Colcha de Retalhos

This movie tells about men and women, and ties that bind them (us, I mean).

I haven't read the novel, and I'm the kind of person who believes that the movie is not to be compared with any novel who based it, because they're using different media. So the way I see it, it's a good movie. We can easily understand it's messages and sympathy with the characters.

Winona, by the way, appears to be a sweet girl who's having trouble following her 'advisors' ideas and wisdom. On the screen, she appears to be having quite difficulty matching these women's acts. We see her the way she is in 'Edward Scissorhand', or 'Reality Bites', or her other movies. Maybe because she's so sweet and pretty, and I was carried away with her big eyes. So I see her in this movie very usual and not special.

The movie itself is beautiful and sweet. The casts are nice. We ended up wondering about our relationships and ourselves.

A must see. Watch it with your close friends, spouse, or parents.

Bride-to-be Finn Dodd (Winona Ryder) hears tales of romance and sorrow from her elders as they construct a quilt.

Is this a chick flick or something more? I think it is primarily a chick flick, as it tells multiple romance stories from the point of view of the ladies. But it is not a romantic comedy, which makes it deeper than the average chick flick. And the cast... wow. Winona Ryder, Maya Angelou, Claire Danes and the debut of Jared Leto? That has to make it worth something.

And actually, it was the cast that really made this enjoyable for me. I cared very little about the plot, and definitely did not care about the romances. Finn could be with her boyfriend, a foreign guy or whoever. I don't care who she picks. But the casting was excellent.

When Berkeley graduate student Finn decides to spend some time away from her live-in boyfriend, and moves in with her grandmother and great aunt for the summer, while finishing her master's thesis, she gets an important and heart-warming lesson about love and commitment. Finn's grandmother and great aunt are members of a quilting bee, and their group (whose members have known each other for a long time) decide that their latest project should have the theme of "where love resides." As the quilt is made, each woman remembers significant events in their lives which relate to love and the joy and pain that it brings. Each woman brings her own perspective to the nature of love, from Anna (who signs off on men completely after a bad experience)to her daughter Marianne (who cannot settle on just one man). Some of the women have been cheated on, some have done the cheating, while others just let love die.

Along the way, Finn faces temptation in the form of Leon, a smoldering hunk who pursues her in spite of knowing that she is taken. At the same time, Finn must come to terms with her parents' failed marriage, as she decides whether to accept her boyfriend's marriage proposal.

Inspite of the pains that the women have suffered in the name of love, the movie does not in any way bash love or marriage (which has recently become popular). It is a beautifully made film, and while it is definitely a "chick flick," it might also appeal to the more romantically minded guy.

There are only two reasons to watch this film: Winona Ryder's wonderful (as usual) performance, and Janusz Kaminski's spectacular cinematography.

Ryder breathes life into Finn Dodd, portraying her as a charming, intelligent, and highly sensitive young woman struggling to define what love and commitment mean to her. Ryder is one of those few actresses who is able to relay a world of meaning in just her facial expressions alone. She's mesmerizing to watch onscreen.

Added to Ryder's enchanting performance is Academy Award winning cinematographer Janusz Kaminski's beautiful, flowing images. There are many tiresome flashback sequences in this film, but they are all worth seeing just for the artistic value of the photography. Kaminski makes wonderful use of fluid camera movements and grainy filters to capture the essence of each time and place portrayed. It's no wonder Kaminski won an Academy Award for his work in Schindler's List and will most likely win another for Saving Private Ryan.

Other than these elements, this film has very little going for it. The screenplay is muddled and jumpy, and there are far too many characters with far too many inconsequential flashback sequences that say very little about the nature of either love or commitment. The story concerns nothing more than a bunch of old women sharing completely one-sided and sexist sob stories. Like The Joy Luck Club and Waiting to Exhale, this film portrays men as little more than duplicitous, moronic, emotionally immature children who are incapable of either expressing true love or loyalty. It is a completely shallow look at adult human relationships and has nothing new or profound to say about anything.

As a male supporter of feminism and feminist artistic expression, it saddens me that films like this are, first of all, even made, and then marketed as movies that modern women should see and even cherish. There are many far better films about women and their unique experiences, the most recent one being a small film called High Art, written and directed by Lisa Cholodenko and starring Ally Sheedy in one of 1998's best performances.

The thing with American Quilt, which you will especially notice if you have already read the book, is that it has a lot of contents to deal with in the ranges of a feature film. But Jocelyn Moorehouse obviously wanted to pack all the magic of the small stories of the women into this film, she wanted an entire quilt, full of bits and parts. It is only when understanding this that one can fully appreciate this wonderful piece. Fynn, escaping her partner and the life (marriage) probably unfolding before her, stays with her grandmother and -aunt for the summer. The serious young eccentric, a worried, messed-up hippie girl, confronts her future, her past and her present (dealing with gorgeous Johnathon Schaech chasing her with smiles and strawberries), when she dives into the life- and love stories told to her by the women in her grandmother´s quilting circle. The rest is magic. See the torture of love, the journeys of women and the revelations of grief and new beginnings, see what they hold dear, what will always stay with them, and learn what Fynn eventually comes to terms with: That life is not about perfection, it´s about balance, about putting the small things together, just like a quilt. So, okay, mechanically, Moorhouse really doesn´t have enough time for subtlety, and some characters and developments literally just fly by without any diving in. This will lead people to saying it´s superficial, but it´s not: It´s a journey, like looking out of a car window in another country: Just peeks. Bits. Parts. Parts of a quilt the movie leaves you to put together. If you do, like I did, it´s so moving and inspiring. Warm. The music of THE one-and-only Thomas Newman, the beautiful Winona Ryder, the charismatic ladies, the land, full of secrets and peace. This is what makes it special. Fast, but special. And the final highpoint, a literal "storm" that blows everything apart yet puts everything together, is a cinematic masterpiece, proof of heartfelt, imaginative work of both the writer and the director. They´re actually dreaming an ending together - just take this lovely movie in and stop bickering about reality. If you ask me.