Gasparzinho, o Fantasminha Camarada

I don't view films as if I'm watching them as the intended audience; I watch them for myself. And that's why I found it odd at how engrossed I was when I watched this film for the first time at the age of eighteen. Aside from the great gothic flair of the mansion, two superbly placed cameos, and nice laughable black humour from the "trio," the film took off because of its emotional core. It's something that a youngster can really get into, but also anyone who finds it sad that a child can die. When Casper plays with his toys, I just wanted to start crying. This eternal child--lost and stuck in an age of mystery and wonder. And yet, he's smitten with a girl--he's starting to go through puberty. And it's just so sad . . . and beautiful.

And then there's the father, and his sway into the afterlife, his daughter's plight, her struggle with her wish to help Casper. It's all so simple and written for kids, but I was so engrossed by the romanticism of it all.

The villains mostly butt into the greatness of all of it, but you just have to grant that in a kid's picture. And now comes my but . . . in the end, when the mother does appear, she's supposed to be this amazing, angelic, deux es machinal, she floats through the stain glass window, her long hair flows around her, her gown flows all around her but--what the hell! why is her dress such a deep red!? she looks like satan! Oh well. Bad costume choice made a really bad moment. But mostly, I loved this film for it's good parts, despite the childishness of much of it.

After you get through the stresses of your day... your job, the hassles of daily life, all the stressers that are out there daily, it seems great to sit back and enjoy something that will take you out of that for a little while. If you watch the news and read the papers every day like I do, it gets to you after a while...the young soldiers being killed in Iraq, all the election BS that we are being bombarded with right now...all or most of the news is downright depressing. That creates an important place for a movie like this...one that can make your life a little less serious for a while. I've always been a Christina Ricci fan, going back to the Addams Family when she was only 11 years old. She was a great actress even at that young age. You could tell that she would go far as an actress. The personality was there...it set her apart from her peers. At the age of 15, she continues to do a great job in Casper...she is very believable.

Sometimes, in this troubled world where violence and negative things seem to be the norm, a nice little movie like this can go a long way toward making your day a little brighter. Some of my other "feel good" movies are Patch Adams, all the Superman movies, the Robocop series, and good old Babe. Thanks for reading this. Feel free to reply with an email.

One of many children Halloween movies . I'll recommend a ghostly comedy. Especially about a friendly ghost named CASPER and his three ghosts brothers Fatso, Stretch, Stinkie. This funniest laughter ghosts that knock your socks off. Also is a family movie night . The leading roles is well acted. Christina Ricci as her character Kate and Bill Pullman character Dr. James Harvey perfect actors. Well done.

There's something enormously touching about this film and the way it deals with losses -- Pullman's wife and Casper's mother, in particular. And what's so clever about it is how it uses them as a tool of audience manipulation AND has the evil ghosts use Pullman in exactly the same way that we're being used. This is a smartly written screenplay. The story itself is pretty conventional and predictable: the loner girl gets teased by a popular girl (that nobody really likes) who's out to destroy her; the popular girl has a cute boyfriend that the loner girl has the hots for, etc. etc., story will resolve itself with everyone falling in love with loner girl.

I can't quite understand why this movie has such a low rating. The only explanation I can think of is that people prefer emotionally "safe" movies like "Toy Story" (of the same year) that are equally brilliant technically (and have as many references), but don't sacrifice coolness by showing sentimental, sad emotion. It's possible that the movie got marketed incorrectly. The film isn't about spooks; like one of those early, wonderful Tim Burton fantasies (this film also shares with them an outstanding score), the film deals -- quite movingly, I think -- with regaining that lost sense of childhood: that moment where Casper tries to remember being alive is just wrenching. And the scene relates just as profoundly to us: just as he can't remember being alive, we can't, really, remember being kids. I was ten when I first saw this, and it had an effect on me then (Ricci's description of sunny side-up eggs making her gag subconsciously made me avoid anything less than hard boiled for ten years); this is something that I really cherish as being part of my young emotional and visual education, and it stands up today.

I haven't seen the director's other films, so I have no idea whether this whole thing was a fluke or whether everything just settled in to my particular sensibility, but even outside of the emotion I think the technical aspects, the giant basement set, are enough to keep interest. And even outside of that, the acting is terrific. Cathy Moriarty is an absolute riot. 7/10

Who says there are no such things as ghosts? Not if there is the ghostly inhabitants of Whipstaff Manor in Friendship, Maine! This desolate mansion is then, in the words of one of the members of the Ghostly Trio of Whipstaff, 'intruded' by Kat Harvey (Christina Ricci) and her eccentric father Dr. James Harvey (Bill Pullman), a ghost therapist. Carrigan Crittenden (Cathy Moriarty) had hired Dr. Harvey to exorcise the ghosts, including Casper the friendly ghost and his three obnoxious uncles, Stretch, Fatso and Stinkie, aspiring to gain Whipstaff's 'buried gold'.

Intertwining humour, all-time fun and a modern Cinderella story, 'Casper' promises to please as a movie which is compelling, hilarious, captivating, heart-warming, witty and above all, truly 'fleshtastic'.

'Casper' is recommended for any audience, regardless of age. At the time I am submitting this review I am currently 17, turning 18, but 'Casper' still manages to appear endearing and ultimately special. The magic of Bill Pullman, Christina Ricci as well as that of director Brad Silberling, executive producer Steven Spielberg, and other producers weaves between each and every scene to eventually lift us off our feet. Above all, I LOVE THIS MOVIE! Casper is my all time favourite character. Truly fantastic. You won't BOOlieve it until you see it.