Uma Babá Objeto do Desejo

The Babysitter stars Alicia Silverstone as Jennifer, object of lust for her ineffectual bookworm boyfriend Jack (Jeremy London), colossal teenage jerk Mark (Nicky Katt), married man Harry Tucker (J.T. Walsh), and even Harry's randy pre-teen son Jimmy (Ryan Slater). As Jennifer innocently goes about her duties as a babysitter, the males fantasise about the young woman and desire eventually turns to obsession with fatal consequences.

There was a time when teenage temptress Silverstone was shaping up to be a major player in Hollywood, her role in hit teen comedy Clueless seriously boosting her bankability as an actress. But then she appeared in the abysmal Batman and Robin (as Batgirl) and pointless drivel like The Babysitter, an erotic thriller that is neither thrilling nor erotic (largely thanks to a no nudity clause in Silverstone's contract). Her star rapidly faded.

To be fair, Silverstone is perfectly adequate in her role, but the film's script goes nowhere slowly, its study of the male libido being neither enlightening (everybody knows how horny we men can be) nor all that interesting. Unappealing characters (Jennifer aside) also serve to make this film hard to endure, with wet-blanket Jack making unlikely boyfriend material for a hottie like Jennifer, Mark being a total tool, and Harry a slimy perv. Director Guy Ferland ends the film with a downer of a finale that sees one family losing a son, and another losing a father, making this not just boring but rather depressing too.

Yes, this movie is quite out of the ordinary, but worth a look anyway. As usual, Alicia Silverstone is in top form, this time playing an object of desire, and a feature of many fantasies to various men. Unfortunately, there is one off-putting scene where Alicia's character kisses the putrid J.T Walsh.

The Babysitter is about this beautiful babysitter(Alicia Silverstone) that everybody adores and has every day fantasies about her. One night, while she is babysitting for the Tucker family, her boyfriend Jack(Jeremy London), her ex boyfriend Mark(Nicky Katt), and Mr.Tucker(J.T Walsh), all want to seduce the babysitter and make their fantasies come true. The plot was alright, i mean, the fantasies were pretty realistic in some way. We all have them at some point. But it gets kinda boring and predictable after a while and the babysitter turns into nothing special. I would give The Babysitter 6/10

Supposedly "steamy" thriller is adapted by director Guy Ferland from the story by Robert Coover. It basically functions as a vehicle for then up and comer Alicia Silverstone, cast as the title character. She's a high school student sitting for middle aged couple Harry and Dolly Tucker (J.T. Walsh and Lee Garlington), who have three kids. She inspires fantasies in not only the lecherous, drunken Harry but her estranged boyfriend Jack (Jeremy London) and his shady associate Mark (Nicky Katt). Even her male charge Jimmy (Ryan Slater, Christians' kid brother) gets in on the act.

This should have made for a more watchable experience, but it fails to be all that interesting, whether it follows the activities of the aimless youth or the weary older generation. There are so many fantasy sequences that viewers may feel challenged to keep track of when the film is actually showing "reality". Also, people may feel cheated that Silverstone isn't showcased to sexier effect. Apparently, she wouldn't do this film until the nude scenes were cut. Adding to that problem is the fact that her character (not to mention most of the characters here) just isn't that compelling.

This impressive cast certainly has worked with better material. One does feel embarrassed for the late, great Walsh. Garlington has a somewhat meaty role as his wife who is despondent over not being more desirable to her worthless husband. George Segal and Lois Chiles, as their friends throwing the party that they attend, have precious little to do. Too much time is spent with London and the amusingly smarmy Katt as they prowl around the Tucker home, and it takes the film too long to get going.

Fans wanting a Silverstone fix would be better off revisiting "Clueless" or even "The Crush".

Six out of 10.

I've sometimes disliked or out right hated films that are almost universally applauded in a film that I dislike so I'm glad to see that my own sentiments with this film are generally the same as many others within this community...

Let's begin by saying this film is strange....very strange... but strangeness in a film is not always a negative, but when the film is boring and lacking in any kind of momentum...well that's when it starts running in to problems...

So effectively here we have Alicia Silverstone as the babysitter (playing a sort of Lolita type). Whilst Ms Silverstone is quite alluring and ever so slightly delectable there's not much else worthy of praise within the film...

If we look at the competing parties for Lolita (sorry the babysitters affections) we have straight-laced Jack, cool street-wise Mark and more disturbingly the father of the children whom the babysitter is minding namely Harry Tucker. Through psychedelic and maniacal flashbacks the film tries to present a story from each of their perspectives (of course the film shows you what they want you to see which is far removed from the reality of what actually happens). Aside from the Babysitter, the only other person I felt a bit sorry for was Jack whom you felt that if he had just been himself that he may have got somewhere with the Babysitter (as opposed to him listening to Mark and his misguided attempts at self-confidence).

Of course there are 2 sides to a coin and looking at things from another perspective we have Dolly Tucker (whom is the wife of Harry). Whilst she puts on a strong front for most of the film, once the alcohol kicks in she shows her true colours and starts indulging in her own fantasies (at least in her own mind). All these things seem to act as a driver to what little plot there is here, but none of these arcs add up to much in the way of suspense, enjoyment or just good all round audience involvement.

To be blunt, The Babysitter is not very good plain and simple. Even the acting from everyone involved is pretty poor and at times the film has an odd theatrical feel about it. I could see what the filmmakers were trying to do here, but they made a right mess of it.