Feitiço das Estrelas

Corban Walker and Alan Pentony are both wonderful (would love to see more performances by both) and give the nuanced portrayals that give the title character life and depth that linger past the end of the movie. Gabriel Byrne also is particularly good as one of the two "fathers" that give Frankie all the love and acceptance of which they are capable; the flaws of these men show their compassion that much more clearly. The central figure of Frankie's mother remains elusive (purposefully) and one of her chief motivations is let drop mid-way through the film; but the resolutions of the film are perfect and the astronomy theme provides a setting for most of the actors to portray greater depth for their characters.

Frank Bois (Corban Walker) is a dwarf with his autobiographical story recalling his past. His mother Bernadette (Anne Parillaud) is a French refugee who stole away on troop transport ship during WWII. Jack Kelly (Gabriel Byrne) is a married man, but falls the damaged woman. Later, Terry Klout (Matt Dillon) would take her to America.

Sometimes adapting from a novel presents movie makers with a problem. There's too much story to fit into a movie. It would probably be better to trim some parts of the story. Even though the present day story has a nice emotional breakdown from Corban Walker, it does disrupt the flow of the flashback story. The disruption is not a good thing.

The first half has a stand out performance from Georgina Cates as Jack's shocked daughter Emma, but she's gone soon enough. The character Emma would return with another actor as the adult version. Gabriel Byrne is solid as the part-time leading man. Parillaud is ethereal and mysterious. Alan Pentony capably plays the young Frankie. Matt Dillon is a brash young guy which he's an expert at playing as the other part-time leading man.

In a way, I think having Bernadette as the protagonist would be better. She's basically the central character in Frankie's story anyways. Parillaud would have to provide more depths in her performance. Being mysterious would only go so far.

A wonderful story about human triumph over adversity, about good things happening to good people, (after a period of sufficient suffering to make the reward that much sweeter), transcending superficiality and the stupidity of the masses, glimpses into human weakness and vulnerability, super steamy sex, all issues related to growing up: growing up strange, love: real love demonstrated, between strangers, and between family, between lovers, also GREAT acting, historical accuracy, great screenplay, great casting, beautiful camera work, plot pacing, well rewarded suspense, and beautiful people. One of the best aspects of the film is how the general history of WW II was interwoven with the personal experiences of the characters. Highly recommended overall.

"Frankie Starlight" will delight most viewers, and those who love the stars, who appreciate their magic and mystery, will especially like this work. I've just begun to read the novel it's based on, "The Dork of Cork" by Chet Raymo. Neither the film nor the novel are based on a true story. They're fiction. So my comments about it being "true" -- are untrue. There's much "of truth" in the story -- but it must be appreciated for what it is. Corban Walker as Frankie gives an outstanding performance. And there's no question as to Walker's reality. I was correct in writing that "My Left Foot" was based on a true story. The error was linking these two films in memory too closely -- plus a little wishful thinking, perhaps. Readers' comments on another site about the novel "Dork of Cork" include some, evidently people from Cork or who have travelled there, who were disappointed more about Ireland or Cork wasn't in the book. I don't wish to similarly mis-direct people who like biographical films -- or "historical re-creations" -- to "Frankie Starlight." See it and enjoy it, as many will, as a grand, lyrical creation of art. Rewatching recently, I also realized the story was richer than I'd remembered, more complex. It moves through many times and places, across seas and continents. Tales of love and tragedy interweave masterfully. The themes of being exiled and of seeking a place to belong to run throughout. Frankie and his mom each make such a search -- for a true home, both in the cosmos and in the heart.

Byrne's work, usually excellent, blends in subtly here, works its power through understatement, underplaying. His character's kindness lights and lifts Frankie to the stars, literally and figuratively, but Frankie's star shines brightest. "Frankie Starlight" begs description; the type of beautiful, warm story that just isn't made anymore, that isn't believable, even when it's a true story, as this one is. These movies just don't exist, we're told. I liked "My Left Foot" which received more critical attention and did better at the box office than "Frankie." But "Frankie" -- for no good reason, none I can state --left a warmer, happier impression; maybe because its heroics were less dramatic; it's a simpler story. A "Little, Big Man" without cowboys and Indians, and in this case a really little "little, big man" -- how do you sell such a film? What's that? He's not an American, either? Too bad. Got art-film house written all over it. Yada yada yada. Yet I want to see "Frankie" again -- and then read him, too. Learn a lot more. A fine film, generally low-key, sotto voce -- and so much more powerful because it is.