O Inglês que Subiu a Colina e Desceu a Montanha

This was a very pleasant surprise, a nice movie with one of the simplest "plots" you'll ever see yet one that was fun to watch develop.

There are no nasty characters. They aren't all goody-goodies, either, but they're all interesting people to watch. The story is simply about a pair of cartographers (map makers) who measure a "hill" in Wales and much to the displeasure of the locals, it isn't tall enough to be considered a mountain, which is what the townsfolk always considered it. So, the locals work together to build it up so it will qualify to be officially labeled a mountain. Sounds simple and even stupid, but it isn't. Along the way, a romance buds between Hugh Grant and Tara Fitzgerald. There also is some nice cinematography in here.

Some might find it boring but I didn't. There was just something about this, a charm that made me feel good as I watched it and had me smiling even more by the end. This is a "sleeper," a movie you might pass up..... but don't.

Of the two comments so far, one is for, one against. Can't let that stand! I loved this movie. Not boring at all. Loved Hugh Grant (much better than in 4W&aFuneral). Loved EVERYBODY, even the dour surveyor. The humor is so subtle and insidious, the acting so underdone, the writing so sparkling, the plot so effervescently predictable in macro, but not in micro. The film score is wonderful, too, using as it does actual Welsh melodies rearranged into big 'movie soundtrack' full orchestration. And has there ever been a more beautiful cinematographic masterstroke than the torches on the mountain at sunset? I think not!

This film is a gentle, affectionate portrait of a village in Wales, its people and its Mountain. Within the village, there are long standing feuds and traditions. Then, two Englishmen arrive with a job to do and history is made. It may or may not be based on a real Welsh village. The writer and many of the names in the credits have Welsh sounding names. The scenery is beautiful and the characters are delightfully observed. It is a piece set at the time of the First World War. It has echoes of Under Milk Wood, of The Shooting Party, and of Clochemerle. Kenneth Griffith was memorable in Clochemerle and plays the Reverend Jones in this film. At first, Hugh Grant seems to be playing yet another floppy haired, romantic hero, but as the film unfolds, there is greater depth to his character. The harsh reality of mining is simply portrayed and we are reminded of the heightened need for coal in wartime. The Great War itself casts a shadow over the whole village, making the film poignant and touching.

Those two adjectives say it all. Hugh Grant is at his best as a shy WWI era officer whose task it is to measure the mountains of Wales. He plays very well against Colm Meaney, a rogue and scoundrel who finds his better nature despite himself.

This film was crippled before an American audience because of its slow pace and long title. The humor is subdued, and often buried under accents that many moviegoers must have been unfamiliar with. But I believe this film only improves with repeated viewings. The actors do a uniformly good job, and play their characters with great heart.

The soundtrack stands out as one of the best as well. It adds to the mystery and beauty of the region and adds a unique feel to the film.

Children may find it too slow and dull, but anyone with an appreciation for a good, heartwarming story will enjoy it. I recommend it in particular to those with a love for the British Isles in general, or Wales in particular.

The Englishman Who Went Up a Hill But Came Down a Mountain is directed by Christopher Monger and written by Ivor Monger. It stars Hugh Grant, Ian McNeice, Tara Fitzgerald, Colm Meaney and Kenneth Griffith. Music is by Stephen Endelman and cinematography by Vernon Layton.

Set in 1917, plot finds Grant and McNeice as two English cartographers who arrive in the Welsh village of Ffynnon Garw to measure what the locals proudly proclaim to be Wales' first mountain. However, it turns out that the "mountain" is 16 feet below the required 1000 feet requisite so therefore can only be classed as a hill. This news causes disgust amongst the locals, who then set about stopping the cartographers going home whilst they attempt to build atop of the hill to make it over 1000 feet.

A film with a big title that is matched by the size of its heart, Monger's film owes much to those fun community based pictures that filed out of Ealing Studios back in the 40s and 50s, Re: Whisky Galore! and The Titfield Thunderbolt. We can also safely place it the whimsy category where something as wonderful as Local Hero sits, while the old British comedy staple that encompasses an obsession with size (The Mouse That Roared) watches over the film like an approving British cinematic angel.

Homespun humour marries up with the utterly engaging view of quirky village life to provide us with just under 100 minutes of entertainment. Although clearly simple in plot and structure, to simply dismiss it as such does not do justice to the fine work of the ensemble cast and the writing of Ivor and Chris Monger. With Grant doing what he does best, the amiable nervous fop, picture has a lead actor fully comfortable with the tone and texture of the production, while around him there are a number of fine character actors putting delightful meat on the comedy bones of oddball characters with names such as Morgan the Goat, Johny Shellshock, William the Petroleum and Betty from Cardiff! Best of the bunch is Griffith as Reverend Jones, a grumpy, stubborn eccentric who underpins everything so wonderfully skew-whiff about life in Ffynnon Garw.

As for the writing? The screenplay has a wonderful ear for small village dialogue, while in amongst the value of community spirit theme, sits a near sombre observation of the effects of war on such a community. The production design is appealing, with Layton's photography around the Powys locations a visual treat, and Endelman's music has a suitably warming and jaunty feel; even if it starts to get a touch repetitive later in the piece. It doesn't have widespread appeal, it's clearly a film aimed at a small portion of film fans that love those films mentioned earlier. But in an era when film is being smothered by CGI and visual gimmickry, revisiting something like The Englishman Who Went Up a Hill But Came Down a Mountain offers up a most refreshing and diverting experience. 8/10