Adicionar um enredo no seu idiomaAn out-of-control robot is inadvertently set loose in a small community, and a crack squad of soldiers are sent to hunt it down. Gradually, the members of the squad begin to suspect that som... Ler tudoAn out-of-control robot is inadvertently set loose in a small community, and a crack squad of soldiers are sent to hunt it down. Gradually, the members of the squad begin to suspect that some of them are robots.An out-of-control robot is inadvertently set loose in a small community, and a crack squad of soldiers are sent to hunt it down. Gradually, the members of the squad begin to suspect that some of them are robots.
- Direção
- Roteiristas
- Artistas
- Woon
- (as Woon Park)
Avaliações em destaque
My memories of this movie are quite vague. I can't really remember the quality of the acting and script. But I definitely remember how scary Mathias Hues was as the killer robot. A team is sent in a small community somewhere out in the desert to terminate him but soon find out some of them are robots themselves. Woon and Jackson are two bad*ss soldiers who can't match Digital Man.
I think I'll buy this movie in the near future since I can't find it at the video store anymore. I think fans of Terminator and Robocop would love this movie. It's the traditional "Shoot the bastard !!!" kind of flick with lots of action and sci-fi. I rate it 7/10. See it if you get the chance.
There are some good things: the acting is surprisingly OK across the board from Ed Lauter and a bunch of people I've never heard of. A bit OTT at times and Ken Olandt (who?) is definitely a cut of wood below the rest. The main cyborg (Matthias Hues) does his deadpan job really well. The comedy relief is ridiculous (but then so is the whole film) and Swayze and Masterson are quite funny. The director keeps the action going - at least you don't have to wait around for the next bit of nonsense to happen.
What's bad. The FX, even for the '90s are awful - some reviewer who says they're great has to be a fake. The story makes no sense. OK, soldiers are hunting a cyborg, something to do with missile launch codes, not sure what, while other soldiers (mainly Lauter) are killing each other - no idea really. There's some big deal about some soldiers being cyborgs too, again no idea why. The action keeps going but it's stupid, stupid, stupid at all times. The cyborg wanders about, apparently at random - arriving for a fight whenever the director wants one, then wandering off again. When a soldier dies (s)he does so by walking straight at the cyborg, firing something ineffective (when all they seem to have to do to survive is run away). The soldiers carry huge guns they can barely lift (think Aliens), blast away with them non-stop and never manage to hit the cyborg standing motionless in front of them (which it does a lot of). When they run out of ammo and start with a pistol, every shot hits but has no effect. These shots are always aimed at the armour, never at the unprotected head. Great that the squad has two racial minorities, two women and only one white guy. But guess who's in charge? The ending is totally lame.
The story: A squad of futuristic soldiers (led by Ken Olandt) is sent to a backwater Earth settlement to neutralize a deadly combat cyborg (Matthias Hues) run amuck.
It bears emphasizing that viewers who need expensive production values and state-of-the-art special effects to enjoy sci-fi flicks will be disappointed by this one, with its outdated CGI and gooey prosthetics. Personally, I love the production design, which is so skillfully implemented that there's no stylistic discord even when the setting shifts from a high-tech space station to the dusty Earth setting. Despite a handful of esthetic lifts from ALIENS and THE TERMINATOR, DIGITAL MAN looks and feels very much like its own movie, and in the process manages to avoid the artistic pitfalls of basing a production in the desert: it's never not fun to look at, despite its limited color palette.
The action's comprised primarily of explosions and shootouts, with a smattering of kickboxing. Though bluntly effective, the firefights aren't worth the price of the picture alone, and it's disappointing that Hues' physical talents are limited to only a single, one-sided brawl. Despite looking cool in his armor, Matthias is generally the worst-utilized performer of the film, having next to no lines and virtually nothing to do other than stalking and shooting. The rest of the cast does much better, with especially the soldiers getting enough character moments so as to not feel expendable. The rest of the cast is pretty memorable, too: Don Swayze (brother of Patrick) is a decent supporting goof, Amanda Wyss does what she can in an uncredited role, and the great Susan Tyrell has two glorious cameo scenes.
Director Roth infuses the picture with the enthusiastic pacing and gusto so often missing from low-budget productions, thereby keeping the film upbeat and rolling along nicely. He might have also included a tad too much story for his own good, as the paranoia angle of squad members potentially being cyborgs themselves feels unnecessary for a movie this small. Nevertheless, the film is worth a rental, and potentially even a purchase if you still own a VCR.
Você sabia?
- CuriosidadesWhile filming the scene wherein Digital Man blows up a house, Matthias Hues was unnerved by how the rest of the crew took cover outside of a 500 yard radius, giving him the impression that the stunt was potentially too dangerous. Director Phillip J. Roth assuaged him by agreeing to stand parallel to him when the explosion went off, demonstrating his confidence that the stunt was safe. Neither were hurt.
- Citações
Billy: [comes out with a shotgun in hand and is startled to see Digital Man messing with his satellite dish] What the hell are you doing?!
Digital Man: [identifies Billy as a civilian and goes to "civilian mode"] I must use this uplink to transmit launch code data, with your assistance. Your connection will be temporarily cut off for this process. Thank you. Have a nice day.
Billy: [puzzled] Huh? I ain't assisting you with nothing, ya' crazy bastard, now get ya' damn hands off my satellite dish.
Digital Man: I must transmit launch codes. I will use force to complete my mission. Please, withdraw your weapon.
Billy: Withdraw? I say "kiss my ass, you son of a bitch"!
[fires a shot at Digital Man, which bounces off of his armor]
- Trilhas sonorasAfter The Rodeo
Performed by Frank and Ernest Crow
Written by Jim Goodwin and Leslie Bohem (as Les Bohem)
Published by Tileface Music, BMI and Atomic Passion, BMI
Principais escolhas
- How long is Digital Man?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som