Um psicólogo agorafóbico e uma detetive devem trabalhar juntos para acabar com um assassino em série que copia assassinos em série do passado.Um psicólogo agorafóbico e uma detetive devem trabalhar juntos para acabar com um assassino em série que copia assassinos em série do passado.Um psicólogo agorafóbico e uma detetive devem trabalhar juntos para acabar com um assassino em série que copia assassinos em série do passado.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
- Cop 1
- (as Scott De Venney)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I also liked the outrageousness of the serial killer. Most serial killers want to be caught, they want to be put on display for their own brilliance and they want to meet the person who finally figured it out. Just like Connick's Darryl, who wants nothing more than to out-maneuver Weaver, the woman who out-maneuvered him, for the simple joy of ego gratification.
I didn't like, and was disappointed by, all of the dumb little computer tricks that the killer used to taunt Weaver and the police. It seemed like it was done just to introduce the element of electronic media so it appeared to be a "modern" story. I was also very put off and confused by the use of the Police song "Murder by Numbers" as a piece of evidence. Weaver attempts to psychoanalyze it as if the killer wrote the song. It's ludicrous even if the killer uses the song as an anthem. This was an extremely unwieldy section of the movie and does not make for good viewing, whether or not you're familiar with the song. But these are only small points in a good movie overall.
COPYCAT has an interesting premise, but, as horrible as the following may sound, it would have been nice if they'd taken it a bit further, having the killer imitate a few others before the big come-uppance. A little more on Peter Foley, who/why he is, and what motivates him would also have helped. COPYCAT is quite watchable if you're a fan of this genre, but the whole storyline is kind of TV-Land same ol', predictable, and nothing terribly original despite the winning premise.
Sure, it's the same old serial killer movie. It does add a couple of interesting wrinkles and with solid female leads. Hunter is confident and fully realized. Weaver and her point of view deliver a sincere and fragile personality. The movie opens with the memorable bathroom attack. The other memorable aspect is Weaver struggling in her home. The investigation and the serial killer are less compelling. This follows the formula and it does it pretty well.
Você sabia?
- CuriosidadesYears later, Sigourney Weaver would state that she was most proud of her work in this film. She worked hard to portray the mindset of an agoraphobic, and has regretted that the movie was lost in a shuffle of thrillers at the time and is not better remembered.
- Erros de gravação(at around 1h 30 mins) When the copycat killer does the "Dahmer" crime, he dumps the decapitated body into the river. Jeffrey Dahmer would've never done this, as he kept all the bodies in his apartment for further sexual gratification, then he dismembered them and submerged them in acid, sometimes he ate parts, also he boiled the heads and kept the skulls for a sculpture he was planning to do. He killed for companion, to have a submissive partner by his side, he killed men he felt attracted to and he would've never gotten rid of a body.
- Citações
Helen Hudson: Fuck you.
Peter Foley: What?
Helen Hudson: You heard me, you little twerp. Do you think I'm afraid of you?
Peter Foley: I know you are.
Helen Hudson: I know all about you. You're just a sad, second rate, boring, impotent little copycat.
[laughter]
Peter Foley: Watch it, bitch, or I will slice that smile off your face, do you hear me?
Helen Hudson: Daryll Lee couldn't get it up either.
Peter Foley: DO YOU HEAR ME?
[Helen spits in Peter's face]
Peter Foley: Okay, I see, Helen. Nice try. You wanna know a little secret? Huh? I'm on to your trick. I won't kill you fast no matter how much you're gonna want me to.
- Versões alternativasItalian video version tones down most of the violence; most notably, Darryl Lee Cullum is not shown slitting the policeman's throat in the prologue.
- ConexõesFeatured in Siskel & Ebert & the Movies: Get Shorty/Now and Then/Mallrats (1995)
Principais escolhas
- How long is Copycat?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El imitador
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 32.051.917
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.170.522
- 29 de out. de 1995
- Faturamento bruto mundial
- US$ 32.051.917
- Tempo de duração
- 2 h 3 min(123 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1