to be one of the most beautiful looking films I've ever seen, which is odd for a movie about a cholera epidemic.

Set in a beautiful summer in the mid-19th century, it follows Olivier Martinez's Italian in exile as he is chased across France by Austrian agents intent on killing as many Italian rebels as they can only for his pursuers to be outrun by a cholera epidemic that picks off friends and foes. Along the way his path crosses with various victims and survivors - a doctor who teaches him a neat disinfecting trick of setting your hands on fire, a cute governess, Jean Yanne's duplicitous peddler, Gerard Depardieu's paranoid mayor, and most importantly Juliette Binoche, who is determined to find her husband. Naturally they become travelling companions as they try to get through roadblocks and avoid being put into quarantine by the soldiers cordoning off the roads - a virtual death sentence - and eventually nearly become more. The film looks so good in cinemascope and so much of it is terrific than you can just about forgive the fact that the ending is a bit of a washout after everything that's gone before.

A really enjoyable old-fashioned epic, I'd definitely pick this up if it ever turned up on DVD uncut with English subtitles (the Miramax disc is typically cut by 17 minutes thanks to Harvey Scissorhands).

Juliette Binoche and Olivier Martinez look great, and they throw themselves enthusiastically into their roles. They do have a certain chemistry together, but the film devotes much more attention to the effects of the French cholera epidemic in 1832 on the countryside. The plot that kicks off the story rather dramatically is that of the assassination plots against Italian nationalists by Austrians who'd like to take over northern Italy. The end of the movie, however, reveals the true focus of the story. I wish that the majority of the movie was devoted to that story.

This film is one of the most expensive films ever made in France but it was worthwhile. Even with such a huge budget, Jean-Paul Rappeneau is controling very well this epic film. Moreover, it shows numerous qualities which proves Rappeneau's confidence towards his film, for example: the beauty of the landscapes, the performance of the two main actors: Olivier Martinez who is very at ease in his role of soldier and Juliette Binoche who is ravishing and brave too, the briskly rhythm of the film itself and the quality of the screenplay which is sometimes ironic .I didn't read the novel by Jean Giono but I suppose that the film is very faithful to the novel. I noticed one thing in this film which is weird: very famous French actors have got only a little role: Gérard Depardieu who performs a policeman, Jean Yanne who is a hawker and François Cluzet who is a doctor. As a conclusion: an epic film which is worth to be seen

This gorgeous movie was set in the cholera stricken period which wiped out the whole of Europe in 10 days. Juliette Binoche, in her pre-The English Patient role, was as gorgeous and subtle as ever. The thing about this movie though that it's billed as a romance but you don't see it anywhere but just hints of it and feel the sexual tensions between the 2 main characters. Rather disappointing for some but it's that exact same formula which makes it such a beautiful movie to watch. To top it off, it was filmed in the French countryside which is so breathtaking that you could just watch the movie for the cinematography alone. All in all, it's a superb movie in the tradition of finely crafted French costume dramas.