The Thief and the Cobbler

The Thief and the Cobbler was 30 years in the making, was released in a couple of different chopped up forms, then someone took all the footage they could find to try and create a version of the director's original vision, called the Recobbled Cut. There are a few versions of this fan-edited version; I saw the most recent, Mark 4, and that's the version I'm reviewing.

The film is made up of finished animation pulled from video, some 35mm finished footage, some work prints, test animations, half done sequences, and still sketches. In spite of this miscellany, the story of a kingdom under threat from a thief, a one-eyed warlord, and Vincent Price, has a fairly coherent and engaging story.

The quality varies from moment to moment. Some scenes are fully finished, but many look like there are details missing, and color and quality vary from moment to moment. But much of what is there is truly stunning. There are wonderfully clever effects, like a top down, shot of a chase over a tiled floor that reveals an optical illusion. Parts have a Fleischer Brothers surrealist aspect, while the finale, the wildly elaborate destruction of a vast war machine, would have been one of the greatest animated sequences of all time had it been fully finished. Even in its current form it's incredibly impressive.

It's hard to know how the final film would have looked. The director was apparently constantly changing and reanimating sequences (which lead to cost and time overruns that got him thrown off the project), so even the "finished" parts might not have been final. But I salute the guy who put this together and hope that someday he or perhaps Disney (who may have more footage in a vault) will create something even closer to the director's vision.

Well worth watching for animation fans who can deal with the flawed presentation.

Famously ill-fated animated feature by the renowned Richard Williams, which remains uncompleted despite his having worked on it for almost 30 years!; the film was eventually released in two bastardized versions under the titles of THE PRINCESS AND THE COBBLER (1993) and ARABIAN KNIGHT, while bootlegs – actually a workprint – closer to Williams' original vision have also surfaced (which is the edition I acquired).

It's a typical Arabian Nights fantasy and it's no secret that the Disney Studios 'borrowed' some of its ideas for their hugely successful ALADDIN (1992). Of course, we have a hero (the Cobbler), a heroine (the Princess), a comic-relief sidekick (the Thief) and a villain (the Grand Vizier); the latter is recognizably voiced by the late great Vincent Price (running the whole gamut of emotions in the process), while one of the more interesting aspects of the film is that the titular figures are given no dialogue (except for one silly line by the Cobbler at the very end). Both also have other weird characteristics: the Cobbler's mouth is shaped like two nails set side by side with their points meeting, while the Thief is constantly being followed by a swarm of buzzing flies!

The plot basically revolves around three golden balls atop the King's (shouldn't that be Caliph?!) palace which, if removed, would bring disaster upon the land – and, sure enough, the Thief is after them. Needless to say, the Grand Vizier called Zig-Zag (with faithful vulture companion Phido in tow) not only craves power for himself but the Princess' hand, too, and he secretly connives with a warring people intent on conquering Arabia to this end. As expected, the visual design is extremely colorful and amazingly detailed (especially effective is Williams' clever use of perspective) – though it's hardly rendered justice by the fuzzy quality of the copy under review (to check out the film as mangled by other hands is clearly out of the question for me).

At 96 minutes, THE THIEF AND THE COBBLER – with its slight plot and even thinner characters – does tend to drag a bit (especially during the climax and the Thief's protracted hair-raising stunts to survive a conflagration), but the latter's amiable antics throughout and Price's agreeably hammy rendition more than make up for any such deficiencies. For the record, many other notable actors were roped in for the project over the years – with sometimes more than one person being engaged for the same role (the King, for instance, was voiced by both Anthony Quayle and Clive Revill and the narrator was either Felix Aylmer or Ralph Richardson)!

If you've seen the ORIGINAL VERSION, this is not true. Disney DID NOT originally help the creator of this movie. I don't know the entire movie, but if you go to www.thiefandthecobblar.com it includes a short biography of the man who originally began this project. I watched the original movie when I was VERY VERY little. You can NO LONGER PURCHASE IT ((if you can...PLEASE PLEASE PLEASE TELL ME...)) Although some minor video stores still carry it. The original, if found, was BEAUTIFUL and I must say, absolutely hilarious. No matter who watched it with me, it was always loved. Just this evening I watched the version I'm certain that you speak of. The dubbed version, I believe bought by Disney, is total CRAP. It hurt me to watch it. I don't even want to know what happened when they renamed it Arabian Knight. All I know is if you can find the original, it's an incredible animated masterpiece.

I've had the opportunity to view a copy of the workprint Richard Williams cobbled together (consisting of finished footage, storyboards, and pencil tests), and it gives a good idea as to what the movie would have been like if Williams had managed to finish it.

Is it better than the Miramax version? Most definitely. Miramax vandalized the movie by adding those voice-overs for the Thief and the Cobbler characters - a ludicrous idea, since these characters were designed to be SILENT. Seeing these quiet characters not moving their mouths - but hearing wise-cracking dialogue, and dialogue that doesn't fit the character's personalities - is infuriating and very distracting. Though Miramax didn't do all the butchery, since the movie was significantly cut by other hands, and with poor linking animation added. (Not to mention some HORRIBLE song numbers.)

The workprint beats the Miramax version by far - but it's not perfect. True, seeing all that uncut animation - AMAZING animation - makes it a must see. It's breathtaking at times. But if the movie had been finished, I'm sure critics and audiences - when not gushing about the animation - would have criticized the story and characters. There's barely a story here, and it takes forever to get going. And once it gets going, there are plenty of times when the story stops for a pseudo intermission. Apparently, Williams was so charmed by all the vignettes that he thought up (mostly to do with the Thief bumbling around and making an ass of himself), he didn't want to leave any of them out. Seen by themselves, the vignettes are funny and a wonder to the eye. But seeing one after the other...well, it gets tiring after a while.

As well, with all the effort put in making visual splendor and animated gags, it seems not much was put into fleshing out the characters more than they are now. (Though they all have a charm that carries them further than you'd expect.)

Though I do have some sympathy for Williams for the heartbreak he suffered after being fired from the project (after working on it for more than 20 years!), he must accept his share of the blame for his firing and the eventual butchery of his project, seeing that he constantly went over time and budget, and refused to stop "improvising" as well as avoiding scripts and storyboards.

Anyway, seek the workprint and avoid the Miramax version!

I can't stand this film being so obscure. It was a 30-year-old labor of love that Richard Williams promised to be the greatest animated film ever, before it was taken away by his creditors. All he cared about was the perfection of the art, rather than the restrictions of schedules and budgets. What happened to the movie was awful, but the remaining animation shines through, greatly. I, for one, was very upset with the release of the Miramax version on DVD, with only pan and scan, and a lack of extras. It was an insult to the original version. I really hope the restoration project is revived soon. A fully restored Director's cut is my on and only "Dream DVD". That film really changed my life and outlook on animation. It deserves more recognition and it's a great learning exercise for animators. Stay away from the Miramax version.