As Patricinhas de Beverly Hills

This movie is another one of those feel good pictures you can't go wrong with. It's light and breezy like cruising the boulevard with the top down and it offers lots of laughs to boot.

Amy Heckerling has brought us another winner with a great supporting cast. A young teenage girl coming of age in of all places, Beverly Hills. The lead character, "Cher" played brilliantly by Alicia Silverstone, is a self centered high school girl in the beginning of the picture who's only interests include clothes, cars and credit cards. As the film progresses, she begins to mature and actually begins to care about other people, not to mention her environment. It's worth renting anytime. Just like "European Vacation" it doesn't matter how many times you see it, it still makes you laugh and that's worth it all.

So if you're reading this in between a bunch of 1 ratings. You're probably wondering just what's going on? Why is it so loved. The movie is basically a reflection of the young Gen X era (more importantly how it's perceived). people also missed the classic 80s teen films and this was a bit of a jump back to that. Most of the 1 reviews are from people born 10 years later who NEED to tell you it's based on Emma (because they're smart and have google). They also have to show they're completely against commercialism in all its forms (and again knew before you that this film is based on a Jane Austin book). They're not watching the film for what it is. It's not trying to be Citizen Cane. Simple movie dealing with being a teen (a very rich teen) in the 1990s. Easy.

Director Amy Heckerling knows a thing or two about high school flicks, having directed the highly successful `Fast Times at Ridgemont High'. Heckerling put her talents to work thirteen years later for the next generation of high schoolers, writing and directing this hilarious satire of life at Beverly Hills H.S. Heckerling takes a different approach from `Fast Times', which found its comedy in the absurdity of reality, depicting situations into which teenagers really get themselves. Here Heckerling's comedy mostly comes from mocking the superficiality of the high school `in-crowd'. While this is not the first time this has been done, few have ever done it with such blistering wit. This film became the standard for a spate of 1990's high school flicks set on the west coast that borrowed many of its elements.

The story focuses on Cher Horowitz (Alicia Silverstone), who is the most popular girl at Beverly Hills H.S. Cher seems to be a superficial airhead, but this belies her conniving and manipulative skills at getting what she wants. Superficial yes, airhead no! In a plot derived in part from Jane Austen's `Emma', Cher works behind the scenes to arrange love matches between various students. She even orchestrates a relationship between two teachers to improve their moods so they don't grade so harshly. Like Emma, she is a master of love for everyone but herself.

Heckerling does a fantastic job of presenting what seems on the surface to be a cotton candy story with lightweight characters, but really runs much deeper revealing subtle truths about human nature. Her direction of the fledgling cast is superb, milking every ounce of comedy out of each scene.

Silverstone sparkles in the role, which is probably not far from a reality with which she is very familiar. She actually attended Beverly Hills H.S. with co-star Breckin Meyer, although she didn't graduate due to career commitments (she received a G.E.D.). This film catapulted her to teen prominence with two MTV movie awards and an American Comedy Award as funniest actress in a leading role. She plays Cher with both arrogance and vulnerability, and her comic timing is impeccable. She also has a knack for physical comedy, with a broad range of contorted facial expressions and amusing use of body language. The rest of the teen cast is also great, especially Brittany Murphy as Tai and Breckin Meyer as Travis. Dan Hedaya is also priceless as Cher's work obsessed attorney father.

This film is easy to like. It is a light and funny spoof, but it still has nuance. I rated it an 8/10. For those who enjoy high school comedies, this is required viewing.

This movie is way above so many of the others of its' kind. It's consumately likable, funny, sweet and sharp- the script is a killer, and the acting is fun and enjoyable.

Part of the success of the film is due to the fact that it appeals to several different audiences, and on multiple levels.

I first watched this movie with my mom, who loved the link it has to Jane Austen's Emma- all the main characters and the plot are direct modern equivalents to the novel. For instance, the famous passage in Emma inwhich Harriet burns all her "mementos" of Mr. Elton becomes the scene where Tai does so infront of Cher's gasfire. From this perspective alone, the movie is so fun and sharp to watch- even if your forte isn't usually American Teen High School comedy!

But this movie works on a really dumbed down scale too- let's face it, not everyone is big on English literature. The movie has an awesome soundtrack, Paul Rudd is unbelievably cute as "Mr Knightly" or rather Josh- and my boyfriend leads me to believe that the same is true of Alicia Silverstone- who still sparkles 10 years later as a mid-nineties teen queen with good intentions, Cher. Her performance here is impossible not to warm too, unless you have some sort of grudge against Valley girls, inwhich case you might not like it so much. Seriously though, this film is a must see for anyone who likes some real quality comedy- I'm so fond of this film personally that I would suspect basically everyone would enjoy it.

"Let's set 'Emma' in a modern high school!" Does this sound the obvious kind of movie gimmick that everyone uses nowadays? Perhaps, but it's an inspired idea all the same. Jane Austen's characters, and her readers, and the society in which her novels are set, like Jane Austen herself, are HEAVILY conscious of class and social standing. No atmosphere quite so snobbish exists in the modern world. EXCEPT, that is, in the corridors and courtyards of the right kind of high school. And where else in the modern world would you find so many people who seem to spend all their time calling on one another?

I was reminded of how well Heckerling moulded "Emma" to fit a modern setting when I saw the idiotic 1998 version of "Great Expectations", adapted by someone who somehow failed to notice how important all the stuff about class and snobbishness was. It's clear that Heckerling understood her source. She isn't afraid to make changes - even radical changes, if the modern setting requires as much - and no character exists MERELY because they have an analogue in Austen's novel. (The most crucial thing is that the Emma-equivalent be sufficiently charming; and so she is.) The result is a film which is winning and satisfying, whether or not you know anything about the source material.