The Thief and the Cobbler

I've had the opportunity to view a copy of the workprint Richard Williams cobbled together (consisting of finished footage, storyboards, and pencil tests), and it gives a good idea as to what the movie would have been like if Williams had managed to finish it.

Is it better than the Miramax version? Most definitely. Miramax vandalized the movie by adding those voice-overs for the Thief and the Cobbler characters - a ludicrous idea, since these characters were designed to be SILENT. Seeing these quiet characters not moving their mouths - but hearing wise-cracking dialogue, and dialogue that doesn't fit the character's personalities - is infuriating and very distracting. Though Miramax didn't do all the butchery, since the movie was significantly cut by other hands, and with poor linking animation added. (Not to mention some HORRIBLE song numbers.)

The workprint beats the Miramax version by far - but it's not perfect. True, seeing all that uncut animation - AMAZING animation - makes it a must see. It's breathtaking at times. But if the movie had been finished, I'm sure critics and audiences - when not gushing about the animation - would have criticized the story and characters. There's barely a story here, and it takes forever to get going. And once it gets going, there are plenty of times when the story stops for a pseudo intermission. Apparently, Williams was so charmed by all the vignettes that he thought up (mostly to do with the Thief bumbling around and making an ass of himself), he didn't want to leave any of them out. Seen by themselves, the vignettes are funny and a wonder to the eye. But seeing one after the other...well, it gets tiring after a while.

As well, with all the effort put in making visual splendor and animated gags, it seems not much was put into fleshing out the characters more than they are now. (Though they all have a charm that carries them further than you'd expect.)

Though I do have some sympathy for Williams for the heartbreak he suffered after being fired from the project (after working on it for more than 20 years!), he must accept his share of the blame for his firing and the eventual butchery of his project, seeing that he constantly went over time and budget, and refused to stop "improvising" as well as avoiding scripts and storyboards.

Anyway, seek the workprint and avoid the Miramax version!

I can't stand this film being so obscure. It was a 30-year-old labor of love that Richard Williams promised to be the greatest animated film ever, before it was taken away by his creditors. All he cared about was the perfection of the art, rather than the restrictions of schedules and budgets. What happened to the movie was awful, but the remaining animation shines through, greatly. I, for one, was very upset with the release of the Miramax version on DVD, with only pan and scan, and a lack of extras. It was an insult to the original version. I really hope the restoration project is revived soon. A fully restored Director's cut is my on and only "Dream DVD". That film really changed my life and outlook on animation. It deserves more recognition and it's a great learning exercise for animators. Stay away from the Miramax version.

Back in the mid-90s, I first discover this movie on TV. And I immediately found it to be another movie to enjoy.

Since then, it wasn't until the early 2000s, when I learn about it's shocking and tragic history.

"The Thief & Cobbler/Arabian Knights" takes place in a fictional desert world. The story focuses on a partly silent cobbler name Tack & a silent thief. The kingdom they're in, is known for the protected treasure of 3 golden balls. If those balls were to be removed from their place, and fall into enemy hands. Then the kingdom will fall. Tack was a poor cobbler until he got convicted for leaving tacks on the road of the visor's parade. And was saved from imprisonment when Princess Yum Yum had a liking for him, and asked for a cobbler to fix her shoes. Not only did Tack found what appears to be the girl of his dreams. He soon finds himself to be a possible hero of the kingdom.

Meanwhile the visor: Zig-Zag plots to steal the golden balls and present them to the enemy side: The One Eye Army. With the gold balls in their possession, they'll destroy the kingdom with their number of soldiers and weapons of all kinds. Can a cobbler like Tack, really be able to save a country? In development for more than 28 years. Making this film the longest animated/feature length film to be in production. The version I saw on TV, was considered to be an alternate and less convincing movie than the other kind that was attended to be seen. As I learn the original animators and writers spent so much time, the whole thing was shelved by various distributors.

After seeing the revised version(which has numerous storyboard/UN finished scenes). I was remotely surprised on how different it is. Minus all the changes and unnecessary dialog & songs used in the Miramax version.

A lot of people consider this to be a rip off of Aladin. But trust me, it's way different from Aladin. Not as well known as Aladin. But it's one of those movies that deserve more. If it was finished by the original dudes who put their life's work into. Then people would recognize it as a classic.

It's yet to get a better DVD release. And the revised version of this film is out there, but hard to find. This and Twice Upon a Time are perfect examples of animated movies that became fan favorites over the years.

The original version is intended for sophisticated viewers. While the Miramax version was made to be kid friendly.

This is one of the most innovative and amazing pieces of animation I have ever seen. The treatment of each of the characters was fresh compelling, unique and entirely hilarious, especially that of Zigzag the Sorcerer and of the Thief. Princess Yum Yum was every bit as seductive as Richard William's Jessica Rabbit. The use of meticulously crafted geometric designs and patterns for the backgrounds was a delightful change from the photo realistic computer generated images offered up as the order of the day. This could easily have been considered an historic piece of classic family entertainment weren't it for the intrusive and entirely unnecessary dialogue of the usually funny Jonathan Winters as the voice of the thief. His mumblings in no way moved the story forward or complimented the visual personality of the thief, interjecting meaningless dribble into the what would be otherwise, natural pauses in the rhythm of the story. Richard Williams could have easily basked in the same spotlight as does Tim Burton or Roald Dahl. I'll keep an eye out for a 'directors cut' to share with my friends.

Famously ill-fated animated feature by the renowned Richard Williams, which remains uncompleted despite his having worked on it for almost 30 years!; the film was eventually released in two bastardized versions under the titles of THE PRINCESS AND THE COBBLER (1993) and ARABIAN KNIGHT, while bootlegs – actually a workprint – closer to Williams' original vision have also surfaced (which is the edition I acquired).

It's a typical Arabian Nights fantasy and it's no secret that the Disney Studios 'borrowed' some of its ideas for their hugely successful ALADDIN (1992). Of course, we have a hero (the Cobbler), a heroine (the Princess), a comic-relief sidekick (the Thief) and a villain (the Grand Vizier); the latter is recognizably voiced by the late great Vincent Price (running the whole gamut of emotions in the process), while one of the more interesting aspects of the film is that the titular figures are given no dialogue (except for one silly line by the Cobbler at the very end). Both also have other weird characteristics: the Cobbler's mouth is shaped like two nails set side by side with their points meeting, while the Thief is constantly being followed by a swarm of buzzing flies!

The plot basically revolves around three golden balls atop the King's (shouldn't that be Caliph?!) palace which, if removed, would bring disaster upon the land – and, sure enough, the Thief is after them. Needless to say, the Grand Vizier called Zig-Zag (with faithful vulture companion Phido in tow) not only craves power for himself but the Princess' hand, too, and he secretly connives with a warring people intent on conquering Arabia to this end. As expected, the visual design is extremely colorful and amazingly detailed (especially effective is Williams' clever use of perspective) – though it's hardly rendered justice by the fuzzy quality of the copy under review (to check out the film as mangled by other hands is clearly out of the question for me).

At 96 minutes, THE THIEF AND THE COBBLER – with its slight plot and even thinner characters – does tend to drag a bit (especially during the climax and the Thief's protracted hair-raising stunts to survive a conflagration), but the latter's amiable antics throughout and Price's agreeably hammy rendition more than make up for any such deficiencies. For the record, many other notable actors were roped in for the project over the years – with sometimes more than one person being engaged for the same role (the King, for instance, was voiced by both Anthony Quayle and Clive Revill and the narrator was either Felix Aylmer or Ralph Richardson)!