O Esconderijo

It's true, Hideaway was absolutely slaughtered on release and is still systematically torn apart in the listings every time it's on TV, but - hey! - it's not that bad. Jeff Goldblum is always, er, 'interesting' to watch, and the same goes for Brett Leonard films (try as he might to cripple them with whatever bottom-of-the-barrel SFX company he keeps hiring - the effects here are practically carbon copies of those in The Lawnmower Man, and seeing as they're supposed to represent ethereal spiritual journeys rather than clunky virtual reality environments, it doesn't exactly work wonders). So yeah, for what it was, I enjoyed it. But of course I haven't read the book, so I don't have any outraged fanboy zeal to contend with...

Seriously...why can't they make one of Dean Koontz's book into a DECENT movie? I mean they dont even get the characters right...Regina (Silverstone) is supposed to be a nine year old "crippled" (as she defines herself in the book). Changing her character takes away from the plot of the story! It's a shame that they waste Koontz's amazing talent on movie's like these.

I've always loved this movie since I first saw it with my friends in theaters back in 95. I thought it was such a unique, original idea executed with solid performances and inspired visuals as well as s kick ass score and soundtrack. The movie tells the story of a sexy ass Jeff Goldblum as Hatch a man who dies in a car accident and is resurrected by an experimental procedure. A few days after awakening he begins to horrific visions of murders through the eyes of a disturbingly sexy Jeremy Sisto. He tries to solve the crimes blaming his self along the way and becomes even more intent when the killer targets his daughter it girl at the time Alicia Silverstone. Christine Lahti also stars as her mother and she is one tough bad ass. The movie is do fun and imaginative I'm surprised it never really took off.

Budget: $15M Box Office: $12.2M

I rented "Hideaway" solely because Jeremy Sisto was in it, and I have to say I was only somewhat disappointed. The movie's weakest points, and they are WEAK, are the completely gratuitous, TV-show quality special effects. I have never seen effects that were as utterly ridiculous to end a movie with.This is the sort of movie that reminded me,"Oh, yeah,THIS is why I hate special effects." However, aside from the mind-blowingly bad effects and the predictable plot, there is one very, diamond-bright spot in the movie, and that is Jeremy Sisto as the killer Vassago. Spookily sexy in trenchcoat and leather, he resembles a seriously psychotic "Lost Boy". Projecting an enchantingly evil sensuality, he is magnetic in his too-few scenes of dialogue. Truth to tell, if Vassago had cast the spell of his eyes and voice on me, I would have gone with him to a terrible fate. I found enjoyable also the heavy, death-metal soundtrack. (Although I am beginning to tire of the stereotype that killers in movies always listen to metal. What about all the drive-by shooters who listen to rap? But I digress) To sum up, unless you're a big Sisto fan I wouldn't bother. But if you are, Bon Appetit!

Jeff...Goldblum...speaks like..this...in much of his movies which is as fascinating as it is irritating. Jeff's quirky speech patterns have been the saviour of many a dull movie over the years - here, it almost takes second place to Brett Leonard's jaw dropping visual effects. By now, you know the story. Hatch (Goldblum) brought back from the dead by nice doctor Alfred Molina; except he has brought back a part of a creepy serial killer. Both men can see each other's visions and can feel one another's pain. Naturally, both are drawn toward an inexorable conclusion. An okay script, partly by Andrew Kevin Walker of Se7en fame and solid direction by Leonard make this a stylish diversion that should keep first time viewers hooked to the end. Good photography by Gale Tattersall and the Trevor Jones soundtrack punctuates all the right, familiar scenes with bags of style. Not as bad as Neil Jordan's similar offering, In Dreams, but a rather obvious thriller which offers few revelations.