Um psicólogo agorafóbico e uma detetive devem trabalhar juntos para acabar com um assassino em série que copia assassinos em série do passado.Um psicólogo agorafóbico e uma detetive devem trabalhar juntos para acabar com um assassino em série que copia assassinos em série do passado.Um psicólogo agorafóbico e uma detetive devem trabalhar juntos para acabar com um assassino em série que copia assassinos em série do passado.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
- Cop 1
- (as Scott De Venney)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The characters build nicely as the story moves along at a steady pace, Weaver and Hunter both capture their characters very well and they are supported convincingly by Dermot Mulroney, William McNamara, Harry Connick Jnr. and Will Patton.
Copycat is full of suspense and intrigue, and it is a really solid film in every respect; it doesn't have the style or the punch of films like Seven and Silence of the Lambs, but it is definitely well worth watching.
7/10
Until the terror begins again, this time involving not only the ex-pschologist (Sigourney Weaver) but also a cop played by Holly Hunter.
"Copycat" was much better than I thought it would be. I originally saw it on TBS years ago; I remember the ads claiming it would be on, but for some reason the rights fell through and it didn't air for another month or so... through this time period I hadn't heard anything about the film, but within the very first few minutes I instantly knew it was going to be much better than the standard "Silence" rip-off.
I may be alone here (and trust me, I know it) but I enjoy this more than "Silence of the Lambs," which kind of bores me at times. "Copycat" is dark and unexpectedly intelligent -- it is also perfectly cast. Weaver is fine (if unexceptional) whereas Hunter's macho-female traits are put into play perfectly by her casting as a cop.
The killer in the movie is played by Harry Connick Jr., and even he does a good job, which is saying quite a lot.
The movie has unexpected twists and is very clever in its own right. It is undoubtedly influenced (heavily) by "Silence of the Lambs" but is successful in the way it adds its own qualities to the mix -- much like "Se7en" this is a serial killer movie cashing in on the success of "Silence," but not necessarily stealing its content.
Very surprised. Catch it if you can.
Sigourney Weaver hits the right notes as the agoraphobic psychiatrist, especially early on, as we see the depths to which she has shut herself off from the outside world, creating her own safe little corner. Holly Hunter, in a role that instantly brings to mind Jane Craig from "Broadcast News", is effective as the investigating detective. Hers is a performance that is three-dimensional and fully-realized.
If there's a weakness in the film, it's the ongoing beef between Ruben and Nico. It's a meritless p***ing contest stemming from one character's jealousy, and could've easily been dropped or retooled. This small gripe, however, didn't deter my enjoyment of the film.
Much credit has to be given to director Jon Amiel ("Sommersby", "Entrapment") for effectively capturing the atmosphere and tension prevalent throughout the film. In addition, writers Ann Biderman and David Madsen deserve credit for a intelligent, well-researched screenplay. No clichés here, just sharply-crafted dialogue. And Christopher Young's inspired score is brilliant; just listen to the theme that plays early on, as Helen calms down after a panic attack.
"Copyat" may not be classic material, but it's a strong entry in a genre that's too often consumed by formulas and gore. Highly recommended.
Sure, it's the same old serial killer movie. It does add a couple of interesting wrinkles and with solid female leads. Hunter is confident and fully realized. Weaver and her point of view deliver a sincere and fragile personality. The movie opens with the memorable bathroom attack. The other memorable aspect is Weaver struggling in her home. The investigation and the serial killer are less compelling. This follows the formula and it does it pretty well.
Você sabia?
- CuriosidadesYears later, Sigourney Weaver would state that she was most proud of her work in this film. She worked hard to portray the mindset of an agoraphobic, and has regretted that the movie was lost in a shuffle of thrillers at the time and is not better remembered.
- Erros de gravação(at around 1h 30 mins) When the copycat killer does the "Dahmer" crime, he dumps the decapitated body into the river. Jeffrey Dahmer would've never done this, as he kept all the bodies in his apartment for further sexual gratification, then he dismembered them and submerged them in acid, sometimes he ate parts, also he boiled the heads and kept the skulls for a sculpture he was planning to do. He killed for companion, to have a submissive partner by his side, he killed men he felt attracted to and he would've never gotten rid of a body.
- Citações
Helen Hudson: Fuck you.
Peter Foley: What?
Helen Hudson: You heard me, you little twerp. Do you think I'm afraid of you?
Peter Foley: I know you are.
Helen Hudson: I know all about you. You're just a sad, second rate, boring, impotent little copycat.
[laughter]
Peter Foley: Watch it, bitch, or I will slice that smile off your face, do you hear me?
Helen Hudson: Daryll Lee couldn't get it up either.
Peter Foley: DO YOU HEAR ME?
[Helen spits in Peter's face]
Peter Foley: Okay, I see, Helen. Nice try. You wanna know a little secret? Huh? I'm on to your trick. I won't kill you fast no matter how much you're gonna want me to.
- Versões alternativasItalian video version tones down most of the violence; most notably, Darryl Lee Cullum is not shown slitting the policeman's throat in the prologue.
- ConexõesFeatured in Siskel & Ebert & the Movies: Get Shorty/Now and Then/Mallrats (1995)
Principais escolhas
- How long is Copycat?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El imitador
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 32.051.917
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.170.522
- 29 de out. de 1995
- Faturamento bruto mundial
- US$ 32.051.917
- Tempo de duração
- 2 h 3 min(123 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1