Les deux orphelines vampires

It starts well enough with the lovely orphan girls and their white sticks and their apparent blindness. Alexandra Pic and Isabelle Teboul are great throughout but the film is rather long and some of it seems to be repeated again. I understand that Jean Rollin was unwell at the time and, of course, this is a rather late of his films.

I have a real love-hate relationship with Jean Rollin. If I sit down to watch one of his films I can usually rely on two things; 1, the movie will look great, have an intriguing premise, and feature some stunningly beautiful women. And 2, by the end of it I'll feel hugely let-down and look on the whole thing as a missed opportunity. I know a lot of European directors favour 'style over substance', but Rollin often takes that to a new level. The fact that what's good about his stuff is often SO good is exactly what makes it so annoying; if he missed the mark by a mile it wouldn't matter, but the gorgeous cinematography, composition, lighting, and location work just make the whole thing all the more frustrating.

This movie is a rare exception. Two blind girls (supposedly around the 15-16 yr mark, although the actresses seem to be late teens/early twenties) live at a Catholic orphanage/school. However, at night they can see because they're actually vampires, who after 'lights out' leave the orphanage to hunt. These vampires are more along the lines of Stoker's Dracula; they can move around in daylight, but their vampire abilities only manifest at night when their sight returns and they sprout fangs.

There are several kills (six, by my count), but a fair amount of time is also spent lying around in cemeteries as the girls reminisce about their previous lives (it seems they've been hunted, destroyed, and resurrected several times over 500 years) as well as try to remember who they were before they became vampires. Alexandra Pic (looking like a cross between young Ellen Page and young Jennifer Connelly) and Isabelle Teboul have an ethereal presence as the two girls, and there are cameos by Rollin favourites Tina Aumont and Brigitte Lahaie. It's about 10 minutes too long, and there are still some things that don't make any sense - but that's Rollin. It's slow but very watchable. Some nudity - but for Rollin, not much. 7/10.

Two Orphan Vampires (1997)

** (out of 4)

Later day Rollin film about two sisters who are blind during the day but at night can see blue as they stalk the streets of Paris looking for blood. This is certainly a very big departure for Rollin especially when compared to his more famous, early 70's vampire films. Whereas his earlier films were full of sex, blood and violence, this one here is pretty darn close to PG-rated, although there are a few shots of bloody lips and one brief scene of a woman's breasts. This is a rather strange film to review because on one hand it's not very good but on the other I somewhat respect what Rollin was going for. I think the best thing about the film is the atmosphere Rollin creates with his small budget. As with many Rollin films, this one here moves too slowly, which is the ultimate death key. The film comes close to 105-minutes, which feels twice as long once you get to the half way point. Another problem is that the dialogue is among the worst I've ever heard and I'd swear that a two-year-old wrote it. Alexandra Pic and Isabelle Teboul turn in fairly good performances as the teenage vampires.

French cult filmmaker Jean Rollin again explores some familiar themes in this effort from his latter days. The two title characters are girls played by Alexandra Pic and Isabelle Teboul. People think that they are blind, and they cannot in fact see during the daytime, but they see everything in shades of blue during the night. They bemoan the fact that they are doomed to an endless cycle of new "lives" and imminent "death", while putting the bite on various unlucky French citizens. Although a kindly eye doctor (Bernard Charnace) adopts them, they don't want to let a change of scenery keep them from their usual habits.

Adapted by Rollin from a series of novels he had written, this understandably comes as a disappointment to fans of his highly erotic (and superior) 1970s output. This is more tame due to the ages of his two leads, and yet it still does have some sex appeal, and much of the atmosphere that is inherent in his work. It's haunting, with a lovely score by Philippe D'Aram, and has a fairly amusing script wherein the girls equate themselves with Aztec goddesses (since they see themselves as not being truly immortal). The supporting cast is good, including such performers as Natalie Perrey (also the script supervisor) as Sister Martha, Gudule as the Mother Superior, Nada Le Hoangan as the sickly Virginia, and the stunning Veronique Djaouti as the "She-Wolf". In quick cameos we see Rollin favourite Brigitte Lahaie and the great Tina Aumont as a "ghoul".

Pic and Teboul do a good job of maintaining some viewer interest, even as the film goes on quite a long time and meanders a bit. Even as they're willing to do evil things, their childish playfulness prevents them from being completely disagreeable. And their devotion to each other holds firm, all the way to the conclusion that is as haunting as the majority of the film.

Overall, "Two Orphan Vampires" is a good, if not great, Rollin film.

Seven out of 10.

Now *this* is the film that separates the men from the boys. If it's in-yer-face sex and horror you want; then I suggest you bugger off now, because Jean Rollin has concocted something very very different... And are you man enough to take it?

Rollin's filmic obsession with vampires- and let's face it, with erotic young women- has never looked this beautiful. Like many films to come out of Europe, this eschews huge action and movement in favour of stillness and thought. It's beautiful to look at, and within the frame Rollin has trapped a whole other world- a vivid, colourful world of rich tones and contrasts, waif-like vampires and deep brown earth. Like some kind of comfortable dream on a hot Summer's evening, 'Two Orphan Vampires' slides from plot point to plot point at its own leisure. At times there's not a lot going on; but there's always something to look at.

Perhaps the most astonishing thing about the film, is the way in which Rollin makes the tiny budget work to his advantage. We meet a vampire queen, a ghoul and a werewolf. But we are only *told* this is what they are- they appear outwardly 'normal'... and although it's a cliche to say 'our imaginations do the rest', here it is so true. Late in the film there is a scene in which one of the characters explains some of her past; stuff that Hollywood would salivate over. Rollin has her hunched over a table and s-l-o-w-l-y tracks the camera towards her. No fuss, no noise, no elaborately staged flash-backs and set-pieces. Stillness. Quiet. And an otherworldliness that will leave you changed. It's like looking at a painting that illustrates a poem you strongly admire, and finding the artist has got it just 'right'. 'Two Orphan Vampires' is a tribute to the enduring presence of Jean Rollin- a writer/director of integrity, vision and wit.

Steev